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ORCIDKia Ng
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- affiliation: ICSRiM, University of Leeds, UK
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Journal Articles
- 2015
[j6]Matthew Benatan, Kia Ng:
Cross-covariance-based features for speech classification in film audio. J. Vis. Lang. Comput. 31: 215-221 (2015)- 2012
- [j5]Gennaro Costagliola
, Jennifer L. Leopold, Paolo Nesi, Kia Ng:
Guest Editors' Introduction. Int. J. Softw. Eng. Knowl. Eng. 22(8): 1005-1006 (2012) - 2008
- [j4]Kia Ng, Tran Vu Pham, Bee Ong, Alexander Mikroyannidis, David Giaretta:
Preservation of interactive multimedia performances. Int. J. Metadata Semant. Ontologies 3(3): 183-196 (2008) - 2007
- [j3]Hazem Hiary, Kia Ng:
A system for segmenting and extracting paper-based watermark designs. Int. J. Digit. Libr. 6(4): 351-361 (2007) - 2004
- [j2]Kia-Chuan Ng:
Music via motion: transdomain mapping of motion and sound for interactive performances. Proc. IEEE 92(4): 645-655 (2004) - 2000
- [j1]Kia Ng, Vítor Sequeira, Emanuele Bovisio, Neil Johnson, David Cooper, João G. M. Gonçalves, David C. Hogg:
Playing on a holo-stage: towards the interaction between real and virtual performers. Digit. Creativity 11(2): 109-117 (2000)
Conference and Workshop Papers
- 2015
- [c76]Joanne L. Armitage, Kia Ng:
Feeling Sound: Exploring a Haptic-Audio Relationship. CMMR 2015: 146-152 - [c75]Matthew Benatan, Kia Ng:
Cross-Covariance-based Features for Speech Classification in Film Audio. DMS 2015: 72-77 - [c74]Joanne L. Armitage, Kia Ng:
'Unheard' Sounds'. EVA 2015 - [c73]Joanne L. Armitage, Kia Ng:
Configuring a Haptic Interface for Music Performance. EVA 2015 - [c72]Beatrice Bretherton, Luke Windsor, Kia Ng:
Tempo and Autonomic Control of the Heart. EVA 2015 - [c71]Isabel Briant, Jeremy Gaisie, Thomas Morris, Francis Robson, David Moore, Kia Ng:
LIVeMotion: A Multi-Sensory System to Encourage the Awareness of Mindfulness. EVA 2015 - [c70]Ryan Kirkbride, Kia Ng:
Infinite Remix Machine: Automatic Analysis and Arrangement of Musical Recordings. EVA 2015 - [c69]Víctor Padilla Martín-Caro, Alex McLean, Alan Marsden, Kia Ng:
Improving Optical Music Recognition by Combining Outputs from Multiple Sources. ISMIR 2015: 517-523 - 2014
- [c68]Helena Bisby, Adam Cooper, Stephen James, Alec Robertson, Kia Ng:
A Tactile Audio Visual Instrument using Sound Source Localisation. EVA 2014 - [c67]Kia Ng, Joanne L. Armitage, Alex McLean:
The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping. EVA 2014 - [c66]Kia Ng, Alex McLean, Alan Marsden:
Big Data Optical Music Recognition with Multi Images and Multi Recognisers. EVA 2014 - [c65]Joanne L. Armitage, Kia Ng:
Tactile Composition: Configurations and communications for a musical haptic chair. ICMC 2014 - [c64]Víctor Padilla Martín-Caro, Alan Marsden, Alex McLean, Kia Ng:
Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources. DLfM@JCDL 2014: 1-8 - 2013
- [c63]Ian Hales, David C. Hogg, Kia Ng, Roger Boyle:
Automated Ground-Plane Estimation for Trajectory Rectification. CAIP (2) 2013: 378-385 - [c62]Matthew Benatan, Kia Ng:
Multimodal Feature Matching for Event Synchronization. DMS 2013: 9-13 - [c61]Matthew Benatan, Kia Ng:
Feature Matching of Simultaneous Signals for Multimodal Synchronization. ECLAP 2013: 266-275 - [c60]Joanne L. Armitage, Kia Ng:
Augmented Opera Performance. ECLAP 2013: 276-287 - [c59]Joanne L. Armitage, Kia Ng:
