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ORCIDEmilia Gómez
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- affiliation: Joint Research Centre (European Commission)
- affiliation: Universitat Pompeu Fabra (UPF), Barcelona, Spain
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2020 – today
- 2025
[i51]Manuel Cebrian, Emilia Gómez, David Fernández Llorca:
Supervision policies can shape long-term risk management in general-purpose AI models. CoRR abs/2501.06137 (2025)- [i50]Maria Eriksson, Erasmo Purificato, Arman Noroozian, João Vinagre
, Guillaume Chaslot, Emilia Gómez, David Fernández Llorca:
Can We Trust AI Benchmarks? An Interdisciplinary Review of Current Issues in AI Evaluation. CoRR abs/2502.06559 (2025) - 2024
- [j39]Isabelle Hupont, David Fernández Llorca, Sandra Baldassarri, Emilia Gómez:
Use case cards: a use case reporting framework inspired by the European AI Act. Ethics Inf. Technol. 26(2): 19 (2024) - [j38]David Fernández Llorca, Pedro Frau, Ignacio Parra, Rubén Izquierdo, Emilia Gómez:
Attribute annotation and bias evaluation in visual datasets for autonomous driving. J. Big Data 11(1): 137 (2024) - [j37]Isabelle Hupont, Songül Tolan, Pedro Frau, Lorenzo Porcaro, Emilia Gómez:
Measuring and Fostering Diversity in Affective Computing Research. IEEE Trans. Affect. Comput. 15(1): 63-78 (2024) - [j36]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Assessing the Impact of Music Recommendation Diversity on Listeners: A Longitudinal Study. Trans. Recomm. Syst. 2(1): 3:1-3:47 (2024) - [c96]Marina Escobar-Planas, Roberto Ruiz Sánchez, Pedro Frau-Amar, Vicky Charisi, Carlos D. Martínez-Hinarejos, Emilia Gómez, Luis Merino:
Implementing and Evaluating Trustworthy Conversational Agents for Children. CHIRA (1) 2024: 476-495 - [c95]Pablo Negri, Isabelle Hupont, Emilia Gómez:
A Framework for Assessing Proportionate Intervention with Face Recognition Systems in Real-Life Scenarios. FG 2024: 1-9 - [c94]Roser Batlle-Roca, Wei-Hsiang Liao, Xavier Serra, Yuki Mitsufuji, Emilia Gómez:
Towards Assessing Data Replication in Music Generation With Music Similarity Metrics on Raw Audio. ISMIR 2024: 1004-1011 - [c93]Lorenzo Porcaro, Emilia Gómez, Tiziana Catarci:
End-user Algorithmic Auditing for Music Discoverability: A Research Roadmap. MuRS@RecSys 2024 - [p5]Emilia Gómez, Helena Cuesta, Aggelos Gkiokas, Juan Sebastián Gómez Cañón, Lorenzo Porcaro, Furkan Yesiler:
Audio-based Music Retrieval. Information Retrieval: Advanced Topics and Techniques 2024: 539-575 - [i49]Pablo Negri, Isabelle Hupont, Emilia Gómez:
A Framework for Assessing Proportionate Intervention with Face Recognition Systems in Real-Life Scenarios. CoRR abs/2402.05731 (2024) - [i48]David Fernández Llorca, Ronan Hamon, Henrik Junklewitz, Kathrin Grosse, Lars Kunze, Patrick Seiniger, Robert Swaim, Nick Reed, Alexandre Alahi, Emilia Gómez, Ignacio Sánchez, Ákos Kriston:
Testing autonomous vehicles and AI: perspectives and challenges from cybersecurity, transparency, robustness and fairness. CoRR abs/2403.14641 (2024) - [i47]Roser Batlle-Roca, Wei-Hsiang Liao, Xavier Serra, Yuki Mitsufuji, Emilia Gómez:
Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audio. CoRR abs/2407.14364 (2024) - 2023
- [j35]David Fernández Llorca, Emilia Gómez:
Trustworthy Artificial Intelligence Requirements in the Autonomous Driving Domain. Computer 56(2): 29-39 (2023) - [j34]Isabelle Hupont, Marina Micheli, Blagoj Delipetrev, Emilia Gómez, Josep Soler Garrido:
Documenting High-Risk AI: A European Regulatory Perspective. Computer 56(5): 18-27 (2023) - [j33]David Fernández Llorca, Vicky Charisi, Ronan Hamon, Ignacio Sánchez, Emilia Gómez:
Liability Regimes in the Age of AI: a Use-Case Driven Analysis of the Burden of Proof. J. Artif. Intell. Res. 76: 613-644 (2023) - [j32]Juan Sebastián Gómez Cañón, Nicolás Felipe Gutiérrez Páez, Lorenzo Porcaro, Alastair Porter, Estefanía Cano, Perfecto Herrera-Boyer, Aggelos Gkiokas, Patricia Santos, Davinia Hernández-Leo, Casper Karreman, Emilia Gómez:
TROMPA-MER: an open dataset for personalized music emotion recognition. J. Intell. Inf. Syst. 60(2): 549-570 (2023) - [c92]Lorenzo Porcaro, Carlos Castillo, Emilia Gómez, João Vinagre:
Fairness and Diversity in Information Access Systems. EWAF 2023 - [c91]Cecilia Panigutti, Ronan Hamon, Isabelle Hupont, David Fernández Llorca, Delia Fano Yela, Henrik Junklewitz, Salvatore Scalzo, Gabriele Mazzini, Ignacio Sánchez, Josep Soler Garrido, Emilia Gómez:
The role of explainable AI in the context of the AI Act. FAccT 2023: 1139-1150 - [c90]Markus Schedl, Emilia Gómez, Elisabeth Lex:
Trustworthy Algorithmic Ranking Systems. WSDM 2023: 1240-1243 - [e2]Lorenzo Porcaro, Roser Batlle-Roca, Emilia Gómez:
