default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDTom Mitchell 0001
Person information
- affiliation: University of the West of England, Bristol, Department of Computer Science and Creative Technologies, UK
Other persons with the same name
- Tom Mitchell — disambiguation page
- Tom Mitchell 0002 — Intelligent Assessment Technologies Ltd., UK
- Tom Mitchell 0003 — IBM Electronic Design Automation, Burlington, VT, USA
- Thomas Mitchell — disambiguation page
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
2020 – today
- 2024
[i3]Joe Simmons, Paul Bremner, Thomas J. Mitchell, Alison Bown, Verity McIntosh:
The Ballad of the Bots: Sonification Using Cognitive Metaphor to Support Immersed Teleoperation of Robot Teams. CoRR abs/2407.09673 (2024)- 2023
- [c23]Hugh Aynsley, Tom Mitchell, Dave Meckin:
Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AI. NIME 2023 - 2022
- [j6]Harri Renney
, Benedict R. Gaster, Thomas J. Mitchell:
Survival of the synthesis - GPU accelerating evolutionary sound matching. Concurr. Comput. Pract. Exp. 34(10) (2022) - [j5]Paul Bremner, Thomas J. Mitchell, Verity McIntosh:
The impact of data sonification in virtual reality robot teleoperation. Frontiers Virtual Real. 3 (2022) - [c22]Nathan Renney, Benedict R. Gaster, Tom Mitchell, Harri Renney:
Studying How Digital Luthiers Choose Their Tools. CHI 2022: 72:1-72:18 - [c21]Harri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell:
HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. NIME 2022 - 2021
- [j4]Joseph Bolarinwa, Iveta Eimontaite, Tom Mitchell, Sanja Dogramadzi, Praminda Caleb-Solly:
Assessing the Role of Gaze Tracking in Optimizing Humans-In-The-Loop Telerobotic Operation Using Multimodal Feedback. Frontiers Robotics AI 8: 578596 (2021) - 2020
- [j3]Moritz Gerstung, Clemency Jolly, Ignaty Leshchiner, Stefan C. Dentro, Santiago Gonzalez, Thomas J. Mitchell, Yulia Rubanova, Pavana Anur, Kaixian Yu, Maxime Tarabichi, Amit G. Deshwar, Jeff Wintersinger, Kortine Kleinheinz, Ignacio Vázquez-García, Kerstin Haase, Lara Jerman, Subhajit Sengupta, Geoff MacIntyre, Salem Malikic, Nilgun Donmez, Dimitri G. Livitz, Marek Cmero, Jonas Demeulemeester, Steven E. Schumacher, Yu Fan, Xiaotong Yao, Juhee Lee, Matthias Schlesner, Paul C. Boutros, David D. L. Bowtell, Hongtu Zhu, Gad Getz, Marcin Imielinski, Rameen Beroukhim, Süleyman Cenk Sahinalp, Yuan Ji, Martin Peifer, Florian Markowetz, Ville Mustonen, Ke Yuan, Wenyi Wang, Quaid D. Morris, David J. Adams, Peter J. Campbell, Shaolong Cao, Elizabeth L. Christie, Yupeng Cun, Kevin J. Dawson, Ruben M. Drews, Roland Eils, Matthew Fittall, Dale W. Garsed, Gavin Ha, Henry Lee-Six, Iñigo Martincorena, Layla Oesper, Myron Peto, Benjamin J. Raphael, Daniel T. Rosebrock, Adriana Salcedo, Ruian Shi, Seung Jun Shin, Oliver Spiro, Lincoln D. Stein, Shankar Vembu, David A. Wheeler, Tsun-Po Yang, Paul T. Spellman, David C. Wedge, Peter Van Loo:
The evolutionary history of 2,658 cancers. Nat. 578(7793): 122-128 (2020) - [c20]Dom Brown, Chris Nash, Thomas J. Mitchell:
Was that me?: exploring the effects of error in gestural digital musical instruments. Audio Mostly Conference 2020: 168-174 - [c19]Thomas J. Mitchell, Alex J. Jones, Michael B. O'Connor, Mark D. Wonnacott, David R. Glowacki, Joseph Hyde:
Towards molecular musical instruments: interactive sonifications of 17-alanine, graphene and carbon nanotubes. Audio Mostly Conference 2020: 214-221 - [c18]Samuel J. Hunt, Tom Mitchell, Chris Nash:
Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment. NIME 2020: 61-66 - [c17]Harri Renney, Tom Mitchell, Benedict R. Gaster:
There and Back Again: The Practicality of GPU Accelerated Digital Audio. NIME 2020: 202-207
2010 – 2019
- 2019
- [c16]Harri Renney, Benedict R. Gaster, Tom Mitchell:
OpenCL vs: Accelerated Finite-Difference Digital Synthesis. IWOCL 2019: 1:1-1:11 - [c15]Joseph Bolarinwa, Iveta Eimontaite, Sanja Dogramadzi, Tom Mitchell, Praminda Caleb-Solly:
The use of different feedback modalities and verbal collaboration in tele-robotic assistance. ROSE 2019: 1-8 - [i2]Michael B. O'Connor, Simon J. Bennie, Helen M. Deeks, Alexander Jamieson-Binnie, Alex J. Jones, Robin J. Shannon, Rebecca Walters, Thomas J. Mitchell, Adrian J. Mulholland, David R. Glowacki:
An open-source multi-person virtual reality framework for interactive molecular dynamics: from quantum chemistry to drug binding. CoRR abs/1902.01827 (2019) - 2018
- [j2]Dom Brown, Chris Nash, Tom Mitchell:
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians. Digit. Creativity 29(2-3): 129-148 (2018) - [c14]Nathan Renney, Benedict R. Gaster, Tom Mitchell:
Returning to the Fundamentals on Temperament (In Digital Systems). Audio Mostly Conference 2018: 24:1-24:4 - [c13]Dom Brown, Chris Nash, Tom Mitchell:
Understanding User-Defined Mapping Design in Mid-Air Musical Performance. MOCO 2018: 27:1-27:8 - [i1]Robert E. Arbon, Alex J. Jones, Lars A. Bratholm, Tom Mitchell, David R. Glowacki:
Sonifying stochastic walks on biomolecular energy landscapes. CoRR abs/1803.05805 (2018) - 2017
- [c12]Dom Brown, Chris Nash, Tom Mitchell:
A user experience review of music interaction evaluations. NIME 2017: 370-375 - 2016
- [c11]Thomas Mitchell, Peter D. Bennett, Sebastian Madgwick, Edward Davies, Philip Tew:
Tangible Interfaces for Interactive Evolutionary Computation. CHI Extended Abstracts 2016: 2609-2616 - [c10]Edward Davies, Phillip Tew, David R. Glowacki, Jim Smith, Thomas Mitchell:
Evolving Atomic Aesthetics and Dynamics. EvoMUSART 2016: 17-30 - [c9]Dom Brown, Nathan Renney, Adam Stark, Chris Nash, Tom Mitchell:
Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion. NIME 2016: 300-304 - 2015
- [c8]Sebastian Madgwick, Thomas Mitchell, Carlos Barreto, Adrian Freed:
Simple Synchronisation for Open Sound Control. ICMC 2015 - 2014
- [c7]Edward Kingsley Rutter, Tom Mitchell, Chris Nash:
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices. ICMC 2014 - [c6]Thomas Mitchell, Sebastian Madgwick, Simon Rankine, Geoffrey S. Hilton, Adrian Freed, Andrew R. Nix:
Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance. NIME 2014: 251-256 - [c5]Stefania Serafin, Stefano Trento, Francesco Grani, Hannah Perner-Wilson, Sebastian Madgwick, Thomas Mitchell:
Controlling Physically Based Virtual Musical Instruments Using The Gloves. NIME 2014: 521-524 - 2012
- [j1]Thomas Mitchell:
Automated evolutionary synthesis matching - Advanced evolutionary algorithms for difficult sound matching problems. Soft Comput. 16(12): 2057-2070 (2012) - [c4]Thomas Mitchell, Sebastian Madgwick, Imogen Heap:
Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms. NIME 2012 - 2011
- [c3]Thomas Mitchell, Imogen Heap:
SoundGrasp: A Gestural Interface for the Performance of Live Music. NIME 2011: 465-468
2000 – 2009
- 2007
- [c2]Thomas J. Mitchell, David P. Creasey:
Evolutionary Sound Matching: A Test Methodology and Comparative Study. ICMLA 2007: 229-234 - 2005
- [c1]Thomas J. Mitchell, Anthony G. Pipe:
Convergence Synthesis of Dynamic Frequency Modulation Tones Using an Evolution Strategy. EvoWorkshops 2005: 533-538
Coauthor Index
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
Unpaywalled article links
Add open access links from 
to the list of external document links (if available).
Privacy notice: By enabling the option above, your browser will contact the API of unpaywall.org to load hyperlinks to open access articles. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Unpaywall privacy policy.
Archived links via Wayback Machine
For web page which are no longer available, try to retrieve content from the 
of the Internet Archive (if available).
Privacy notice: By enabling the option above, your browser will contact the API of archive.org to check for archived content of web pages that are no longer available. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Internet Archive privacy policy.
Reference lists
Add a list of references from 
, 
, and 
to record detail pages.
load references from crossref.org and opencitations.net
Privacy notice: By enabling the option above, your browser will contact the APIs of crossref.org, opencitations.net, and semanticscholar.org to load article reference information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Crossref privacy policy and the OpenCitations privacy policy, as well as the AI2 Privacy Policy covering Semantic Scholar.
Citation data
Add a list of citing articles from and to record detail pages.
load citations from opencitations.net
Privacy notice: By enabling the option above, your browser will contact the API of opencitations.net and semanticscholar.org to load citation information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the OpenCitations privacy policy as well as the AI2 Privacy Policy covering Semantic Scholar.
OpenAlex data
Load additional information about publications from 
.
Privacy notice: By enabling the option above, your browser will contact the API of openalex.org to load additional information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the information given by OpenAlex.
last updated on 2024-09-28 02:23 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
