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ORCID25th ICMC 1999: Beijing, China
- Proceedings of the 1999 International Computer Music Conference, ICMC 1999, Beijing, China, October 22-27, 1999. Michigan Publishing 1999
- Mikael Laurson, Jarmo Hiipakka, Cumhur Erkut, Matti Karjalainen, Vesa Välimäki, Mika Kuuskankare:
From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar. - Tero Tolonen, Cumhur Erkut, Vesa Välimäki, Matti Karjalainen:
Simulation of Plucked Strings Exhibiting Tension Modeling Driving Force. - Hua Zheng, James W. Beauchamp:
Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones. - Steven Abrams, Daniel V. Oppenheim, Donald P. Pazel, James L. Wright:
Higher-level Composition Control in Music Sketcher: Modifiers and Smart Harmony. - Michael Clarke:
Composing With Multi-channel Spatialisation As an Aspect of Synthesis. - Mikael Laurson:
PWCollider - A Visual Composition Tool for Software Synthesis. - Kai-yuh Hsiao, Joseph A. Paradiso:
A New Continuous Multimodal Musical Controller Using Wireless Magnetic Tags. - Paul Modler, Ross Kirk:
Evaluation of Architectures for Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance. - Yoichi Nagashima, Tamami Tono Ito:
"It's SHO time" - An Interactive Environment for SHO(Sheng) Performance. - Lilit Yoo, Ichiro Fujinaga:
A Comparative Latency Study of Hardware and Software Pitch-trackers. - Guillermo García, Juan Pampin:
Data Compression of Sinusoidal Modeling Parameters Based on Psychoacoustic Masking. - Juan Pampin:
ATS: a Lisp Environment for Spectral Modeling. - Laurent Daudet, Philippe Guillemain, Richard Kronland-Martinet:
Resynthesis of Piano Strings Vibrations Based on Physical Modeling. - Satoshi Nishimura:
PIECE: A Music Language Editor Synchronized with Graphical Views. - Wayne Siegel:
Two Compositions for Interactive Dance. - Shuilin Liu, Junping Gong:
How to Produce Chinese Folk Music Using Regular MIDI Equipment. - Louisa Yong:
ComeXos: A Networked Sound Manipulation Primer. - Harvey D. Thornburg:
Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis Applications. - Yu Ying:
Sound of China: Computer Music. - Todd D. Hodes, Adrian Freed:
Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors. - Adrian Freed:
Spectral Line Broadening with Transform Domain Additive Synthesis. - Patrick Fourcade, Sylvain Mangiarotti, Claude Cadoz:
Generating Pitches in Transients by a Percussive Excitation. - Sixin Li:
The Design and Implementation of a Processing System of Qin Score (Jianzipu) QinS(1.0). - Shuilin Liu, Junping Gong:
Voice Creation and the Chinese Folk Music. - Steven Trautmann, Ngai-Man Cheung, Christopher Poletto:
Applications of the Processor Enhanced Memory Module for Music Signal Processing. - Rodney Berry:
Feeping Creatures. - Tim Kreger:
Creating Three-Dimensional Computer Animations Using Spectral Data and OpenGL. - Leigh Landy:
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship. - Francisco Iovino, Norbert Schnell, Olivier Lartillot:
Modalys in jMax: Real-time Modal-synthesis. - Takafumi Hikichi, Naotoshi Osaka:
An Approach to Sound Morphing based on Physical Modeling. - Sølvi Ystad, Philippe Guillemain, Richard Kronland-Martinet:
Sound Modeling of Transient and Sustained Musical Sounds. - Alain Bonardi, Francis Rousseaux:
Towards Digital "Musical Actions". - Massimo Melucci, Nicola Orio:
The Use of Melodic Segmentation for Content-based Retrieval of Musical Data. - Stephen Travis Pope, Pierre Roy, Nicola Orio:
Content Analysis and Queries in a Sound and Music Database. - Fumitake Ohnaka:
"SNAP" - Sound Network Agent Project - Multi Agent System Using Csound in the Internet. - John P. Young, Ichiro Fujinaga:
Piano Master Classes via the Internet. - Gerhard Eckel:
Kinetic Sound Sculptures: Stele and Viola Spezzata. - Ambrose Field:
ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic Music Composers. - Roger B. Dannenberg, Minoru Matsunaga:
Automatic Capture for Spectrum-Based Instrument Models. - Thomas Hélie, Christophe Vergez, Jean Lévine, Xavier Rodet:
Inversion of a Physical Model of a Trumpet. - Geoffroy Peeters, Xavier Rodet:
SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned Spectrum. - Zhongliang Tong:
The Computer Music Education in the Music Composition & Engineering Department of Wuhan Conservatory of Music. - Riccardo Bianchini, Alessandro Cipriani:
Virtual Sound On Line - Computer Music Courses on the Internet. - Perry R. Cook, Gary P. Scavone:
The Synthesis ToolKit (STK). - Keiji Hirata, Tatsuya Aoyagi:
Musically Intelligent Agent for Composition and Interactive Performance. - Peter Beyls:
Evolutionary Strategies for Spontaneous Man-Machine Interaction. - Angela Fraser, Ichiro Fujinaga:
Toward Real-time Recognition of Acoustic Musical Instruments. - Ziv Bar-Joseph, Dani Lischinski, Michael Werman, Shlomo Dubnov, Ran El-Yaniv:
Granular Synthesis of Sound Textures Using Statistical Learning. - Matthew Wright, Richard Dudas, Sami Khoury, Raymond Wang, David Zicarelli:
Supporting the Sound Description Interchange Format in the Max/MSP Environment. - Daniel Arfib, Nathalie Delprat:
Alteration of the Vibrato of a Recorded Voice. - Belinda Thom:
Learning Models for Interactive Melodic Improvisation. - Pauli Laine:
Motor neuron Based Virtual Drummer. - Eduard Resina, Xavier Serra:
The Musicians' Sofware Mall: A Set of Composition and Performance Oriented Applications for Sound Synthesis. - Rodney Waschka II:
Avoiding the Fitness "Bottleneck": Using Genetic Algorithms to Compose Orchestral Music. - Tang-Chun Li:
Creating Music in a Machine Age: the Relationships Between Computer Tools, Composers, and Music Making Machines. - Conrad Berhörster:
Aspects of Stochastic Music. - Censong Leng:
From Timbre Modulation Method to Research the Relation Between Electronic Music and Chinese Musical Tradition. - Stefania Serafin, Christophe Vergez, Xavier Rodet:
Friction and Application to Real-time Physical Modeling of a Violin. - Vesa Välimäki, Matti Karjalainen, Tero Tolonen, Cumhur Erkut:
Nonlinear Modeling and Synthesis of the Kantele - a Traditional Finnish String Instrument. - Anthony Paul De Ritis:
Cathedral: An Interactive Work for the Web. - Sølvi Ystad, Thierry Voinier:
Design of a Flute Interface to Control Synthesis Models. - Dan Trueman, Perry R. Cook:
BoSSA: The Deconstructed Violin Reconstructed. - Shogo Takahashi, Kenji Suzuki, Hideyuki Sawada, Shuji Hashimoto:
Music Creation from Moving Image and Environmental Sound. - Dominik Hörnel, Joachim Langnickel, Börje Sieling, Bastian Sandberger:
Statistical vs. Connectionist Models of Bebop Improvisation. - Donncha Ó Maidín:
Common Practice Notation View: a Score Representation for the Construction of Algorithms. - Pauli Laine, Kai Lassfolk:
Feedback in Musical Computer Applications. - Axel Röbel:
Adaptive Additive Synthesis of Sound. - Myriam Desainte-Catherine:
Structured Additive Synthesis: Towards a Model of Sound Timbre and Electroacoustic Music Forms. - Ye Wang, Miikka Vilermo:
Audio Signal Representation and Processing in Time-Frequency Domain. - Guy E. Garnett, Camille Goudeseune:
Performance Factors in Control of High-Dimensional Space. - François Pachet, Olivier Delerue:
MusicSpace: a Constraint-Based Control System for Music Spatialization. - Wayne Siegel, Jens Jacobsen:
Composing for the Digital Dance Interface. - James Harley:
Dixieland-Gamelan Band? Encounters of an Algorithmic Kind. - Alberto de Campo, Marianne Egger de Campo:
Sonification of Social Data. - Carola Boehm, Stephen Arnold:
SMaTBaM! - Serving Time-Based Media in the Performing Arts. - Daniel Arfib, Jacques Dudon:
A Digital Version of the Photosonic Instrument. - Jean-Loup Florens, Jérôme Germond:
Reed Instruments Modular Representation and Their Interactive Real Time Simulation. - Claude Cadoz, Sylvain Gubain:
"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments. - Yuzuru Hiraga:
Content-based Retrieval and Indexing Methods for Music Databases. - Jianli Liu, Rumi Hiraga, Shigeru Igarashi:
A Computer-Assisted Music Analysis System: Daphne. - Gabriel Maldonado:
VMCI, an Interface to Control Csound in Real-time Under Windows. - Dominique Fober, Stéphane Letz, Yann Orlarey:
MidiShare Joins the Open Source Softwares. - Matija Marolt:
A Comparison of Feed Forward Neural Network Architectures for Piano Music Transcription. - Kjell Lemström, Pauli Laine, Sami Perttu:
Using Relative Interval Slope in Music Information Retrieval. - Georg Essl, Perry R. Cook:
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments. - Marco Palumbi, Lorenzo Seno:
Physical Modeling by Directly Solving Wave PDE. - Haruhiro Katayose, Hideki Kawahara:
Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven Synthesis. - Mary Simoni, Benjamin Broening, Christopher Rozell, Colin Meek, Gregory H. Wakefield:
A Theoretical Framework for Electro-Acoustic Music. - John F. Doerksen:
Segmentation and Interpretation in Atonal Music. - Sylvain Marchand, Robert Strandh:
InSpect and ReSpect: Spectral Modeling, Analysis and Real-time Synthesis Software Tools for Researchers and Composers. - Suzanne Winsberg, Philippe Depalle:
Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of Sound. - James W. Beauchamp:
Analysis and Resynthesis of Percussion Sounds: Two Methods Compared. - Diemo Schwarz, Xavier Rodet:
Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis. - Gary P. Scavone:
Modeling Wind Instrument Sound Radiation Using Digital Waveguides. - Hanna Järveläinen, Vesa Välimäki, Matti Karjalainen:
Audibility of Inharmonicity in String Instrument Sounds, and Implications to Digital Sound Synthesis. - Tamas Ungvary, Roel Vertegaal:
The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument. - Tommi Ilmonen, Tapio Takala:
Conductor Following With Artificial Neural Networks. - Guy E. Garnett, Fernando Malvar-Ruiz, Fred Stoltzfus:
Virtual Conducting Practice Environment. - Stefania Serafin, Richard Dudas, Marcelo M. Wanderley, Xavier Rodet:
Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. - Sergio Canazza, Antonio Rodà, Nicola Orio:
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. - Karin Höthker:
Modelling the Motivic Process of Melodies with Markov Chains. - Hans G. Kaper, Sever Tipei:
Formalizing the Concept of Sound. - Nicola Orio:
The Timbre Space of the Classical Guitar and Its Relationship with the Plucking Techniques. - Holger H. Hoos, Keith Hamel, Kai Renz:
Using Advanced GUIDO as a Notation Interchange Format. - Fernando Lopez-Lezcano, Juan Pampin:
Common Lisp Music Update Report. - Margaret Schedel:
The Notation of Interactive Music: Limitations and Solutions. - Kenji Suzuki, Takeshi Ohashi, Shuji Hashimoto:
Interactive Multimodal Mobile Robot for Musical Performance. - Timothy Madden, James W. Beauchamp:
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh. - Kristoffer Jensen, Jens Arnspang:
Binary Decision Tree Classification of Musical Sounds. - Marcelo M. Wanderley, Philippe Depalle, Olivier Warusfel:
Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. - Kai Lassfolk:
Sound Processing Kit: An Object-Oriented Signal Processing Framework. - Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà:
Expressive Processing of Audio and MIDI Performances in Real Time. - Naotoshi Osaka, Takafumi Hikichi:
Visual Manipulation Environment for Sound Synthesis, Modification, and Performance. - Dominik Hörnel, Frank Olbrich:
Comparative Style Analysis with Neural Networks. - Alex Loscos, Pedro Cano, Jordi Bonada:
Low-Delay Singing Voice Alignment to Text. - Pedro Cano, Alex Loscos, Jordi Bonada:
Score-Performance Matching Using HMMs. - François Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell:
jMax Recent Developments. - Lonny L. Chu:
MusiCloth: A Design Methodology for the Development of a Performance Initiative. - Joseph A. Paradiso, Kai-yuh Hsiao, Eric Hu:
Interactive Music for Instrumented Dancing Shoes. - Douglas Keislar, Thom Blum, James Wheaton, Erling Wold:
A Content-Aware Sound Browser. - Andrew Sterian, Mary Simoni, Gregory H. Wakefield:
Model-Based Musical Transcription. - Takuya Fujishima:
Realtime Chord Recognition of Musical Sound: a System Using Common Lisp Music. - Lydia Ayers, Andrew Horner:
Modeling the Woodstock Gamelan for Synthesis. - Damian T. Murphy, David M. Howard:
The WaveVerb Multi-Channel Room Acoustics Modelling System. - Yee On Lo, Dan Hitt:
Analysis of Percussion for Timbre Measurement and Synthesis. - Huaming Xue:
The Sounding Distance Sensation and Its Signification of Artistic Representation. - David G. Malham:
Higher Order Ambisonic Systems for the Spatialisation of Sound. - Arnold Kaup, Sami Khoury, Adrian Freed, David Wessel:
Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre. - Joel Laird, Paul Masri, Nishan Canagarajah:
Modelling Diffusion at the Boundary of a Digital Waveguide Mesh. - Gérard Assayag, Shlomo Dubnov, Olivier Delerue:
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. - Kia Ng, David Cooper, Ewan Stefani, Roger Boyle, Nick Bailey:
Embracing the Composer: Optical Recognition of Handwritten Manuscripts. - Tristan Jehan, Adrian Freed, Richard Dudas:
Musical Applications of New Filter Extensions to Max/MSP. - Christopher Penrose:
Extending Musical Mixing: Adaptive Composite Signal Processing. - Takebumi Itagaki, Donald Knox:
Multimedia Application of Time Compress/Stretch of Sound by Granulation. - Bonnie Miksch, Leon W. Couch III:
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen. - Atau Tanaka:
Network Audio Performance and Installation. - Eli Brandt, Roger B. Dannenberg:
Time in Distributed Real-Time Systems. - Ian S. Gibson, David M. Howard, Andrew M. Tyrrell:
Composing With the York Polyphonic Real-Time Singing Synthesiser. - Kenneth Fields:
PostFormalism. - Michael Clarke:
Revisiting Kontakte: Issues of History, Performance, and Intuition. - Mladen Milicevic:
Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of Computer Music. - Victor A. Abramian:
Encyclopedia of Classical Music. - Joel Laird, Tom Huns, Paul Masri, Nishan Canagarajah:
WaRM: A Framework for Modelling Resonant Acoustic Environments. - Steffen Brandorff:
Simultaneity in Interactive Computer Music - Is It Always the Same, or Does It Depend e.g. On Frequency? - Anastasia Georgaki:
Prote. - Alexandra Hettergott:
Human Voice Treatments in Various Types of Electroacoustic Music. - Madelyn Brune:
Speech-Based Computer Music: Selected Works by Charles Dodge and Paul Lansky. - Nishan Canagarajah, Paul Masri, Joel Laird:
Digital Music Research Group (Bristol, UK) Studio Report. - Richard Andrews:
Center for New Music and Audio Technologies (CNMAT) Studio Report. - Gisella Belgeri, Guiseppe Di Giugno:
Federazione CEMAT and Centres of Computer Music Research and Production in Italy. - Tony Myatt:
The Design and Implementation of an Integrated High Performance Computer Music System for Research and Postgraduate Teaching at the University of York, UK. - Perfecto Herrera, Xavier Serra, Geoffroy Peeters:
Audio Descriptors and Descriptor Schemes in the Context of MPEG-7. - Riitta Väänänen, Jyri Huopaniemi:
Virtual Acoustics Rendering in MPEG-4 Multimedia Standard. - Matthew Wright, Eric D. Scheirer:
Cross-Coding SDIF into MPEG-4 Structured Audio. - David Topper:
RTcmix and the Open Source / Free Software Model. - Reynold Weidenaar:
"Magic Music from the Telharmonium". - Mara Helmuth:
Patchmix: a Cmix Instrument-Builder. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Maria Christina de Amicis:
GRAMMA: the New Music in an Old Architecture. - Douglas Nunn:
Anglia Polytechnic University - Studio Report.
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