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ORCIDNIME 2012: Ann Arbor, Michigan, USA
- Georg Essl, R. Brent Gillespie, Michael Gurevich, Sile O'Modhrain:
12th International Conference on New Interfaces for Musical Expression, NIME 2012, Ann Arbor, Michigan, USA, May 21-23, 2012. nime.org 2012 - Nicolas D'Alessandro, Aura Pon, Johnty Wang, David Eagle, Ehud Sharlin, Sidney S. Fels:
A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile Music. - Sertan Sentürk, Sang Won Lee, Avinash Sastry, Anosh Daruwalla, Gil Weinberg:
Crossole: A Gestural Interface for Composition, Improvisation and Performance using Kinect. - Jesse T. Allison, Christian Dell:
AuRal: A Mobile Interactive System for Geo-Locative Audio Synthesis. - Christopher Ariza:
The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface Design. - Maria Astrinaki, Nicolas D'Alessandro, Thierry Dutoit:
MAGE -A Platform for Tangible Speech Synthesis. - Jerônimo Barbosa, Filipe Calegario, Veronica Teichrieb, Geber L. Ramalho, Patrick McGlynn:
Considering Audience's View Towards an Evaluation Methodology for Digital Musical Instruments. - Kirsty A. Beilharz, Aengus Martin:
The 'Interface' in Site-Specific Sound Installation. - Andreas Bergsland, Tone Åse:
Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice. - Graham Booth, Michael Gurevich:
Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography. - Mathieu Bosi, Sergi Jordà:
Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisors. - William Brent:
The Gesturally Extended Piano. - N. Cameron Britt, Jeff Snyder, Andrew P. McPherson:
The EMvibe: An Electromagnetically Actuated Vibraphone. - Ivica Ico Bukvic, Liesl Baum, Bennett Layman, Kendall Woodard:
Granular Learning Objects for Instrument Design and Collaborative Performance in K-12 Education. - John Buschert:
Musician Maker: Play expressive music without practice. - Benjamin Carey:
Designing for Cumulative Interactivity: The _derivations System. - Chris Carlson, Ge Wang:
Borderlands -An Audiovisual Interface for Granular Synthesis. - Julien Castet:
Performing experimental music by physical simulation. - Aisen Caro Chacin:
Play-A-Grill: Music To Your Teeth. - Hongchan Choi, John Granzow, Joel Sadler:
The Deckle Project : A Sketch of Three Sensors. - Alexis Clay, Nadine Couture, Myriam Desainte-Catherine, Pierre-Henri Vulliard, Joseph Larralde, Elodie Decarsin:
Movement to emotions to music: using whole body emotional expression as an interaction for electronic music generation. - Luke Dahl:
Wicked Problems and Design Considerations in Composing for Laptop Orchestra. - Palle Dahlstedt:
Pencil Fields: An Expressive Low-Tech Performance Interface for Analog Synthesis. - Nate Derbinsky, Georg Essl:
Exploring Reinforcement Learning for Mobile Percussive Collaboration. - Marco Donnarumma:
Music for Flesh II: informing interactive music performance with the viscerality of the body system. - Dalia El-Shimy, Thomas Hermann, Jeremy R. Cooperstock:
A Reactive Environment for Dynamic Volume Control. - Ayaka Endo, Takuma Moriyama, Yasuo Kuhara:
Tweet Harp: Laser Harp Generating Voice and Text of Real-time Tweets in Twitter. - Stefano Fasciani, Lonce Wyse:
A Voice Interface for Sound Generators: adaptive and automatic mapping of gestures to sound. - Adrian Freed:
The Fingerphone: a Case Study of Sustainable Instrument Redesign. - Christian Frisson, Stéphane Dupont, Julien Leroy, Alexis Moinet, Thierry Ravet, Xavier Siebert, Thierry Dutoit:
LoopJam: turning the dance floor into a collaborative instrumental map. - A. Cavan Fyans, Adnan Marquez-Borbon, Paul Stapleton, Michael Gurevich:
