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ORCIDIsabel Barbancho
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- affiliation: University of Málaga, Department of Communications Engineering
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2020 – today
- 2024
[j28]Mario Molina
, Lorenzo J. Tardón, Ana M. Barbancho, Irene De-Torres, Isabel Barbancho:
Enhanced average for event-related potential analysis using dynamic time warping. Biomed. Signal Process. Control. 87(Part B): 105531 (2024)- [j27]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón, Alberto Peinado:
Women in Telecommunication Engineering: Case Studies. Rev. Iberoam. de Tecnol. del Aprendiz. 19: 61-70 (2024) - [j26]Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Building music with Lego bricks and Raspberry Pi. Multim. Tools Appl. 83(4): 10503-10523 (2024) - [j25]Isaac Ariza, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Energy-based features and bi-LSTM neural network for EEG-based music and voice classification. Neural Comput. Appl. 36(2): 791-802 (2024) - 2022
- [j24]Isaac Ariza, Lorenzo J. Tardón, Ana M. Barbancho, Irene De-Torres, Isabel Barbancho:
Bi-LSTM neural network for EEG-based error detection in musicians' performance. Biomed. Signal Process. Control. 78: 103885 (2022)
2010 – 2019
- 2019
- [j23]Marcelo F. Caetano, Asterios I. Zacharakis, Isabel Barbancho, Lorenzo J. Tardón:
Leveraging diversity in computer-aided musical orchestration with an artificial immune system for multi-modal optimization. Swarm Evol. Comput. 50 (2019) - 2018
- [j22]Carles Roig, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
A non-homogeneous beat-based harmony Markov model. Knowl. Based Syst. 142: 85-94 (2018) - [j21]Isabel Barbancho, George Tzanetakis, Ana M. Barbancho, Lorenzo J. Tardón:
Discrimination Between Ascending/Descending Pitch Arpeggios. IEEE ACM Trans. Audio Speech Lang. Process. 26(11): 2194-2203 (2018) - 2017
- [j20]José L. Santacruz, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Emilio Molina:
VOICE2TUBA: transforming singing voice into a musical instrument. Multim. Tools Appl. 76(7): 9855-9875 (2017) - 2016
- [j19]José Jaime Ariza, Isabel Barbancho, Cristina Urdiales, Lorenzo J. Tardón, Ana M. Barbancho:
A new multiformat rhythm game for music tutoring. Multim. Tools Appl. 75(8): 4349-4362 (2016) - [j18]Alejandro Rosa-Pujazón, Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
Fast-gesture recognition and classification using Kinect: an application for a virtual reality drumkit. Multim. Tools Appl. 75(14): 8137-8164 (2016) - 2015
- [j17]Alejandro Rosa-Pujazón, Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
A Virtual Reality Drumkit Simulator System with a Kinect Device. Int. J. Creative Interfaces Comput. Graph. 6(1): 72-86 (2015) - [j16]Ana M. Barbancho, Lorenzo J. Tardón, Javier López-Carrasco, Jana Eggink, Isabel Barbancho:
Automatic classification of personal video recordings based on audiovisual features. Knowl. Based Syst. 89: 218-227 (2015) - [j15]Giacomo Herrero, Isabel Barbancho, Lorenzo J. Tardón, Alejandro Rosa-Pujazón, Ana M. Barbancho:
Drumkit simulator from everyday desktop objects. Multim. Tools Appl. 74(23): 10195-10213 (2015) - [j14]Jorge Calvo-Zaragoza, Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
Avoiding staff removal stage in optical music recognition: application to scores written in white mensural notation. Pattern Anal. Appl. 18(4): 933-943 (2015) - [j13]Emilio Molina, Lorenzo J. Tardón, Ana M. Barbancho, Isabel Barbancho:
SiPTH: Singing Transcription Based on Hysteresis Defined on the Pitch-Time Curve. IEEE ACM Trans. Audio Speech Lang. Process. 23(2): 252-263 (2015) - [c20]Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert:
Benford's Law for Music Analysis. ISMIR 2015: 735-741 - 2014
- [j12]Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Carles Roig:
A probability model for key analysis in music. Knowl. Based Syst. 67: 169-179 (2014) - [j11]Carles Roig, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
Automatic melody composition based on a probabilistic model of music style and harmonic rules. Knowl. Based Syst. 71: 419-434 (2014) - [j10]Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Dissonance Reduction In Polyphonic Audio Using Harmonic Reorganization. IEEE ACM Trans. Audio Speech Lang. Process. 22(2): 325-334 (2014) - [c19]Alejandro Rosa-Pujazón, Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
Low-cost step aerobics system with virtual aerobics trainer. CoSECivi 2014: 10 - [c18]Rubén Jesús García Hernández, Isabel Barbancho Pérez, Lorenzo José Tardón García, Jon Arrambarri, Milán Magdics, Mateu Sbert:
E-cecilia: implementation of a music game. CoSECivi 2014: 66-77 - [c17]Emilio Molina, Isabel Barbancho, Ana M. Barbancho, Lorenzo J. Tardón:
Parametric model of spectral envelope to synthesize realistic intensity variations in singing voice. ICASSP 2014: 634-638 - [c16]Isabel Barbancho, George Tzanetakis, Lorenzo J. Tardón, Peter F. Driessen, Ana M. Barbancho:
Estimation of the Direction of Strokes and Arpeggios. ISMIR 2014: 41-46 - [c15]Emilio Molina, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
The Importance of F0 Tracking in Query-by-singing-humming. ISMIR 2014: 277-282 - [c14]Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Evaluation Framework for Automatic Singing Transcription. ISMIR 2014: 567-572 - [c13]Rubén Jesús García, Costantino Taglialatela, Panos Kudumakis, Isabel Barbancho, Lorenzo J. Tardón, Mark B. Sandler:
Interactive Music Applications by MPEG-A Support in Sonic Visualizer. Semantic Audio 2014 - 2013
- [b1]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón, Emilio Molina:
Database of Piano Chords - An Engineering View of Harmony. Springer Briefs in Electrical and Computer Engineering, Springer 2013, ISBN 978-1-4614-7475-3, pp. i-xiv, 1-50 - [c12]Emilio Molina, Isabel Barbancho, Emilia Gómez, Ana M. Barbancho, Lorenzo J. Tardón:
Fundamental frequency alignment vs. note-based melodic similarity for singing voice assessment. ICASSP 2013: 744-748 - 2012
- [j9]Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho, Ana M. Barbancho:
A Multidimensional Environment for the Exploration of Musical Content. Comput. Music. J. 36(3): 73-83 (2012) - [j8]Ana M. Barbancho, Anssi Klapuri, Lorenzo J. Tardón, Isabel Barbancho:
Automatic Transcription of Guitar Chords and Fingering From Audio. IEEE Trans. Speech Audio Process. 20(3): 915-921 (2012) - [j7]Isabel Barbancho, Lorenzo J. Tardón, Simone Sammartino, Ana M. Barbancho:
Inharmonicity-Based Method for the Automatic Generation of Guitar Tablature. IEEE Trans. Speech Audio Process. 20(6): 1857-1868 (2012) - [c11]Lorenzo J. Tardón, Isabel Barbancho:
Music Similarity Evaluation Using the Variogram for MFCC Modelling. CMMR 2012: 313-332 - [c10]Ricardo Cruz, Andrés Ortiz, Ana M. Barbancho, Isabel Barbancho:
Unsupervised Classification of Audio Signals by Self-Organizing Maps and Bayesian Labeling. HAIS (1) 2012: 61-70 - 2011
- [c9]Ana M. Barbancho, Isabel Barbancho, Beatriz Soto, Lorenzo J. Tardón:
SIC receiver for polyphonic piano music. ICASSP 2011: 377-380 - [c8]Cristina de la Bandera, Ana M. Barbancho, Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho:
Humming Method for Content-Based Music Information Retrieval. ISMIR 2011: 49-54 - 2010
- [j6]Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
PIC Detector for Piano Chords. EURASIP J. Adv. Signal Process. 2010 (2010) - [c7]Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Andrés Ortiz, Simone Sammartino, Cristina de la Bandera:
What Signal Processing Can Do for the Music. CMMR 2010: 116-137 - [c6]Cristian Segura, Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
Automatic search and delimitation of frontispieces in ancient scores. EUSIPCO 2010: 254-258 - [c5]Simone Sammartino, Lorenzo J. Tardón, Cristina de la Bandera, Isabel Barbancho, Ana M. Barbancho:
The Standardized Variogram as a Novel Tool for Music Similarity Evaluation. ISMIR 2010: 559-564
2000 – 2009
- 2009
- [j5]Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho, Verónica Gómez, Antonio Oliver:
Optical Music Recognition for Scores Written in White Mensural Notation. EURASIP J. Image Video Process. 2009 (2009) - [c4]Isabel Barbancho, Cristina de la Bandera, Ana M. Barbancho, Lorenzo J. Tardón:
Transcription and expressiveness detection system for violin music. ICASSP 2009: 189-192 - [c3]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón, Cristina Urdiales:
Automatic edition of songs for Guitar Hero/Frets on Fire. ICME 2009: 1186-1189 - 2008
- [j4]Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
PIC receiver implementations for the asynchronous UMTS scenarios. Signal Process. 88(11): 2622-2630 (2008) - 2006
- [c2]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón:
Analytical SIR Analysis and Performance Evaluation of the PIG Receiver in UMTS Multi-Cell Systems. VTC Spring 2006: 2178-2182 - 2005
- [j3]Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Analytical performance analysis of the linear multistage partial PIC receiver for DS-CDMA systems. IEEE Trans. Commun. 53(12): 2006-2010 (2005) - 2004
- [j2]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón:
Adaptive multirate near-far resistant PIC receiver for UMTS in Rayleigh fading. Signal Process. 84(12): 2443-2447 (2004) - [j1]Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho:
Code shift for intercarrier interference cancellation in MC-DS-CDMA. Signal Process. 84(12): 2449-2452 (2004) - [c1]Isabel Barbancho, Ana M. Barbancho, Lorenzo J. Tardón, Alberto Peinado:
Multirate MC-DS-CDMA transmitter for 4G communications. VTC Fall (2) 2004: 904-908
Coauthor Index
aka: Lorenzo José Tardón García
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last updated on 2024-06-10 21:26 CEST by the dblp team
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