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ORCID22nd ICMC 1996: Hong Kong
- Proceedings of the 1996 International Computer Music Conference, ICMC 1996, Hong Kong, August 19-24, 1996. Michigan Publishing 1996
- Vesa Välimäki, Rami Hänninen, Matti Karjalainen:
An Improved Digital Waveguide Model of Flute - Implementation Issues. - Marc-Pierre Verge:
Physical Modeling of Aeroacoustic Sources in Flute-like Instruments. - Scott A. Van Duyne, Julius O. Smith III:
The 3D Tetrahedral Digital Waveguide Mesh with Musical Applications. - Carola Böhm, Karst de Jong, Cristoph Hempel:
MusicWeb, New Communication and Information Technologies in the Music Classroom. - Stephen Arnold:
NetMuse: a Very-High-Performance Wide-Area Network for Music. - Xavier Rodet, Dominique François, Guillaume Levy:
Xspect: A New X/Motif Signal Visualization and Editing Program. - Todor Todoroff, Caroline Traube:
Graphical NeXTSTEP Objects as FTS Clients to Control Instruments in the new FTS Client/Server Architecture. - Sølvi Ystad, Philippe Guillemain, Richard Kronland-Martinet:
Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds. - Bruno Degazio:
Evolution of Musical Organisms. - Dominique Fober, Stéphane Letz:
Recent Developments of MidiShare. - David Rossiter, Andrew Horner:
Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation. - William Putnam, Timothy Stilson:
Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit. - San-Kuen Chan, Jennifer Yuen, Andrew Horner:
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms. - Douglas Nunn, Alan Purvis, Peter D. Manning:
Acoustic Quanta. - Ichiro Fujinaga:
Exemplar-based Learning in Adaptive Optical Music Recognition System. - Lonny Chu:
Haptic Feedback in a Computer Music Performance Interface. - Dominik Hörnel, Thomas Ragg:
Learning Musical Structure and Style by Recognition, Prediction and Evolution. - Tobias Kunze, Heinrich Taube:
SEE - A Structured Event Editor: Visualizing Compositional Data in Common Music. - Mark Danks:
The Graphics Environment for Max. - Daniel V. Oppenheim, James L. Wright:
Towards A Framework for Handling Musical Expression. - Thomas Stainsby:
A System for the Separation of Simultaneous Musical Audio Signals. - Tim S. Brookes, Andy M. Tyrrell, David M. Howard:
Musical Analysis using a Real-Time Model of Peripheral Hearing. - Simon Dixon:
A Dynamic Modelling Approach to Music Recognition. - Nick Porcaro, Pat Scandalis, David A. Jaffe, Julius O. Smith III:
Demonstration: Using SynthBuilder for the Creation of Physical Models. - Stuart Favilla:
Non-linear Controller Mapping for Gestural Control of Gamaka. - Ville Pulkki, Jyri Huopaniemi, Tommi Huotilainen, Matti Karjalainen:
DSP Approach to Multichannel Audio Mixing. - Mark Pearson, David M. Howard:
Recent Developments with the TAO Physical Modelling System. - Paul Masri, Andrew Bateman:
Imroved Modelling of Attack Transients in Music Analysis-Resynthesis. - Carola Böhm:
Automated Music, interdisciplinary aspects of a developmental history. - Lauri Savioja, Jyri Huopaniemi, Tommi Huotilainen, Tapio Takala:
Real-Time Virtual Audio Reality. - Eric M. Mrozek, Gregory H. Wakefield:
Perceptual Matching of Low Order Models to Room Transfer Functions. - Kristine H. Burns:
A New Electronic Genre: The CD-ROM. - Cort Lippe:
A Look at Performer/Machine Interaction Using Real-Time Systems. - Barbara Becker, Gerhard Eckel:
On the Use of Computer Systems in Contemporary Music. - Shuji Hashimoto, Hai Qi, Dingding Chang:
Sound Database Retrieved by Sound. - Yoshinari Sasahira, Shuji Hashimoto:
Adaptive Pitch Compensation of Singing and Its Application. - Takebumi Itagaki, Simon Johnson, Peter D. Manning, Douglas Nunn, Desmond Phillips, Alan Purvis, Jonathan Robert Spanier:
Durham Music Technology: Active Report. - David Cope:
Composer's Underscoring Environment (CUE). - Claudia V. Goldman, Dan Gang, Jeffrey S. Rosenschein, Daniel Lehmann:
NetNeg: A Hybrid Interactive Architecture for Composing Polyphonic Music in Real Time. - Barry Vercoe:
Extended Csound. - Michael A. Casey, Paris Smaragdis:
NetSound: Realtime Audio from Semantic Descriptions. - Richard Boulanger, Scott Vercoe:
Csound GM: Designing Real-Time Instruments with Csound's New MIDI Opcodes. - Mira Balaban, Stanislav Irish:
Automatic Jazz Accompaniment Computation: An Open Advice-Based Approach. - James L. Wright, Daniel Oppenheim:
IBM Computer Music Center - Studio Report. - Jon Appleton, Charles Dodge, Larry Polansky:
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music. - Ewan Stefani, Kia Ng, David Cooper:
Leeds University Electronic Studio: Studio Report. - Wayne Siegel:
DIEM, The Danish Institute of Electroacoustic Music, Studio Report. - Shlomo Dubnov:
Israel Computers and Music Forum - Activities Report. - Yu Ying:
Computer Music in Shenzhen, P. R. China. - Ricardo Dal Farra:
Electroacoustic and Computer Music in Latin America. - Iain Mott, Jim Sosnin:
A New Method for Interactive Sound Spatialisation. - Haruhiro Katayose, Tsutomu Kanamori, Seiji Inokuchi:
An Environment for Interactive Art - Sensor Integration and Applications. - Greg Schiemer, B. Krishnakumar:
Appropriated Musical Instruments: A4 MIDI Tool Box and Carnatic Violin. - Andrew Choi:
A C++ Library for Computer Music Programming on Real-Time Mach. - Enzo Maggi, François Déchelle:
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation. - François Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell:
New DSP Applications on FTS. - Elizabeth Hinkle-Turner:
Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices. - Arun Chandra:
Composing the Means With Which I Compose: Waveforms With Multiple Paths and Cycle-lengths. - Damián Keller:
Anitoo: Some Analysis Tools. - James Oliverio, Jarrell Pair:
Design and Implementation of a Multimedia Opera. - Gregory H. Wakefield:
The Mathematical Implications of a Pulse-Ribbon Perceptual Organization of Pitch. - Roy Hung, N. H. C. Yung, Paul Y. S. Cheung:
The Analysis and Resynthesis of Sustained Musical Signals in the Time Domain. - Paul Runkle, Gregory H. Wakefield:
On the Perceptual Optimization of Synthetic Acoustical Systems. - David Chapman, Michael Clarke, Martin Smith, Paul Archbold:
Self-Similar Grain Distribution: A Fractal Approach to Granular Synthesis. - Matthew Padden, Michael Clarke, Alan Diz, Mark Kirby:
Towards Synthia II: An Assessment of Design Strategies for Computer Assisted Learning of Sound Synthesis. - Michelle Evans, David M. Howard:
The Synthesis of Sung Vowels in Female Opera and Belt Qualities. - Andrew Sterian, Gregory H. Wakefield:
Robust Automated Music Transcription Systems. - Kai Lassfolk:
Simulation of Electron Tube Audio Circuits. - Gary P. Scavone:
Modeling and Control of Performance Expressin in Digital Waveguide Models of Woodwind Instruments. - Perry R. Cook:
Physically Informed Sonic Modeling (PhISM): Percussive Synthesis. - Matti Karjalainen, Julius O. Smith III:
Body Modeling Techniques for String Instrument Synthesis. - Pierre-Yves Rolland, Jean-Gabriel Ganascia:
Automated Motive-Oriented Analysis of Musical Corpuses: a Jazz Case Study. - Keiji Hirata:
Representation of Jazz Piano Knowledge Using a Deductive Object-Oriented Approach. - Yuzuru Hiraga:
A Cognitive Model of Pattern Matching in Music. - Mara Helmuth:
Collage: Sound Colors Installation Software. - Gerhard Behles, Peter Lundén:
A Distributed, Object-Oriented Framework for Sound Synthesis. - James McCartney:
SuperCollider, a New Real Time Synthesis Language. - Anna Sofie Christiansen:
