default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID9th ISMIR 2008: Philadelphia, PA, USA
- Juan Pablo Bello, Elaine Chew, Douglas Turnbull:
ISMIR 2008, 9th International Conference on Music Information Retrieval, Drexel University, Philadelphia, PA, USA, September 14-18, 2008. 2008, ISBN 978-0-615-24849-3
Tutorials
- Ge Wang, Rebecca Fiebrink, Perry R. Cook:
Music Information Retrieval in ChucK; Real-Time Prototyping for MIR Systems & Performance. ISMIR 2008: 23 - Shlomo Dubnov:
Computational Temporal Aesthetics; Relation Between Surprise, Salience and Aesthetics in Music and Audio Signals. ISMIR 2008: 23 - Paul Lamere, Elias Pampalk:
Social Tags and Music Information Retrieval. ISMIR 2008: 24 - Eleanor Selfridge-Field, Craig Stuart Sapp:
Survey of Symbolic Data for Music Applications. ISMIR 2008: 24
Session 1a: Harmony
- Ricardo E. P. Scholz, Geber L. Ramalho:
COCHONUT: Recognizing Complex Chords from MIDI Guitar Sequences. 27-32 - Xinglin Zhang, David Gerhard:
Chord Recognition using Instrument Voicing Constraints. 33-38 - Kouhei Sumi, Katsutoshi Itoyama, Kazuyoshi Yoshii, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Automatic Chord Recognition Based on Probabilistic Integration of Chord Transition and Bass Pitch Estimation. 39-44 - Matthias Mauch, Simon Dixon:
A Discrete Mixture Model for Chord Labelling. 45-50 - W. Bas de Haas, Remco C. Veltkamp, Frans Wiering:
Tonal Pitch Step Distance: a Similarity Measure for Chord Progressions. 51-56 - Ching-Hua Chuan, Elaine Chew:
Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment. 57-62 - Amelie Anglade, Simon Dixon:
Characterisation of Harmony With Inductive Logic Programming. 63-68 - Mathieu Bergeron, Darrell Conklin:
Structured Polyphonic Patterns. 69-74 - James B. Maxwell, Arne Eigenfeldt:
A Music Database and Query System for Recombinant Composition. 75-80
Session 1b: Melody
- Dimitrios Rafailidis, Alexandros Nanopoulos, Yannis Manolopoulos, Emilios Cambouropoulos:
Detection of Stream Segments in Symbolic Musical Data. 83-88 - Marcus T. Pearce, Daniel Müllensiefen, Geraint A. Wiggins:
A Comparison of Statistical and Rule-Based Models of Melodic Segmentation. 89-94 - Michael Skalak, Jinyu Han, Bryan Pardo:
Speeding Melody Search With Vantage Point Trees. 95-100 - Anja Volk, Peter van Kranenburg, Jörg Garbers, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
A Manual Annotation Method for Melodic Similarity and the Study of Melody Feature Sets. 101-106 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Melody Expectation Method Based on GTTM and TPS. 107-112
Session 1c: Timbre
- Wei-Ho Tsai, Shih-Jie Liao, Catherine Lai:
Automatic Identification of Simultaneous Singers in Duet Recordings. 115-120 - Ling Feng, Andreas Brinch Nielsen, Lars Kai Hansen:
Vocal Segment Classification in Popular Music. 121-126 - David Little, Bryan Pardo:
Learning Musical Instruments from Mixtures of Audio with Weak Labels. 127-132 - Katsutoshi Itoyama, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Instrument Equalizer for Query-by-Example Retrieval: Improving Sound Source Separation Based on Integrated Harmonic and Inharmonic Models. 133-138 - Nobutaka Ono, Kenichi Miyamoto, Hirokazu Kameoka, Shigeki Sagayama:
A Real-time Equalizer of Harmonic and Percussive Components in Music Signals. 139-144
Session 1d: MIR Platforms
- Ian Knopke:
The PerlHumdrum and PerlLilypond Toolkits for Symbolic Music Information Retrieval. 147-152 - Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language. 153-158
Session 2a: Music Recommendation and Organization
- Terence Magno, Carl Sable:
A Comparison of Signal Based Music Recommendation to Genre Labels, Collaborative Filtering, Musicological Analysis, Human Recommendation and Random Baseline. 161-166 - Yvonne Moh, Joachim M. Buhmann:
Kernel Expansion for Online Preference Tracking. 167-172 - Arthur Flexer, Dominik Schnitzer, Martin Gasser, Gerhard Widmer:
Playlist Generation using Start and End Songs. 173-178 - Markus Dopler, Markus Schedl, Tim Pohle, Peter Knees:
Accessing Music Collections Via Representative Cluster Prototypes in a Hierarchical Organization Scheme. 179-184 - Sally Jo Cunningham, Edmond Zhang:
Development of a Music Organizer for Children. 185-190
Session 2b: Music Recognition and Visualization
- Masahiro Niitsuma, Hiroshi Takaesu, Hazuki Demachi, Masaki Oono, Hiroaki Saito:
Development of an Automatic Music Selection System Based on Runner's Step Frequency. 193-198 - Kazumasa Murata, Kazuhiro Nakadai, Kazuyoshi Yoshii, Ryu Takeda, Toyotaka Torii, Hiroshi G. Okuno, Yuji Hasegawa, Hiroshi Tsujino:
A Robot Singer with Music Recognition Based on Real-Time Beat Tracking. 199-204 - Martin Gasser, Arthur Flexer, Gerhard Widmer:
Streamcatcher: Integrated Visualization of Music Clips and Online Audio Streams. 205-210 - Kazuyoshi Yoshii, Masataka Goto:
Music Thumbnailer: Visualizing Musical Pieces in Thumbnail Images Based on Acoustic Features. 211-216
Session 2c: Knowledge Representation, Tags, Metadata
- Panagiotis Symeonidis, Maria M. Ruxanda, Alexandros Nanopoulos, Yannis Manolopoulos:
Ternary Semantic Analysis of Social Tags for Personalized Music Recommendation. 219-224 - Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet:
Five Approaches to Collecting Tags for Music. 225-230 - Youngmoo E. Kim, Erik M. Schmidt, Lloyd Emelle:
MoodSwings: A Collaborative Game for Music Mood Label Collection. 231-236 - Zhiyao Duan, Lie Lu, Changshui Zhang:
Collective Annotation of Music from Multiple Semantic Categories. 237-242 - Geoffroy Peeters, David Fenech, Xavier Rodet:
MCIpa: A Music Content Information Player and Annotator for Discovering Music. 243-248 - Nik Corthaut, Sten Govaerts, Katrien Verbert, Erik Duval:
Connecting the Dots: Music Metadata Generation, Schemas and Applications. 249-254 - Mohamed Sordo, Òscar Celma, Martin Blech, Enric Guaus:
The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree? 255-260
Poster Session 2d: Social and Music Networks
- Yves Raimond, Mark B. Sandler:
A Web of Musical Information. 263-268 - Kurt Jacobson, Mark B. Sandler, Benjamin Fields:
Using Audio Analysis and Network Structure to Identify Communities in On-Line Social Networks of Artists. 269-274 - Claudio Baccigalupo, Enric Plaza, Justin Donaldson:
Uncovering Affinity of Artists to Multiple Genres from Social Behaviour Data. 275-280 - Hiromasa Fujihara, Masataka Goto, Jun Ogata:
Hyperlinking Lyrics: A Method for Creating Hyperlinks Between Phrases in Song Lyrics. 281-286 - Florian Kleedorfer, Peter Knees, Tim Pohle:
Oh Oh Oh Whoah! Towards Automatic Topic Detection In Song Lyrics. 287-292
Session 3a: Content-based Retrieval, Categorization and Similarity 1
- Matthew Riley, Eric Heinen, Joydeep Ghosh:
A Text Retrieval Approach to Content-Based Audio Hashing. 295-300 - Riccardo Miotto, Nicola Orio:
A Music Identification System Based on Chroma Indexing and Statistical Modeling. 301-306 - Mark Godfrey, Parag Chordia:
Hubs and Homogeneity: Improving Content-Based Music Modeling. 307-312 - Malcolm Slaney, Kilian Q. Weinberger, William White:
Learning a Metric for Music Similarity. 313-318 - Yuxiang Liu, Ye Wang, Arun Shenoy, Wei-Ho Tsai, Lianhong Cai:
Clustering Music Recordings by Their Keys. 319-324 - Konstantinos Trohidis, Grigorios Tsoumakas, George Kalliris, Ioannis P. Vlahavas:
Multi-Label Classification of Music into Emotions. 325-330 - Shyamala Doraisamy, Shahram Golzari, Noris Mohd. Norowi, Md Nasir Sulaiman, Nur Izura Udzir:
A Study on Feature Selection and Classification Techniques for Automatic Genre Classification of Traditional Malay Music. 331-336 - Rudolf Mayer, Robert Neumayer, Andreas Rauber:
Rhyme and Style Features for Musical Genre Classification by Song Lyrics. 337-342 - Bill Z. Manaris, Dwight Krehbiel, Patrick Roos, Thomas Zalonis:
Armonique: Experiments in Content-Based Similarity Retrieval using Power-Law Melodic and Timbre Metrics. 343-348 - Matthew D. Hoffman, David M. Blei, Perry R. Cook:
Content-Based Musical Similarity Computation using the Hierarchical Dirichlet Process. 349-354 - François Pachet, Pierre Roy:
Hit Song Science Is Not Yet a Science. 355-360
Session 3b: Computational Musicology
- Phillip B. Kirlin, Paul E. Utgoff:
A Framework for Automated Schenkerian Analysis. 363-368 - Jouni Paulus, Anssi Klapuri:
Music Structure Analysis Using a Probabilistic Fitness Measure and an Integrated Musicological Model. 369-374 - Hanna M. Lukashevich:
Towards Quantitative Measures of Evaluating Song Segmentation. 375-380 - Jörg Garbers, Frans Wiering:
Towards Structural Alignment of Folk Songs. 381-386
Session 3c: OMR, Alignment and Annotation
- Meinard Müller, Sebastian Ewert:
Joint Structure Analysis with Applications to Music Annotation and Synchronization. 389-394 - Kyogu Lee, Markus Cremer:
Segmentation-Based Lyrics-Audio Alignment using Dynamic Programming. 395-400 - Bryan Duggan, Brendan O'Shea, Mikel Gainza, Padraig Cunningham:
Machine Annotation of Sets of Traditional Irish Dance Tunes. 401-406 - John Ashley Burgoyne, Johanna Devaney, Laurent Pugin, Ichiro Fujinaga:
Enhanced Bleedthrough Correction for Early Music Documents with Recto-Verso Registration. 407-412 - Christian Fremerey, Meinard Müller, Frank Kurth, Michael Clausen:
Automatic Mapping of Scanned Sheet Music to Audio Recordings. 413-418 - Laurent Pugin, Jason Hockman, John Ashley Burgoyne, Ichiro Fujinaga:
Gamera Versus Aruspix: Two Optical Music Recognition Approaches. 419-424
Session 4a: Data Exchange, Archiving and Evaluation
- Juan José Burred, Carmine Emanuele Cella, Geoffroy Peeters, Axel Röbel, Diemo Schwarz:
Using the SDIF Sound Description Interchange Format for Audio Features. 427-432 - Joachim Ganseman, Paul Scheunders, Wim D'haes:
Using XQuery on MusicXML Databases for Musicological Analysis. 433-438 - Jenn Riley:
Application of the Functional Requirements for Bibliographic Records (FRBR) to Music. 439-444 - Travis M. Doll, Raymond Migneco, Youngmoo E. Kim:
Online Activities for Music Information and Acoustics Education and Psychoacoustic Data Collection. 445-450 - Carlos Nascimento Silla Jr., Alessandro L. Koerich, Celso A. A. Kaestner:
The Latin Music Database. 451-456 - Megan A. Winget:
The Liner Notes Digitization Project: Providing Users with Cultural, Historical, and Critical Music Information. 457-461 - Xiao Hu, J. Stephen Downie, Cyril Laurier, Mert Bay, Andreas F. Ehmann:
The 2007 MIREX Audio Mood Classification Task: Lessons Learned. 462-467 - J. Stephen Downie, Mert Bay, Andreas F. Ehmann, M. Cameron Jones:
Audio Cover Song Identification: MIREX 2006-2007 Results and Analyses. 468-474
Session 4b: Musical Expression and Meaning
- Charlie Inskip, Andy MacFarlane, Pauline Rafferty:
Music, Movies and Meaning: Communication in Film-Makers' Search for Pre-Existing Music, and the Implications for Music Information Retrieval. 477-482 - Rafael Ramírez, Alfonso Pérez, Stefan Kersten:
Performer Identification in Celtic Violin Recordings. 483-488 - Mitsuyo Hashida, Toshie Matsui, Haruhiro Katayose:
A New Music Database Describing Deviation Information of Performance Expressions. 489-494 - Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez:
Using Expressive Trends for Identifying Violin P erformers. 495-500 - Craig Sapp:
Hybrid Numeric/Rank Similarity Metrics for Musical Performance Analysis. 501-506 - Konstantinos A. Meintanis, Frank M. Shipman III:
Creating and Evaluating Multi-Phrase Music Summaries. 507-512