Multimodal Music Composition. EVA 2013 - [c58]Rebecca Carter, Thomas McKenzie, Lawrence Sarker, Kia Ng:
From Seeing to Feeling Sound: A Multimodal Interface for Trans-Domain Mapping of Sound. EVA 2013 - [c57]Alex McLean, Eunjoo Shin, Kia Ng:
Paralinguistic Microphone. NIME 2013: 381-384 - 2012
- [c56]Joanne L. Armitage, Phoebe Bakanas, Joel Balmer, Paul Halpin, Kyle Hudspeth, Kia Ng:
mConduct: a multi-sensor interface for the capture and analysis of conducting gesture. EVA 2012 - [c55]Jack Armitage, Kyle Molleson, Michael Battcock, Chris Earnshaw, David Moore, Kia Ng:
Visualising sound: Localisation, feature analysis and visualisation. EVA 2012 - [c54]Kia Ng, Joanne L. Armitage, Paul Halpin, Kyle Hudspeth, Phoebe Bakanas, Joel Balmer:
Mconduct: transcending Domains and Distributed Performance. ICMC 2012 - 2011
- [c53]James Leonard, Kia Ng:
Music via Motion: A distributed framework for interactive multimedia performance . DMS 2011: 7-8 - [c52]Adam Jareh, Tom Parish, Cansin Rathge, Elina Vasina, Kia Ng:
Painting into Music: An interactive multimedia edutainment tool for painting . DMS 2011: 100-105 - [c51]Matthew Benatan, Ian M. Symonds, Kia Ng:
Multimedia Mobile Motion: Augmented Handheld Mobile Device for Motion Control. DMS 2011: 106-109 - [c50]Elliot Danby, Kia Ng:
Virtual Drum Accompanist: Interactive Multimedia System to Model Expression of Human Drummers. DMS 2011: 110-113 - [c49]Matthew Benatan, Ian M. Symonds, Kia Ng:
Mobile notion: multimodal device augmentation for musical applications. EVA 2011 - [c48]Matthew Benatan, Ian M. Symonds, Kia Ng:
Developing a user-relative motion detection interface for mobile devices. ICMC 2011 - [c47]Kia Ng:
Interactive Multimedia Performance Technology Augmented Stage. Intelligent Environments (Workshops) 2011: 578 - [c46]Matthew Benatan, Ian M. Symonds, Kia Ng:
Mobile Device Augmentation for Interactive Environments. Intelligent Environments (Workshops) 2011: 599-609 - 2010
- [c45]Chris Ellison, Bee Ong, Kia Ng:
iRock Interactive Multimedia System. DMS 2010: 137-142 - [c44]Sam Bailey, Adam Scott, Harry Wright, Ian M. Symonds, Kia Ng:
Eye.Breathe.Music: creating music through minimal movement. EVA 2010 - [c43]Matthew Benatan, Sam Bultitude, Stuart Heather, Ian M. Symonds, Kia Ng:
MiMic: a motion control interface for music. EVA 2010 - [c42]Kia Ng, Bee Ong:
Interactive multimedia rocks for geology. EVA 2010 - [c41]Sam Bailey, Adam Scott, Harry Wright, Ian M. Symonds, Kia Ng:
Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing. ICMC 2010 - 2009
- [c40]Kia Ng, Eleni Mikroyannidi, Bee Ong, David Giaretta:
An Ontology Based Framework for the Preservation of Interactive Multimedia Performances. eScience 2009: 40-44 - [c39]David Bradshaw, Kia Ng:
Motion Capture, Analysis and Feedback to Support Learning Conducting. ICMC 2009 - [c38]Robin Gray, Simon Lindsell, Rachael Minster, Ian M. Symonds, Kia Ng:
An Augmented Snare Drum. ICMC 2009 - [c37]Kia Ng:
Interactive Multimedia Interface and Multimodal Analysis for Technology-Enhanced Learning and Performance Preservation. NCM 2009: 1401-1405 - 2008
- [c36]Moaath Al-Rajab, David C. Hogg, Kia Ng:
A Comparative Study on Using Zernike Velocity Moments and Hidden Markov Models for Hand Gesture Recognition. AMDO 2008: 319-327 - [c35]Bee Ong, Kia Ng, Pierfrancesco Bellini:
Distributed Interactive Multimedia for Technology-enhanced Learning and Automated Content Production and Distribution. DMS 2008: 51-54 - [c34]David Bradshaw, Kia Ng:
Analyzing a conductors gestures with the Wiimote. EVA 2008 - [c33]Kia Ng:
Technology-enhanced learning for music with i-Maestro framework and tools. EVA 2008 - [c32]Charles O'Neill, Kia Ng:
Hearing images: interactive sonification interface for images. EVA 2008 - [c31]Kia Ng, Paolo Nesi, Neil McKenzie:
Technology-Enhanced Learning For Music Theory And Performance. e-Learning 2008: 66-70 - [c30]Kia Ng, Alexander Mikroyannidis, Bee Ong, Alain Bonardi, Jérôme Barthélemy, Raffaele Ciavarella:
Ontology Management for Preservation of Interactive Multimedia performances. ICMC 2008 - [c29]Kia Ng, Tillman Weyde, Paolo Nesi:
I-Maestro: Technology-Enhanced Learning for Music. ICMC 2008 - [c28]Charles O'Neill, Kia Ng:
Design and Development of an Interactive Sonification Interface for hearing Images. ICMC 2008 - [c27]Garry Quested, Roger Boyle, Kia Ng:
Polyphonic note tracking using Multimodal Retrieval of Musical Events. ICMC 2008 - [c26]Kia Ng, Paolo Nesi:
i-Maestro: Technology-Enhanced Learning and Teaching for Music. NIME 2008: 225-228 - [c25]Kia Ng:
Interactive feedbacks with visualisation and sonification for technology-enhanced learning for music performance. SIGDOC 2008: 281-282 - 2007
- [c24]Kia Ng, Oliver Larkin, Thijs Koerselman, Bee Ong, Diemo Schwarz, Frédéric Bevilacqua:
The 3D Augmented mirror: motion Analysis for String Practice Training. ICMC 2007 - [c23]Kia Ng, Tran Vu Pham, Bee Ong, Jérôme Barthélemy, Alain Bonardi, David Giaretta:
Digital Preservation of Interactive Multimedia performances. ICMC 2007 - [c22]Kia-Chuan Ng, Tillman Weyde, Oliver Larkin, Kerstin Neubarth, Thijs Koerselman, Bee Ong:
3d augmented mirror: a multimodal interface for string instrument learning and teaching with gesture support. ICMI 2007: 339-345 - [c21]Kia Ng, Tran Vu Pham, Bee Ong, Alexander Mikroyannidis, David Giaretta:
Ontology for Preservation of Interactive Multimedia Performances. MTSR 2007: 35-44 - 2006
- [c20]Kia Ng, Atta Badii, Maulik Sailor, Bee Ong, Royce J. Neagle, Garry Quested:
AXMEDIS Programme and Publication Tools Integration with Workflow-Enabled Communication and Process Control. AXMEDIS 2006: 110-120 - [c19]Hazem Hiary, Kia Ng:
Automated Paper-Based Watermark Extraction and Processing. AXMEDIS 2006: 291-298 - [c18]Bee Ong, Ali Khan, Kia Ng, Pierfrancesco Bellini, Nicola Mitolo, Paolo Nesi:
Cooperative Multimedia Environments for Technology-Enhanced Music Playing and Learning with 3D Posture and Gesture Supports. ICMC 2006 - 2004
- [c17]Kia Ng:
University of Leeds Interdisciplinary Centre for Scientific Research in Music. ICMC 2004 - 2003
- [c16]Royce J. Neagle, Kia Ng, Roy A. Ruddle:
Studying the Fidelity Requirements for a Virtual Ballet Dancer. VVG 2003: 181-188 - 2002
- [c15]Royce J. Neagle, Kia Ng, Roy A. Ruddle:
Notation and 3D Animation of Dance Movement. ICMC 2002 - [c14]Kia Ng, Jon Scott:
A Distributed Real-time System for Interactive Music Mapping with Multiple Inputs. ICMC 2002 - [c13]Kia Ng:
Interactive Gesture Music Performance Interface. NIME 2002: 183-184 - 2001
- [c12]Kia Ng:
Music Manuscript Tracing. GREC 2001: 330-342 - 2000
- [c11]Sita Popat, Kia Ng, Jacqueline Smith-Autard:
Hands-on dance project (poster session): creative dance collaborations online. CVE 2000: 203-204 - [c10]Kia Ng, Sita Popat, Bee Ong, Ewan Stefani, Kris Popat, David Cooper:
Trans-Domain Mapping: A Real-time Interactive System for Motion Acquisition and Musical Mapping. ICMC 2000 - [c9]Sita Popat, Kia Ng, Kris Popat, Jacqueline Smith-Autard:
Interactive Composition: Sharing the Creative Process on the Internet. ICMC 2000 - 1999
- [c8]Kia Ng, David Cooper, Ewan Stefani, Roger Boyle, Nick Bailey:
Embracing the Composer: Optical Recognition of Handwritten Manuscripts. ICMC 1999 - [c7]Erik Wolfart, Vítor Sequeira, Kia Ng, Stuart Butterfield, João G. M. Gonçalves, David C. Hogg:
Hybrid Approach to the Construction of Triangulated 3D Models of Building Interiors. ICVS 1999: 489-508 - 1998
- [c6]Vítor Sequeira, Kia Ng, Stuart Butterfield, João G. M. Gonçalves, David C. Hogg:
3D Textured Models of Indoor Scenes from Composite Range and Video Images. Three-Dimensional Image Capture and Applications 1998: 46-59 - [c5]David Leevers, Pedro Gil, Francisco Martinho Lopes, João Pereira, José Castro, João Gomes-Mota, M. Isabel Ribeiro, João G. M. Gonçalves, Vítor Sequeira, Erik Wolfart, Vincent Dupourqué, Vítor M. F. Santos, Stuart Butterfield, David C. Hogg, Kia Ng:
An Autonomous Sensor for 3D Reconstruction. ECMAST 1998: 13-25 - [c4]David Cooper, Kia Ng:
Studio Report of the University of Leeds Department of Music. ICMC 1998 - 1996
- [c3]Kia Ng, David Cooper, Roger Boyle:
Handwritten Music Manuscript Recognition. ICMC 1996 - [c2]Ewan Stefani, Kia Ng, David Cooper:
Leeds University Electronic Studio: Studio Report. ICMC 1996 - 1992
- [c1]Kia-Chuan Ng, Roger D. Boyle:
Segmentation of Music Primitives. BMVC 1992: 1-9
Parts in Books or Collections
- 2013
- [p2]Joanne L. Armitage, Kia Ng:
mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture. Electronic Visualisation in Arts and Culture 2013: 153-165 - [p1]Matthew Benatan, Kia Ng:
Mobile Motion: Multimodal Device Augmentation for Musical Applications. Electronic Visualisation in Arts and Culture 2013: 183-195
Editorship
- 2015
- [e7]Kia Ng, Jonathan P. Bowen, Nick Lambert:
Electronic Visualisation and the Arts, EVA 2015, London, UK, 7-9 July 2015. Workshops in Computing, BCS 2015 [contents] - 2014
- [e6]Kia Ng, Jonathan P. Bowen, Sarah McDaid:
Electronic Visualisation and the Arts, EVA 2014, London, UK, 8-10 July 2014. Workshops in Computing, BCS 2014, ISBN 978-1-78017-285-9 [contents] - 2013
- [e5]Jonathan P. Bowen, Suzanne Keene, Kia Ng:
Electronic Visualisation in Arts and Culture. Springer Series on Cultural Computing, Springer 2013, ISBN 978-1-4471-5405-1 [contents] - [e4]Kia Ng, Jonathan P. Bowen, Sarah McDaid:
Electronic Visualisation and the Arts, EVA 2013, London, UK, 29-31 July 2013. Workshops in Computing, BCS 2013, ISBN 978-1-780172-15-6 [contents] - 2012
- [e3]Stuart Dunn, Jonathan P. Bowen, Kia Ng:
Electronic Visualisation and the Arts, EVA 2012, London, UK, 10-12 July 2012. Workshops in Computing, BCS 2012, ISBN 978-1-780171-59-3 [contents] - 2011
- [e2]Stuart Dunn, Jonathan P. Bowen, Kia Ng:
Electronic Visualisation and the Arts, EVA 2011, London, UK, 6-8 July 2011. Workshops in Computing, BCS 2011, ISBN 978-1-906124-88-5 [contents] - 2010
- [e1]Alan Seal, Jonathan P. Bowen, Kia Ng:
Electronic Visualisation and the Arts, EVA 2010, London, UK, 5-7 July 2010. Workshops in Computing, BCS 2010, ISBN 978-1-906124-65-6 [contents]
Informal and Other Publications
- 2010
- [i1]Kia Ng:
Digital Preservation of Interactive Multimedia Performances. ERCIM News 2010(80) (2010)
Coauthor Index
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