A Cognitive Model in Design of Musical Interfaces. - Alistair Riddell, Ross Bencina:
Cmix on Non-UNIX World. - Martin Alejandro Fumarola:
An Approach to a Latin American Computer Music. - Roger B. Dannenberg, Eli Brandt:
A Flexible Real-Time Software Synthesis System. - Kurt Thywissen:
GeNotator: An Environment for Investigating the Application of Genetic Algorithms in Computer Assisted Composition. - Erez Webman, Uri Shimony, Zohar Poupko, Dalit Caspi, Moty Gerner:
Musical Effects of Cross-Vocoding, Software Implementated. - David Rossiter, Wai-Yin Ng:
A System for the Musical Investigation and Expression of Levels of Self-Similarity in an Arbitrary Data Stream. - Eric D. Lyon:
POWERpv: A Suite of Sound Processors. - Takebumi Itagaki, Peter D. Manning, Alan Purvis:
Real-Time Granular Synthesis on a Distributed Multi-processor Platform. - Takashi Suzuki, Takako Tanaka, Kuniharu Tsuboi:
Musical Instrument Database with Multimedia. - Rémi Gribonval, Philippe Depalle, Xavier Rodet, Emmanuel Bacry, Stéphane Mallat:
Sound Signals Decomposition Using a High Resolution Matching Pursuit. - Philippe Depalle, Laurent Tromp:
An Improved Additive Analysis Method Using Parametric Modelling of the Short-Time Fourier Transform. - Scott N. Levine:
Critically Sampled Third Octave Filter Banks. - Forrest Tobey, Ichiro Fujinaga:
Extraction of Conducting Gestures in 3D Space. - Roel Vertegaal, Tamas Ungvary, Michael Kieslinger:
Towards a Musician's Cockpit: Transducers, Feedback and Musical Function. - Peter McIlwain, Anthony Pietsch:
Spatio-Temporal Patterning in Computer-Generated Music: A Nodal Network Approach. - Robert Pringle, Brian J. Ross:
A Symbiosis of Animation and Music. - Jeremy L. Leach:
Towards a Universal Algorithmic System for Composition of Music and Audio-Visual Works. - Ludger Solbach, Rolf Wöhrmann:
Sound Onset Localization and Partial Tracking in Gaussian White Noise. - Scott N. Levine:
Effects Processing on Audio Subband Data. - Timothy Stilson, Julius O. Smith III:
Alias-Free Digital Synthesis of Classic Analog Waveforms. - Xavier Rodet, Adrien Lefèvre:
Macintosh Graphical Interface and Improvements to Generalized Diphone Control and Synthesis. - Gérard Assayag, Carlos Agón:
OpenMusic Architecture. - Philippe Depalle, Stephan Tassart:
Fractional Delay Lines using Lagrange Interpolators. - Kenzi Noike, Nobuo Inui, Takashi Nose, Yoshiyuki Kotani:
Generating Musical Symbols to Perform Expressively by Appromimate Functions. - Masataka Goto, Isao Hidaka, Hideaki Matsumoto, Yosuke Kuroda, Yoichi Muraoka:
A Jazz Session System for Interplay Among All Players - VirJa Session (Virtual Jazz Session System). - Rowena Guevara, Gregory H. Wakefield:
A Modal Distribution Approach to Piano Analysis and Synthesis. - Eric Incerti:
Synthesis and Analysis Tools with Physical Modeling: An Environment for Musical Sounds Production. - Kia Ng, David Cooper, Roger Boyle:
Handwritten Music Manuscript Recognition. - Gerhard Eckel:
Camera Musica: Virtual Architecture as Medium for the Exploration of Music. - Michael Kurz, Bernhard Feiten:
Physical Modelling of a Stiff String by Numerical Integration. - Matija Marolt:
A New Approach to HRTF Audio Spatialization. - Steven Trautmann:
Applying Psychoacoustic Principles to Soundfield Reconstruction. - David P. Creasey, David M. Howard, Andrew M. Tyrrell:
The Timbral Object - An Alternative Route to the Control of Timbre Space. - Michael Clarke:
TIM(br)E: Compositional Approaches to FOG Synthesis. - Shlomo Dubnov, Naftali Tishby, Dalia Cohen:
Influence of Frequency Modulating Jitter on Higher Order Moments of Sound Residual with Applications to Synthesis and Classification. - William Walker, Brian Belet:
Applying ImprovisationBuilder to Interactive Composition with MIDI Piano. - Andrew Horner, Lydia Ayers:
Cooking with Csound: Wavetable Synthesis Recipes for Woodwind and Brass Instruments. - Leigh M. Smith:
Modelling Rhythm Perception by Continuous Time-Frequency Analysis. - Bruno Degazio:
A Computer-Based Editor for Lerdahl and Jackendoff's Rhythmic Structures. - Timothy Stilson, Julius O. Smith III:
Analyzing the Moog VCF for Digital Implementation. - Rami Hänninen, Lauri Savioja, Tapio Takala:
Virtual Concert Performance - Synthetic Animated Musicians Playing in an Acoustically Simulated Room. - Richard W. Dobson, John ffitch:
Experiments with Non-Linear Filters. - Hannah Bosma:
Authorship and Female Voices in Electrovocal Music. - Naoyuki Onoe, Shuji Hashimoto, Dingding Chang:
Background Music Generaton Based on Scene Analysis. - Detlev Zimmermann:
Creativity versus Determinism: Cognitive Science and Music Theory as Touchstones of Automatic Music Composition. - Barry Eaglestone, Peter Lundén:
TEMA: An "Open" Support Environment for Music Composition. - Hideyuki Sawada, Naoyuki Onoe, Shuji Hashimoto:
Acceleration Sensor as an Input Device for Musical Environment. - Fernando Lopez-Lezcano:
PadMaster: Banging on Algorithms with Alternative Controllers. - Chris Chafe, M. Sile O'Modhrain:
Musical Muscle Memory and the Haptic Display of Performance Nuance. - Todor Todoroff:
A Real-Time Analysis and Resynthesis Instrument for Transformation of Sounds in the Frequency Domain. - Gregory H. Wakefield, Mary Simoni:
Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments. - Ami Radunskaya:
Chaos and Non-Linear Models. - Hideyuki Sawada, Shuji Hashimoto:
Adaptive Control of a Vocal Cord and Vocal Tract for Computerized Mechanical Singing Instruments. - Xavier Rodet, Christophe Vergez:
Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements. - Dan Gang, Jonathan Berger:
Modeling the Degree of Realized Expectation in Functional Tonal Music: A Study of Perceptual and Cognitive Modeling Using Neural Networks. - Peter Desain, Henkjan Honing:
Physical Motion as a Metaphor for Timing in Music: The Final Ritard. - Matthew I. Bellgard, Chi Ping Tsang:
On the Use of an Effective Boltzmann Machine for Musical Style Recognition and Harmonisation. - Isidoro Pérez, Javier Arias, Pablo Fernández, Luciano Pérez:
Quad Pan, Spatialization System of Music in LIve. - Tony Myatt:
An Object-Oriented Approach to the Combination of Rule-Based and Generative Algorithmic Composition Methods for Real-Time Interactive Applications. - Barry Eaglestone, Peter Lundén:
A 'Pick and Mix' Approach to the Integration of Composition Tools. - Mladen Milicevic:
The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition. - Anna I. Katrami, Peter J. Comerford:
Musical Instrument Transient Analysis and Re-Synthesis. - Eduardo Reck Miranda:
Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention. - Rumi Hiraga, Shigeru Igarashi, Yohei Matsuura:
Visualized Music Experssions in an Object-Oriented Environment. - Frank Pecquet:
Music and Technology. - Barry Truax:
Time-Stretching of Hyper-Resonated Sound Using a Real-Time Granulation Technique. - Jonathan Robert Spanier, Simon Johnson, Alan Purvis:
Optimisations of the FOF Algorithm for VLSI Implementation. - Desmond Phillips, Alan Purvis:
Multirate Additive Synthesis. - Crawford Tait, William Findlay:
Wavelet Analysis for Onset Detection. - Alex Igoudin, Fernando Lopez-Lezcano:
Center for Computer Research in Music and Acoustics (CCRMA) Studio Report. - JoAnn Kuchera-Morin, Stephen Travis Pope:
The Center for Research in Electronic Art Technology (CREATE). - Dan Gang:
Studio Report: The Institute of Computer Science, Hebrew University.
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