Session 4c: Automatic Music Analysis and Transcription
- Chee-Chuan Toh, Bingjun Zhang, Ye Wang:
Multiple-Feature Fusion Based Onset Detection for Solo Singing Voice. 515-520 - Olivier Lartillot, Tuomas Eerola, Petri Toiviainen, José Fornari:
Multi-Feature Modeling of Pulse Clarity: Design, Validation and Optimization. 521-526 - Emmanuel Ravelli, Gaël Richard, Laurent Daudet:
Fast MIR in a Sparse Transform Domain. 527-532 - Arturo Camacho:
Detection of Pitched/Unpitched Sound using Pitch Strength Clustering. 533-537 - John Woodruff, Yipeng Li, DeLiang Wang:
Resolving Overlapping Harmonics for Monaural Musical Sound Separation using Fundamental Frequency and Common Amplitude Modulation. 538-543 - Bernhard Niedermayer:
Non-Negative Matrix Division for the Automatic Transcription of Polyphonic Music. 544-549 - Adrien Daniel, Valentin Emiya, Bertrand David:
Perceptually-Based Evaluation of the Errors Usually Made When Automatically Transcribing Music. 550-556
Session 5a: Content-Based Retrieval, Categorization and Similarity 2
- Benjamin Fields, Christophe Rhodes, Michael A. Casey, Kurt Jacobson:
Social Playlists and Bottleneck Measurements: Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values. 559-564 - François Deliège, Bee Yong Chua, Torben Bach Pedersen:
High-Level Audio Features: Distributed Extraction and Similarity Search. 565-570 - Parag Chordia, Mark Godfrey, Alex Rae:
Extending Content-Based Recommendation: The Case of Indian Classical Music. 571-576 - Michael I. Mandel, Daniel P. W. Ellis:
Multiple-Instance Learning for Music Information Retrieval. 577-582 - Ioannis Panagakis, Emmanouil Benetos, Constantine Kotropoulos:
Music Genre Classification: A Multilinear Approach. 583-588 - Patrick Rabbat, François Pachet:
Direct and Inverse Inference in Music Databases: How to Make at Song Funk? 589-594
Session 5b: Feature Representation
- Cory McKay, Ichiro Fujinaga:
Combining Features Extracted from Audio, Symbolic and Cultural Sources. 597-602 - Pierre-Antoine Manzagol, Thierry Bertin-Mahieux, Douglas Eck:
On the Use of Sparce Time Relative Auditory Codes for Music. 603-608 - Tomonori Izumitani, Kunio Kashino:
A Robust Musical Audio Search Method Based on Diagonal Dynamic Programming Matching of Self-Similarity Matrices. 609-613 - Luke Barrington, Mehrdad Yazdani, Douglas Turnbull, Gert R. G. Lanckriet:
Combining Feature Kernels for Semantic Music Retrieval. 614-619 - Yusuke Tsuchihashi, Tetsuro Kitahara, Haruhiro Katayose:
Using Bass-line Features for Content-Based MIR. 620-625 - Nicolas Scaringella:
Timbre and Rhythmic TRAP-TANDEM Features for Music Information Retrieval. 626-632
Session 5c: Rhythm and Meter
- Patrick Flanagan:
Quantifying Metrical Ambiguity. 635-640 - Ernesto Trajano de Lima, Geber L. Ramalho:
On Rhythmic Pattern Extraction in Bossa Nova Music. 641-646 - Matthew Wright, W. Andrew Schloss, George Tzanetakis:
Analyzing Afro-Cuban Rhythms using Rotation-Aware Clave Template Matching with Dynamic Programming. 647-652 - Andre Holzapfel, Yannis Stylianou:
Beat Tracking using Group Delay Based Onset Detection. 653-658 - Linxing Xiao, Aibo Tian, Wen Li, Jie Zhou:
Using Statistic Model to Capture the Association between Timbre and Perceived Tempo. 659-662 - Eric Thul, Godfried T. Toussaint:
Rhythm Complexity Measures: A Comparison of Mathematical Models of Human Perception and Performance. 663-668
Session 5d: MIR Methods
- Mitsunori Ogihara, Tao Li:
N-Gram Chord Profiles for Composer Style Representation. 671-676 - Kjell Lemström, Niko Mikkilä, Veli Mäkinen:
Fast Index Based Filters for Music Retrieval. 677-682 - Rainer Typke, Agatha Walczak-Typke:
A Tunneling-Vantage Indexing Method for Non-Metrics. 683-688
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2026-02-13 00:36 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