Proceedings of the 2nd Workshop on Human-Centric Music Information Retrieval 2023 co-located with the 24th International Society for Music Information Retrieval Conference (ISMIR 2023), Milan, Italy, November 10, 2023. CEUR Workshop Proceedings 3528, CEUR-WS.org 2023 [contents] - [i46]Lorenzo Porcaro, Carlos Castillo, Emilia Gómez, João Vinagre:
Fairness and Diversity in Information Access Systems. CoRR abs/2305.09319 (2023) - [i45]Isabelle Hupont, David Fernández Llorca, Sandra Baldassarri, Emilia Gómez:
Use case cards: a use case reporting framework inspired by the European AI Act. CoRR abs/2306.13701 (2023) - [i44]Lorenzo Porcaro, João Vinagre, Pedro Frau, Isabelle Hupont, Emilia Gómez:
Behind Recommender Systems: the Geography of the ACM RecSys Community. CoRR abs/2309.03512 (2023) - [i43]David Fernández Llorca, Pedro Frau, Ignacio Parra, Rubén Izquierdo, Emilia Gómez:
Attribute Annotation and Bias Evaluation in Visual Datasets for Autonomous Driving. CoRR abs/2312.06306 (2023) - 2022
- [j31]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics. Proc. ACM Hum. Comput. Interact. 6(CSCW1): 109:1-109:26 (2022) - [j30]Marina Escobar-Planas, Vicky Charisi, Emilia Gómez:
"That Robot Played with Us!" Children's Perceptions of a Robot after a Child-Robot Group Interaction. Proc. ACM Hum. Comput. Interact. 6(CSCW2): 1-23 (2022) - [j29]Helena Cuesta, Emilia Gómez:
Voice Assignment in Vocal Quartets Using Deep Learning Models Based on Pitch Salience. Trans. Int. Soc. Music. Inf. Retr. 5(1): 99 (2022) - [c89]Isabelle Hupont, Emilia Gómez:
Documenting use cases in the affective computing domain using Unified Modeling Language. ACII 2022: 1-8 - [c88]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Diversity in the Music Listening Experience: Insights from Focus Group Interviews. CHIIR 2022: 272-276 - [c87]Marina Escobar-Planas, Emilia Gómez, Carlos D. Martínez-Hinarejos:
Enhancing the Design of a Conversational Agent for an Ethical Interaction with Children. IberSPEECH 2022: 171-175 - [c86]Songül Tolan, Annarosa Pesole, Fernando Martínez-Plumed, Enrique Fernández-Macías, José Hernández-Orallo, Emilia Gómez:
Measuring the Occupational Impact of AI: Tasks, Cognitive Abilities and AI Benchmarks (Extended Abstract). IJCAI 2022: 5777-5781 - [c85]Adria Mallol-Ragolta, Helena Cuesta, Emilia Gómez, Björn W. Schuller:
Multi-Type Outer Product-Based Fusion of Respiratory Sounds for Detecting COVID-19. INTERSPEECH 2022: 2163-2167 - [c84]Emilia Gómez:
Scientific Challenges, Practical Methodologies and Policy Perspectives for Trustworthy Artificial Intelligence. ORSUM@RecSys 2022 - [c83]Markus Schedl, Emilia Gómez, Elisabeth Lex:
Retrieval and Recommendation Systems at the Crossroads of Artificial Intelligence, Ethics, and Regulation. SIGIR 2022: 3420-3424 - [c82]Furkan Yesiler, Marius Miron, Joan Serrà, Emilia Gómez:
Assessing Algorithmic Biases for Musical Version Identification. WSDM 2022: 1284-1290 - [i42]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Diversity in the Music Listening Experience: Insights from Focus Group Interviews. CoRR abs/2201.10249 (2022) - [i41]Isabelle Hupont, Emilia Gómez, Songül Tolan, Lorenzo Porcaro, Ana Freire:
Monitoring Diversity of AI Conferences: Lessons Learnt and Future Challenges in the DivinAI Project. CoRR abs/2203.01657 (2022) - [i40]Marina Escobar-Planas, Emilia Gómez, Carlos D. Martínez-Hinarejos:
Guidelines to Develop Trustworthy Conversational Agents for Children. CoRR abs/2209.02403 (2022) - [i39]Isabelle Hupont, Emilia Gómez:
Documenting use cases in the affective computing domain using Unified Modeling Language. CoRR abs/2209.09666 (2022) - [i38]David Fernández Llorca, Vicky Charisi, Ronan Hamon, Ignacio Sánchez, Emilia Gómez:
Liability regimes in the age of AI: a use-case driven analysis of the burden of proof. CoRR abs/2211.01817 (2022) - [i37]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Assessing the Impact of Music Recommendation Diversity on Listeners: A Longitudinal Study. CoRR abs/2212.00592 (2022) - 2021
- [j28]Marius Miron, Songül Tolan, Emilia Gómez, Carlos Castillo:
Evaluating causes of algorithmic bias in juvenile criminal recidivism. Artif. Intell. Law 29(2): 111-147 (2021) - [j27]Songül Tolan, Annarosa Pesole, Fernando Martínez-Plumed, Enrique Fernández-Macías, José Hernández-Orallo, Emilia Gómez:
Measuring the Occupational Impact of AI: Tasks, Cognitive Abilities and AI Benchmarks. J. Artif. Intell. Res. 71: 191-236 (2021) - [j26]Juan Sebastián Gómez Cañón, Estefanía Cano, Tuomas Eerola, Perfecto Herrera, Xiao Hu, Yi-Hsuan Yang, Emilia Gómez:
Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. IEEE Signal Process. Mag. 38(6): 106-114 (2021) - [j25]Olga Slizovskaia, Gloria Haro, Emilia Gómez:
Conditioned Source Separation for Musical Instrument Performances. IEEE ACM Trans. Audio Speech Lang. Process. 29: 2083-2095 (2021) - [j24]Fernando Martínez-Plumed, Emilia Gómez, José Hernández-Orallo:
Futures of artificial intelligence through technology readiness levels. Telematics Informatics 58: 101525 (2021) - [j23]Lorenzo Porcaro, Carlos Castillo, Emilia Gómez:
Diversity by Design in Music Recommender Systems. Trans. Int. Soc. Music. Inf. Retr. 4(1): 114-126 (2021) - [c81]Isabelle Hupont, Songül Tolan, Ana Freire, Lorenzo Porcaro, Sara Estevez, Emilia Gómez:
How diverse is the ACII community? Analysing gender, geographical and business diversity of Affective Computing research. ACII 2021: 1-8 - [c80]Ana Freire, Lorenzo Porcaro, Emilia Gómez:
Measuring Diversity of Artificial Intelligence Conferences. AIDBEI 2021: 39-50 - [c79]Nicolás Felipe Gutiérrez Páez, Juan Sebastián Gómez Cañón, Lorenzo Porcaro, Patricia Santos, Davinia Hernández-Leo, Emilia Gómez:
Emotion Annotation of Music: A Citizen Science Approach. CollabTech 2021: 51-66 - [c78]Furkan Yesiler, Emilio Molina, Joan Serrà, Emilia Gómez:
Investigating the Efficacy of Music Version Retrieval Systems for Setlist Identification. ICASSP 2021: 541-545 - [c77]Juan Sebastián Gómez Cañón, Estefanía Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gómez:
Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? ICASSP 2021: 576-580 - [c76]Pritish Chandna, António Ramires, Xavier Serra, Emilia Gómez:
Loopnet: Musical Loop Synthesis Conditioned on Intuitive Musical Parameters. ICASSP 2021: 3395-3399 - [c75]Vicky Charisi, Luis Merino, Marina Escobar, Fernando Caballero, Randy Gomez, Emilia Gómez:
The Effects of Robot Cognitive Reliability and Social Positioning on Child-Robot Team Dynamics. ICRA 2021: 9439-9445 - [c74]Adria Mallol-Ragolta, Helena Cuesta, Emilia Gómez, Björn W. Schuller:
Cough-Based COVID-19 Detection with Contextual Attention Convolutional Neural Networks and Gender Information. Interspeech 2021: 941-945 - [c73]Juan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez:
Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. ISMIR 2021: 237-245 - [c72]Emilia Gómez, Vicky Charisi, Stéphane Chaudron:
Evaluating Recommender Systems with and for Children: towards a Multi-Perspective Framework. Perspectives@RecSys 2021 - [d22]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics. Zenodo, 2021
- [i36]Furkan Yesiler, Emilio Molina, Joan Serrà, Emilia Gómez:
Investigating the efficacy of music version retrieval systems for setlist identification. CoRR abs/2101.02098 (2021) - [i35]Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics. CoRR abs/2101.11916 (2021) - [i34]Pritish Chandna, António Ramires, Xavier Serra, Emilia Gómez:
LoopNet: Musical Loop Synthesis Conditioned On Intuitive Musical Parameters. CoRR abs/2105.10371 (2021) - [i33]Isabelle Hupont, Songül Tolan, Ana Freire, Lorenzo Porcaro, Sara Estevez, Emilia Gómez:
How diverse is the ACII community? Analysing gender, geographical and business diversity of Affective Computing research. CoRR abs/2109.07907 (2021) - [i32]Furkan Yesiler, Marius Miron, Joan Serrà, Emilia Gómez:
Assessing Algorithmic Biases for Musical Version Identification. CoRR abs/2109.15188 (2021) - [i31]Adria Mallol-Ragolta, Helena Cuesta, Emilia Gómez, Björn W. Schuller:
EIHW-MTG DiCOVA 2021 Challenge System Report. CoRR abs/2110.06543 (2021) - [i30]Adria Mallol-Ragolta, Helena Cuesta, Emilia Gómez, Björn W. Schuller:
EIHW-MTG: Second DiCOVA Challenge System Report. CoRR abs/2110.09239 (2021) - [i29]Juan Sebastián Gómez Cañón, Perfecto Herrera, Estefanía Cano, Emilia Gómez:
Personalized musically induced emotions of not-so-popular Colombian music. CoRR abs/2112.04975 (2021) - 2020
- [j22]Vicky Charisi, Emilia Gómez, Gonzalo Mier, Luis Merino, Randy Gomez:
Child-Robot Collaborative Problem-Solving and the Importance of Child's Voluntary Interaction: A Developmental Perspective. Frontiers Robotics AI 7: 15 (2020) - [j21]Sebastian Rosenzweig, Helena Cuesta, Christof Weiß, Frank Scherbaum, Emilia Gómez, Meinard Müller:
Dagstuhl ChoirSet: A Multitrack Dataset for MIR Research on Choral Singing. Trans. Int. Soc. Music. Inf. Retr. 3(1): 98-110 (2020) - [c71]Fernando Martínez-Plumed, Songül Tolan, Annarosa Pesole, José Hernández-Orallo, Enrique Fernández-Macías, Emilia Gómez:
Does AI Qualify for the Job?: A Bidirectional Model Mapping Labour and AI Intensities. AIES 2020: 94-100 - [c70]Fernando Martínez-Plumed, José Hernández-Orallo, Emilia Gómez:
Tracking AI: The Capability Is (Not) Near. ECAI 2020: 2915-2916 - [c69]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Transfer learning from speech to music: towards language-sensitive emotion recognition models. EUSIPCO 2020: 136-140 - [c68]Furkan Yesiler, Joan Serrà, Emilia Gómez:
Accurate and Scalable Version Identification Using Musically-Motivated Embeddings. ICASSP 2020: 21-25 - [c67]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
Content Based Singing Voice Extraction from a Musical Mixture. ICASSP 2020: 781-785 - [c66]António Ramires, Pritish Chandna, Xavier Favory, Emilia Gómez, Xavier Serra:
Neural Percussive Synthesis Parameterised by High-Level Timbral Features. ICASSP 2020: 786-790 - [c65]Daniel Michelsanti, Olga Slizovskaia, Gloria Haro, Emilia Gómez, Zheng-Hua Tan, Jesper Jensen:
Vocoder-Based Speech Synthesis from Silent Videos. INTERSPEECH 2020: 3530-3534 - [c64]Guillaume Doras, Furkan Yesiler, Joan Serrà, Emilia Gómez, Geoffroy Peeters:
Combining musical features for cover detection. ISMIR 2020: 279-286 - [c63]Helena Cuesta, Brian McFee, Emilia Gómez:
Multiple F0 Estimation in Vocal Ensembles using Convolutional Neural Networks. ISMIR 2020: 302-309 - [c62]Pritish Chandna, Helena Cuesta, Emilia Gómez:
A Deep Learning Based Analysis-Synthesis Framework For Unison Singing. ISMIR 2020: 598-604 - [c61]Darius Petermann, Pritish Chandna, Helena Cuesta, Jordi Bonada, Emilia Gómez:
Deep Learning Based Source Separation Applied To Choir Ensembles. ISMIR 2020: 733-739 - [c60]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. ISMIR 2020: 853-860 - [c59]Furkan Yesiler, Joan Serrà, Emilia Gómez:
Less is more: Faster and better music version identification with embedding distillation. ISMIR 2020: 884-892 - [c58]Venkatesh S. Kadandale, Juan F. Montesinos, Gloria Haro, Emilia Gómez:
Multi-channel U-Net for Music Source Separation. MMSP 2020: 1-6 - [c57]Andrés Pérez-López, Archontis Politis, Emilia Gómez:
Blind reverberation time estimation from ambisonic recordings. MMSP 2020: 1-6 - [c56]Dougal Shakespeare, Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Exploring Artist Gender Bias in Music Recommendation. ComplexRec-ImpactRS@RecSys 2020 - [d21]Emilia Gómez:
Tonality classicalDB Dataset. Zenodo, 2020 - [i28]Ana Freire, Lorenzo Porcaro, Emilia Gómez:
Measuring Diversity of Artificial Intelligence Conferences. CoRR abs/2001.07038 (2020) - [i27]Emilio Gómez-González, Emilia Gómez, Javier Márquez-Rivas, Manuel Guerrero-Claro, Isabel Fernández-Lizaranzu, María Isabel Relimpio-López, Manuel E. Dorado, María José Mayorga-Buiza, Guillermo Izquierdo-Ayuso, Luis Capitán-Morales:
Artificial intelligence in medicine and healthcare: a review and classification of current and near-future applications and their ethical and social Impact. CoRR abs/2001.09778 (2020) - [i26]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
Content Based Singing Voice Extraction From a Musical Mixture. CoRR abs/2002.04933 (2020) - [i25]Marius Miron, Songül Tolan, Emilia Gómez, Carlos Castillo:
Addressing multiple metrics of group fairness in data-driven decision making. CoRR abs/2003.04794 (2020) - [i24]Venkatesh S. Kadandale, Juan F. Montesinos, Gloria Haro, Emilia Gómez:
Multi-task U-Net for Music Source Separation. CoRR abs/2003.10414 (2020) - [i23]Daniel Michelsanti, Olga Slizovskaia, Gloria Haro, Emilia Gómez, Zheng-Hua Tan, Jesper Jensen:
Vocoder-Based Speech Synthesis from Silent Videos. CoRR abs/2004.02541 (2020) - [i22]Olga Slizovskaia, Gloria Haro, Emilia Gómez:
Conditioned Source Separation for Music Instrument Performances. CoRR abs/2004.03873 (2020) - [i21]Darius Petermann, Pritish Chandna, Helena Cuesta, Jordi Bonada, Emilia Gómez:
Deep Learning Based Source Separation Applied To Choir Ensembles. CoRR abs/2008.07645 (2020) - [i20]Dougal Shakespeare, Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Exploring Artist Gender Bias in Music Recommendation. CoRR abs/2009.01715 (2020) - [i19]Helena Cuesta, Brian McFee, Emilia Gómez:
Multiple F0 Estimation in Vocal Ensembles using Convolutional Neural Networks. CoRR abs/2009.04172 (2020) - [i18]Pritish Chandna, Helena Cuesta, Emilia Gómez:
A Deep Learning Based Analysis-Synthesis Framework For Unison Singing. CoRR abs/2009.09875 (2020) - [i17]Furkan Yesiler, Joan Serrà, Emilia Gómez:
Less is more: Faster and better music version identification with embedding distillation. CoRR abs/2010.03284 (2020)
2010 – 2019
- 2019
- [j20]Álvaro Sarasúa, Julián Urbano, Emilia Gómez:
Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements. Frontiers Digit. Humanit. 6: 3 (2019) - [j19]Blai Meléndez-Catalán, Emilio Molina, Emilia Gómez:
Open Broadcast Media Audio from TV: A Dataset of TV Broadcast Audio with Relative Music Loudness Annotations. Trans. Int. Soc. Music. Inf. Retr. 2(1): 43-51 (2019) - [c55]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