Ecological considerations for participatory design of DMIs. - Lawrence Fyfe, Adam R. Tindale
, Sheelagh Carpendale:
Node and Message Management with the JunctionBox Interaction Toolkit. - David Gerhard, Brett Park:
Instant Instrument Anywhere: A Self-Contained Capacitive Synthesizer. - Nicholas Gillian, Joseph A. Paradiso:
Digito: A Fine-Grain Gesturally Controlled Virtual Musical Instrument. - Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley:
Bowing a vibration-enhanced force feedback device. - Nan-Wei Gong, Nan Zhao, Joseph A. Paradiso:
A Customizable Sensate Surface for Music Control. - Tobias Grosshauser, Victor Candia, Horst Hildebrandt, Gerhard Tröster:
Sensor Based Measurements of Musicians' Synchronization Issues. - Yoonchang Han, Jinsoo Na, Kyogu Lee:
FutureGrab: A wearable subtractive synthesizer using hand gesture. - Yoon Chung Han, Byeong-jun Han:
Virtual Pottery: An Interactive Audio-Visual Installation. - Anne-Marie Skriver Hansen, Hans Jørgen Andersen, Pirkko Raudaskoski:
Two Shared Rapid Turn Taking Sound Interfaces for Novices. - Jiffer Harriman:
Sinkapater -An Untethered Beat Sequencer. - Ian Hattwick, Kojiro Umezaki:
Approaches to Interaction in a Digital Music Ensemble. - Ian Hattwick, Marcelo M. Wanderley:
A Dimension Space for Evaluating Collaborative Musical Performance Systems. - Tomás Henriques:
Sonik Spring. - Jamie Henson, Benjamin Collins, Alexander Giles, Kathryn Webb, Matthew Livingston, Thomas Mortensson:
Kugelschwung - a Pendulum-based Musical Instrument. - Jordan Hochenbaum, Ajay Kapur:
Drum Stroke Computing: Multimodal Signal Processing for Drum Stroke Identification and Performance Metrics. - Avrum Hollinger, Marcelo M. Wanderley:
Optoelectronic Acquisition and Control Board for Musical Applications. - Jay Alan Jackson:
Bubble Drum-agog-ing: Polyrhythm Games & Other Inter Activities. - Javier Jaimovich, Miguel Angel Ortiz Pérez, Niall Coghlan, R. Benjamin Knapp:
The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music. - Blake Johnston, Owen Vallis, Ajay Kapur:
A Comparative User Study of Two Methods of Control on a Multi-Touch Surface for Musical Expression. - Ajay Kapur, Jim W. Murphy, Dale A. Carnegie:
Kritaanjali: A Robotic Harmonium for Performance, Pedogogy and Research. - Yuya Kikukawa, Takaharu Kanai, Tatsuhiko Suzuki, Toshiki Yoshiike, Tetsuaki Baba, Kumiko Kushiyama:
PocoPoco: A Kinetic Musical Interface With Electro-Magnetic Levitation Units. - Bongjun Kim, Woon Seung Yeo:
Interactive Mobile Music Performance with Digital Compass. - Mari Kimura, Nicolas H. Rasamimanana, Frédéric Bevilacqua, Norbert Schnell, Bruno Zamborlin, Emmanuel Fléty:
Extracting Human Expression For Interactive Composition with the Augmented Violin. - Adinda Rosa van't Klooster:
The body as mediator of music in the Emotion Light. - Chi-Hsia Lai, Koray Tahiroglu:
A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves. - Jeong-Seob Lee, Woon Seung Yeo:
Real-time Modification of Music with Dancer's Respiration Pattern. - Myunghee Lee, Youngsun Kim, Gerard J. Kim:
Empathetic Interactive Music Video Experience. - Sang Won Lee, Jason Freeman, Andrew Colella:
Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles. - Sang Won Lee, Ajay Srinivasamurthy, Gregoire Tronel, Weibin Shen, Jason Freeman:
Tok! : A Collaborative Acoustic Instrument using Mobile Phones. - Hans Leeuw:
The electrumpet, additions and revisions. - Hans Leeuw, Jorrit Tamminga:
NIME Education at the HKU, Emphasizing performance. - Paul D. Lehrman:
Multiple Pianolas in Antheil's Ballet mécanique. - Cory Levinson:
TedStick: A Tangible Electrophonic Drumstick. - Benjamin R. Levy, Georges Bloch, Gérard Assayag:
OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations. - Jia-liang Lu, Da-Lei Fang, Yi Qin, Jiuqiang Tang:
Wireless Interactive Sensor Platform for Real-Time Audio-Visual Experience. - Matti Luhtala, Ilkka Niemeläinen, Johan Plomp, Markku Turunen, Julius Tuomisto:
Studying Aesthetics in a Musical Interface Design Process Through 'Aesthetic Experience Prism'. - Vangelis Lympouridis:
EnActor: A Blueprint for a Whole Body Interaction Design Software Platform. - Alexander Müller-Rakow, Jochen Fuchs:
The Human Skin as an Interface for Musical Expression. - Nathan Magnus, David Gerhard:
Musician Assistance and Score Distribution (MASD). - Nicolas Makelberge, Álvaro Barbosa, André V. Perrotta, Luís Sarmento Ferreira:
Perfect Take: Experience design and new interfaces for musical expression. - Stelios Manousakis:
Network spaces as collaborative instruments: WLAN trilateration for musical echolocation in sound art. - Martin Marier:
Designing Mappings for Musical Interfaces Using Preset Interpolation. - Brian D. Mayton, Gershon Dublon, Nicholas Joliat, Joseph A. Paradiso:
Patchwork: Multi-User Network Control of a Massive Modular Synthesizer. - Ryan McGee, Daniel Ashbrook, Sean White:
SenSynth: a Mobile Application for Dynamic Sensor to Sound Mapping. - Patrick McGlynn, Victor Lazzarini, Gordon Delap, Xiaoyu Chen:
Recontextualizing the Multi-touch Surface. - Andrew P. McPherson:
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard. - Andrew P. McPherson:
Techniques and Circuits for Electromagnetic Instrument Actuation. - Jonh Melo, Daniel Gómez, Miguel Vargas:
Gest-O: Performer gestures used to expand the sounds of the saxophone. - Duncan Menzies, Andrew P. McPherson:
An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation. - Raymond Migneco, Youngmoo E. Kim:
A Component-Based Approach for Modeling Plucked-Guitar Excitation Signals. - Thomas Mitchell, Sebastian Madgwick, Imogen Heap:
Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms. - Jim W. Murphy, Ajay Kapur, Dale A. Carnegie:
Better Drumming Through Calibration: Techniques for Pre-Performance Robotic Percussion Optimization. - Chris Nash, Alan F. Blackwell:
Liveness and Flow in Notation Use. - James Nesfield:
Strategies for Engagement in Computer-Mediated Musical Performance. - Doug Van Nort, Jonas Braasch, Pauline Oliveros:
Mapping to musical actions in the FILTER system. - Kristian Nymoen, Arve Voldsund, Ståle Andreas Skogstad, Alexander Refsum Jensenius, Jim Tørresen:
Comparing Motion Data from an iPod Touch to a High-End Optical Infrared Marker-Based Motion Capture System. - Liam O'Sullivan, Dermot Furlong, Frank Boland:
Introducing CrossMapper: Another Tool for Mapping Musical Control Parameters. - Benjamin R. Oliver, Rachel M. van Besouw, David R. Nicholls:
The 'Interactive Music Awareness Program' (IMAP) for Cochlear Implant Users. - Gascia Ouzounian, R. Benjamin Knapp, Eric D. Lyon, Roger Luke DuBois:
Music for Sleeping & Waking Minds (paper submission). - Dan Overholt:
Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces. - Bryan Pardo, David Little, Darren Gergle:
Towards Speeding Audio EQ Interface Building with Transfer Learning. - Yongki Park, Hoon Heo, Kyogu Lee:
Voicon: An Interactive Gestural Microphone For Vocal Performance. - Dale Parson, Phillip Reed:
The Planetarium as a Musical Instrument. - Pedro Patrício:
MuDI -Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-time. - Martin Piñeyro:
Electric Slide Organistrum. - Roberto Pugliese, Koray Tahiroglu, Callum Goddard, James Nesfield:
Augmenting human-human interaction in mobile group improvisation. - Loïc Reboursière, Otso Lähdeoja, Thomas Drugman, Stéphane Dupont, Cécile Picard-Limpens, Nicolas Riche:
Left and right-hand guitar playing techniques detection. - Alexander Refsum Jensenius, Arve Voldsund:
The Music Ball Project: Concept, Design, Development, Performance. - Charles Roberts, Graham Wakefield, Matthew Wright:
Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs. - Michael Rotondo, Nick Kruge, Ge Wang:
Many-Person Instruments for Computer Music Performance. - Matthieu Savary, Diemo Schwarz, Denis Pellerin:
DIRTI - Dirty Tangible Interfaces. - Sébastien Schiesser, Jan C. Schacher:
SABRe: The Augmented Bass Clarinet. - Kevin Schlei:
TC-11: A Programmable Multi-Touch Synthesizer for the iPad. - Daniel Schlessinger:
Concept Tahoe: Microphone Midi Control. - Diemo Schwarz:
The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis. - Eyal Shahar:
SoundStrand: a Tangible Interface for Composing Music with Limited Degrees of Freedom. - Greg Shear, Matthew Wright:
Further Developments in the Electromagnetically Sustained Rhodes Piano. - Ståle Andreas Skogstad, Kristian Nymoen, Yago de Quay, Alexander Refsum Jensenius:
Developing the Dance Jockey System for Musical Interaction with the Xsens MVN Suit. - Benjamin D. Smith, Guy E. Garnett:
Unsupervised Play: Machine Learning Toolkit for Max. - Jeff Snyder, Andrew P. McPherson:
The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers. - Alistair Stead, Alan F. Blackwell, Samuel Aaron:
Graphic Score Grammars for End-Users. - Sidharth Subramanian, Jason Freeman, Scott McCoid:
LOLbot: Machine Musicianship in Laptop Ensembles. - Greg Surges:
DIY Hybrid Analog/Digital Modular Synthesis. - Olivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley:
Exploring audio and tactile qualities of instrumentality with bowed string simulations. - Atau Tanaka, Adam Parkinson, Zack Settel, Koray Tahiroglu:
A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs. - Jim Tørresen, Øyvind N. Hauback, Dan Overholt, Alexander Refsum Jensenius:
Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32. - Shawn Trail, Michael Dean, Gabrielle Odowichuk, Tiago Fernandes Tavares, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis:
Non-invasive sensing and gesture control for pitched percussion hyper-instruments using the Kinect. - Shawn Trail, Tiago Fernandes Tavares, Dan Godlovitch, George Tzanetakis:
Direct and surrogate sensing for the Gyil african xylophone. - Christoph Trappe:
Making Sound Synthesis Accessible for Children. - Akito van Troyer:
DrumTop: Playing with Everyday Objects. - Zacharias Vamvakousis, Rafael Ramírez:
Temporal Control In the EyeHarp Gaze-Controlled Musical Interface. - Gabriel Vigliensoni, Marcelo M. Wanderley:
A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. - Johnty Wang, Nicolas D'Alessandro, Sidney S. Fels, Robert Pritchard:
Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer. - Nathan Weitzner, Jason Freeman, Stephen Garrett, Yan-Ling Chen:
massMobile -an Audience Participation Framework. - Red Wierenga:
A New Keyboard-Based, Sensor-Augmented Instrument For Live Performance. - Lonce Wyse, Suranga Nanayakkara, Paul J. Seekings, Sim Heng Ong, Elizabeth A. Taylor:
Palm-area sensitivity to vibrotactile stimuli above 1~kHz. - Qi Yang, Georg Essl:
Augmented Piano Performance using a Depth Camera. - Kamer Ali Yüksel, Sinan Buyukbas, Elif E. Ayiter:
An Interface for Emotional Expression in Audio-Visuals. - Francisco Zamorano:
Simpletones: A System of Collaborative Physical Controllers for Novices.
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