WGANSing: A Multi-Voice Singing Voice Synthesizer Based on the Wasserstein-GAN. EUSIPCO 2019: 1-5 - [c54]Vicky Charisi, Selma Sabanovic, Serge Thill, Emilia Gómez, Keisuke Nakamura, Randy Gomez:
Expressivity for Sustained Human-Robot Interaction. HRI 2019: 675-676 - [c53]Songül Tolan, Marius Miron, Emilia Gómez, Carlos Castillo:
Why Machine Learning May Lead to Unfairness: Evidence from Risk Assessment for Juvenile Justice in Catalonia. ICAIL 2019: 83-92 - [c52]Olga Slizovskaia, Leo Kim, Gloria Haro, Emilia Gómez:
End-to-end Sound Source Separation Conditioned on Instrument Labels. ICASSP 2019: 306-310 - [c51]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
A Vocoder Based Method for Singing Voice Extraction. ICASSP 2019: 990-994 - [c50]Johan Pauwels, Ken O'Hanlon, Emilia Gómez, Mark B. Sandler:
20 Years of Automatic Chord Recognition from Audio. ISMIR 2019: 54-63 - [c49]Lorenzo Porcaro, Emilia Gómez:
20 Years of Playlists: A Statistical Analysis on Popularity and Diversity. ISMIR 2019: 130-136 - [c48]Furkan Yesiler, Chris Tralie, Albin Andrew Correya, Diego Furtado Silva, Philip Tovstogan, Emilia Gómez, Xavier Serra:
Da-TACOS: A Dataset for Cover Song Identification and Understanding. ISMIR 2019: 327-334 - [c47]Lorenzo Porcaro, Emilia Gómez:
A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions. ImpactRS@RecSys 2019 - [d20]Blai Meléndez-Catalán, Emilio Molina, Emilia Gómez:
Open Broadcast Media Audio from TV (OpenBMAT). Zenodo, 2019 - [i16]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
A Vocoder Based Method For Singing Voice Extraction. CoRR abs/1903.07554 (2019) - [i15]Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gómez:
WGANSing: A Multi-Voice Singing Voice Synthesizer Based on the Wasserstein-GAN. CoRR abs/1903.10729 (2019) - [i14]Helena Cuesta, Emilia Gómez, Pritish Chandna:
A Framework for Multi-f0 Modeling in SATB Choir Recordings. CoRR abs/1904.05086 (2019) - [i13]Olga Slizovskaia, Emilia Gómez, Gloria Haro:
A Case Study of Deep-Learned Activations via Hand-Crafted Audio Features. CoRR abs/1907.01813 (2019) - [i12]Juan Sebastián Gómez Cañón, Perfecto Herrera, Emilia Gómez, Estefanía Cano:
The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. CoRR abs/1909.05882 (2019) - [i11]Furkan Yesiler, Joan Serrà, Emilia Gómez:
Accurate and Scalable Version Identification Using Musically-Motivated Embeddings. CoRR abs/1910.12551 (2019) - [i10]António Ramires, Pritish Chandna, Xavier Favory, Emilia Gómez, Xavier Serra:
Neural Percussive Synthesis Parameterised by High-Level Timbral Features. CoRR abs/1911.11853 (2019) - [i9]Meinard Müller, Emilia Gómez, Yi-Hsuan Yang:
Computational Methods for Melody and Voice Processing in Music Recordings (Dagstuhl Seminar 19052). Dagstuhl Reports 9(1): 125-177 (2019) - 2018
- [j18]Markus Schedl, Emilia Gómez, Erika S. Trent, Marko Tkalcic, Hamid Eghbal-Zadeh, Agustín Martorell:
On the Interrelation Between Listener Characteristics and the Perception of Emotions in Classical Orchestra Music. IEEE Trans. Affect. Comput. 9(4): 507-525 (2018) - [j17]Simon Dixon, Emilia Gómez, Anja Volk:
Editorial: Introducing the Transactions of the International Society for Music Information Retrieval. Trans. Int. Soc. Music. Inf. Retr. 1(1): 1-3 (2018) - [c46]Vicky Charisi, Cynthia C. S. Liem, Emilia Gómez:
Novelty-based cognitive processes in unstructured music-making settings in early childhood. ICDL-EPIROB 2018: 218-223 - [e1]Emilia Gómez, Xiao Hu, Eric Humphrey, Emmanouil Benetos:
Proceedings of the 19th International Society for Music Information Retrieval Conference, ISMIR 2018, Paris, France, September 23-27, 2018. 2018, ISBN 978-2-9540351-2-3 [contents] - [d19]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
corpusCOFLA Metadata. Zenodo, 2018 - [d18]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
cante2midi Metadata. Zenodo, 2018 - [d17]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
canteFAN Metadata. Zenodo, 2018 - [d16]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
cante100 Metadata. Zenodo, 2018 - [d15]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan José Bosch, Emilia Gómez, Juan Pablo Bello:
Bach10-mf0-synth. Zenodo, 2018 - [d14]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan José Bosch, Emilia Gómez, Juan Pablo Bello:
MDB-bass-synth. Zenodo, 2018 - [d13]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan José Bosch, Emilia Gómez, Juan Pablo Bello:
MDB-melody-synth. Zenodo, 2018 - [d12]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan José Bosch, Emilia Gómez, Juan Pablo Bello:
MDB-mf0-synth. Zenodo, 2018 - [d11]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan José Bosch, Emilia Gómez, Juan Pablo Bello:
MDB-stem-synth. Zenodo, 2018 - [d10]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
canteFAN Audio. Zenodo, 2018 - [d9]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
cante100 Audio. Zenodo, 2018 - [d8]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
cante2midi Audio. Zenodo, 2018 - [d7]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
corpusCOFLA Audio. Zenodo, 2018 - [i8]Emilia Gómez, Carlos Castillo, Vicky Charisi, Verónica Dahl, Gustavo Deco, Blagoj Delipetrev, Nicole Dewandre, Miguel Ángel González Ballester, Fabien Gouyon, José Hernández-Orallo, Perfecto Herrera, Anders Jonsson, Ansgar Koene, Martha A. Larson, Ramón López de Mántaras, Bertin Martens, Marius Miron, Rubén Moreno-Bote, Nuria Oliver, Antonio Puertas Gallardo, Heike Schweitzer, Núria Sebastián, Xavier Serra, Joan Serrà, Songül Tolan, Karina Vold:
Assessing the impact of machine intelligence on human behaviour: an interdisciplinary endeavour. CoRR abs/1806.03192 (2018) - [i7]Enrique Fernández-Macías, Emilia Gómez, José Hernández-Orallo, Bao Sheng Loe, Bertin Martens, Fernando Martínez-Plumed, Songül Tolan:
A multidisciplinary task-based perspective for evaluating the impact of AI autonomy and generality on the future of work. CoRR abs/1807.02416 (2018) - [i6]Emilia Gómez, Merlijn Blaauw, Jordi Bonada, Pritish Chandna, Helena Cuesta:
Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners. CoRR abs/1807.03046 (2018) - [i5]Olga Slizovskaia, Leo Kim, Gloria Haro, Emilia Gómez:
End-to-End Sound Source Separation Conditioned On Instrument Labels. CoRR abs/1811.01850 (2018) - 2017
- [j16]Cynthia C. S. Liem, Emilia Gómez, George Tzanetakis:
Multimedia Technologies for Enriched Music Performance, Production, and Consumption. IEEE Multim. 24(1): 20-23 (2017) - [c45]Eduardo Fonseca, Rong Gong, Dmitry Bogdanov, Olga Slizovskaia, Emilia Gómez, Xavier Serra:
Acoustic Scene Classification by Ensembling Gradient Boosting Machine and Convolutional Neural Networks. DCASE 2017: 37-41 - [c44]Jordi Pons, Olga Slizovskaia, Rong Gong, Emilia Gómez, Xavier Serra:
Timbre analysis of music audio signals with convolutional neural networks. EUSIPCO 2017: 2744-2748 - [c43]Pritish Chandna, Marius Miron, Jordi Janer, Emilia Gómez:
Monoaural Audio Source Separation Using Deep Convolutional Neural Networks. LVA/ICA 2017: 258-266 - [c42]Emilia Gómez, Pablo Arias, Pablo Zinemanas, Gloria Haro:
Visual Music Transcription of Clarinet Video Recordings Trained with Audio-Based Labelled Data. ICCV Workshops 2017: 463-470 - [c41]Marius Miron, Jordi Janer, Emilia Gómez:
Monaural Score-Informed Source Separation for Classical Music Using Convolutional Neural Networks. ISMIR 2017: 55-62 - [c40]Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan J. Bosch, Emilia Gómez, Juan Pablo Bello:
An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets. ISMIR 2017: 71-78 - [c39]Olga Slizovskaia, Emilia Gómez, Gloria Haro:
Musical Instrument Recognition in User-generated Videos using a Multimodal Convolutional Neural Network Architecture. ICMR 2017: 226-232 - [c38]Maria Rauschenberger, Luz Rello, Ricardo Baeza-Yates, Emilia Gómez, Jeffrey P. Bigham:
Towards the Prediction of Dyslexia by a Web-based Game with Musical Elements. W4A 2017: 23:1-23:4 - [i4]Jordi Pons, Olga Slizovskaia, Rong Gong, Emilia Gómez, Xavier Serra:
Timbre Analysis of Music Audio Signals with Convolutional Neural Networks. CoRR abs/1703.06697 (2017) - 2016
- [j15]Marius Miron, Julio J. Carabias-Orti, Juan J. Bosch, Emilia Gómez, Jordi Janer:
Score-Informed Source Separation for Multichannel Orchestral Recordings. J. Electr. Comput. Eng. 2016: 8363507:1-8363507:19 (2016) - [j14]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
Corpus COFLA: A Research Corpus for the Computational Study of Flamenco Music. ACM Journal on Computing and Cultural Heritage 9(2): 10:1-10:21 (2016) - [j13]Nadine Kroher, Emilia Gómez:
Automatic Transcription of Flamenco Singing From Polyphonic Music Recordings. IEEE ACM Trans. Audio Speech Lang. Process. 24(5): 901-913 (2016) - [c37]Emilia Gómez:
Music Information Retrieval: From Signals to Meaning; from Classical Music to Flamenco. CCIA 2016: 3 - [c36]Ángel Faraldo, Emilia Gómez, Sergi Jordà, Perfecto Herrera:
Key Estimation in Electronic Dance Music. ECIR 2016: 335-347 - [c35]Juan J. Bosch, Rachel M. Bittner, Justin Salamon, Emilia Gómez:
A Comparison of Melody Extraction Methods Based on Source-Filter Modelling. ISMIR 2016: 571-577 - [c34]Markus Schedl, Hamid Eghbal-Zadeh, Emilia Gómez, Marko Tkalcic:
An Analysis of Agreement in Classical Music Perception and its Relationship to Listener Characteristics. ISMIR 2016: 578-583 - [c33]Jordi Janer, Emilia Gómez, Agustín Martorell, Marius Miron, Benjamin de Wit:
Immersive Orchestras: Audio Processing for Orchestral Music VR Content. VS-GAMES 2016: 1-2 - [c32]Álvaro Sarasúa, Mark S. Melenhorst, Carles Fernandes Julià, Emilia Gómez:
Becoming the Maestro - A Game to Enhance Curiosity for Classical Music. VS-GAMES 2016: 1-4 - [p4]Agustín Martorell, Emilia Gómez:
Contextual Set-Class Analysis. Computational Music Analysis 2016: 81-110 - [d6]Juan J. Bosch, Emilia Gómez:
ORCHSET: a dataset for melody extraction in symphonic music recordings. Zenodo, 2016 - [d5]Marius Miron, Julio José Carabias-Orti, Juan J. Bosch, Emilia Gómez, Jordi Janer:
PHENICX-Anechoic: note annotations for Aalto anechoic orchestral database. Zenodo, 2016 - [d4]Markus Schedl, Emilia Gómez, Erika S. Trent, Marko Tkalcic, Hamid Eghbal-Zadeh, Agustín Martorell:
PHENICX-emotion. Zenodo, 2016 - 2015
- [c31]Cynthia C. S. Liem, Emilia Gómez, Markus Schedl:
PHENICX: Innovating the classical music experience. ICME Workshops 2015: 1-4 - [c30]Sergio Oramas, Francisco Gómez, Emilia Gómez, Joaquín Mora:
FlaBase: Towards the Creation of a Flamenco Music Knowledge Base. ISMIR 2015: 378-384 - [i3]Francisco Gómez, Joaquín Mora, Emilia Gómez, José Miguel Díaz-Báñez:
Melodic Contour and Mid-Level Global Features Applied to the Analysis of Flamenco Cantes. CoRR abs/1509.04956 (2015) - [i2]Nadine Kroher, José Miguel Díaz-Báñez, Joaquín Mora, Emilia Gómez:
Corpus COFLA: A research corpus for the Computational study of Flamenco Music. CoRR abs/1510.04029 (2015) - [i1]Nadine Kroher, Emilia Gómez:
Automatic Transcription of Flamenco Singing from Polyphonic Music Recordings. CoRR abs/1510.04039 (2015) - 2014
- [j12]Markus Schedl, Emilia Gómez, Julián Urbano:
Music Information Retrieval: Recent Developments and Applications. Found. Trends Inf. Retr. 8(2-3): 127-261 (2014) - [j11]Justin Salamon, Emilia Gómez, Daniel P. W. Ellis, Gaël Richard:
Melody Extraction from Polyphonic Music Signals: Approaches, applications, and challenges. IEEE Signal Process. Mag. 31(2): 118-134 (2014) - [j10]José Ricardo Zapata, Matthew E. P. Davies, Emilia Gómez:
Multi-Feature Beat Tracking. IEEE ACM Trans. Audio Speech Lang. Process. 22(4): 816-825 (2014) - [c29]Nadine Kroher, Emilia Gómez:
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction. ICMC 2014 - [c28]Nadine Kroher, Emilia Gómez:
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. ICMC 2014 - [c27]Nadine Kroher, Emilia Gómez, Catherine Guastavino, Francisco Gómez, Jordi Bonada:
Computational Models for Perceived Melodic Similarity in A Cappella Flamenco Singing. ISMIR 2014: 65-70 - [c26]Agustín Martorell, Emilia Gómez:
Systematic Multi-scale Set-class Analysis. ISMIR 2014: 219-224 - [c25]Julián Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gómez, Xavier Serra:
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features? ISMIR 2014: 573-578 - 2013
- [j9]Emilia Gómez, Jordi Bonada:
Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms as Applied to A Cappella Singing. Comput. Music. J. 37(2): 73-90 (2013) - [j8]Justin Salamon, Joan Serrà, Emilia Gómez:
Tonal representations for music retrieval: from version identification to query-by-humming. Int. J. Multim. Inf. Retr. 2(1): 45-58 (2013) - [j7]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
Semantic audio content-based music recommendation and visualization based on user preference examples. Inf. Process. Manag. 49(1): 13-33 (2013) - [c24]José Ricardo Zapata, Emilia Gómez:
Using voice suppression algorithms to improve beat tracking in the presence of highly predominant vocals. ICASSP 2013: 51-55 - [c23]Emilio Molina, Isabel Barbancho, Emilia Gómez, Ana M. Barbancho, Lorenzo J. Tardón:
Fundamental frequency alignment vs. note-based melodic similarity for singing voice assessment. ICASSP 2013: 744-748 - [c22]Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José Ricardo Zapata, Xavier Serra:
Essentia: An Audio Analysis Library for Music Information Retrieval. ISMIR 2013: 493-498 - [c21]Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José Ricardo Zapata, Xavier Serra:
ESSENTIA: an open-source library for sound and music analysis. ACM Multimedia 2013: 855-858 - [c20]Markus Schedl, Emilia Gómez, Masataka Goto:
Multimedia information retrieval: music and audio. ACM Multimedia 2013: 1117-1118 - 2012
- [j6]Justin Salamon, Emilia Gómez:
Melody Extraction From Polyphonic Music Signals Using Pitch Contour Characteristics. IEEE Trans. Speech Audio Process. 20(6): 1759-1770 (2012) - [c19]Justin Salamon, Bruno Miguel Machado Rocha, Emilia Gómez:
Musical genre classification using melody features extracted from polyphonic music signals. ICASSP 2012: 81-84 - [c18]Aggelos Pikrakis, Francisco Gómez, Sergio Oramas, José Miguel Díaz-Báñez, Joaquín Mora, Francisco Escobar-Borrego, Emilia Gómez, Justin Salamon:
Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. ISMIR 2012: 421-426 - [c17]Emilia Gómez, Francisco J. Cañadas-Quesada, Justin Salamon, Jordi Bonada, Pedro Vera-Candeas, Pablo Cabañas Molero:
Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. ISMIR 2012: 601-606 - [c16]Justin Salamon, Joan Serrà, Emilia Gómez:
Melody, bass line, and harmony representations for music version identification. WWW (Companion Volume) 2012: 887-894 - [p3]Markus Schedl, Sebastian Stober, Emilia Gómez, Nicola Orio, Cynthia C. S. Liem:
User-Aware Music Retrieval. Multimodal Music Processing 2012: 135-156 - [d3]Jordi Bonada, Emilia Gómez:
HPCP - Harmonic Pitch Class Profile vamp plug-in. Zenodo, 2012 - [d2]Justin Salamon, Emilia Gómez:
MELODIA - Melody Extraction vamp plug-in. Zenodo, 2012 - [d1]Justin Salamon, Joan Serrà, Emilia Gómez:
MTG-QBH: Query By Humming dataset. Zenodo, 2012 - 2011
- [c15]Leonidas Ioannidis, Emilia Gómez, Perfecto Herrera:
Tonal-based retrieval of Arabic and middle-east music by automatic makam description. CBMI 2011: 31-36 - [c14]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
A content-based system for music recommendation and visualization of user preferences working on semantic notions. CBMI 2011: 249-252 - [c13]Agustín Martorell, Emilia Gómez:
Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty over Time. MCM 2011: 140-150 - [c12]José Ricardo Zapata, Emilia Gómez:
Comparative Evaluation and Combination of Audio Tempo Estimation Approaches. Semantic Audio 2011 - 2010
- [j5]Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez:
Identifying violin performers by their expressive trends. Intell. Data Anal. 14(5): 555-571 (2010) - [c11]Martín Haro, Anna Xambó, Ferdinand Fuhrmann, Dmitry Bogdanov, Emilia Gómez, Perfecto Herrera:
The Musical Avatar: a visualization of musical preferences by means of audio content description. Audio Mostly Conference 2010: 14 - [c10]Joaquín Mora, Francisco Gómez, Emilia Gómez, Francisco Escobar-Borrego, José Miguel Díaz-Báñez:
Characterization and Similarity in A Cappella Flamenco Cantes. ISMIR 2010: 351-356 - [p2]Joan Serrà, Emilia Gómez, Perfecto Herrera:
Audio Cover Song Identification and Similarity: Background, Approaches, Evaluation, and Beyond. Advances in Music Information Retrieval 2010: 307-332
2000 – 2009
- 2009
- [c9]Emilia Gómez, Martín Haro, Perfecto Herrera:
Music and Geography: Content Description of Musical Audio from Different Parts of the World. ISMIR 2009: 753-758 - 2008
- [j4]Joan Serrà, Emilia Gómez, Perfecto Herrera, Xavier Serra:
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Trans. Speech Audio Process. 16(6): 1138-1151 (2008) - [c8]Joan Serrà, Emilia Gómez:
Audio cover song identification based on tonal sequence alignment. ICASSP 2008: 61-64 - [c7]Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez:
Using Expressive Trends for Identifying Violin P erformers. ISMIR 2008: 495-500 - 2007
- [j3]Graham E. Poliner, Daniel P. W. Ellis, Andreas F. Ehmann, Emilia Gómez, Sebastian Streich, Beesuan Ong:
Melody Transcription From Music Audio: Approaches and Evaluation. IEEE Trans. Speech Audio Process. 15(4): 1247-1256 (2007) - [j2]Rafael Ramírez, Esteban Maestre, Antonio Pertusa, Emilia Gómez, Xavier Serra:
Performance-Based Interpreter Identification in Saxophone Audio Recordings. IEEE Trans. Circuits Syst. Video Technol. 17(3): 356-364 (2007) - 2006
- [j1]Emilia Gómez:
Tonal Description of Polyphonic Audio for Music Content Processing. INFORMS J. Comput. 18(3): 294-304 (2006) - [c6]Emilia Gómez, Perfecto Herrera:
The song remains the same: identifying versions of the same piece using tonal descriptors. ISMIR 2006: 180-185 - 2005
- [c5]Emilia Gómez, Jordi Bonada:
Tonality Visualization of Polyphonic audio. ICMC 2005 - [c4]Christopher Harte, Mark B. Sandler, Samer A. Abdallah, Emilia Gómez:
Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations. ISMIR 2005: 66-71 - [c3]Perfecto Herrera, Òscar Celma, Jordi Massaguer, Pedro Cano, Emilia Gómez, Fabien Gouyon, Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator. ISMIR 2005: 77-83 - [p1]Pedro Cano, Eloi Batlle, Emilia Gómez, Leandro de C. T. Gomes, Madeleine Bonnet:
Audio Fingerprinting: Concepts And Applications. Computational Intelligence for Modelling and Prediction 2005: 233-245 - 2004
- [c2]Emilia Gómez, Perfecto Herrera:
Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies. ISMIR 2004 - 2002
- [c1]Pedro Cano, Eloi Batlle, Emilia Gómez, Leandro de C. T. Gomes, Madeleine Bonnet:
Audio Fingerprinting: Concepts and Application. FSKD 2002: 389-393
Coauthor Index
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