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ORCIDEmilio Molina
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2020 – today
- 2024
[c7]Donghao Zhang, Emilio Molina, Aglaia Galata, Gonçal Calvo, Denis Guilhot, Martí Sánchez-Fibla:
Cross-Domain Linkage for the Music Industry: An Industrial and Synthetic Benchmark. CCIA 2024: 301-310- 2023
- [j8]Emilio Molina
, Mirko Fiacchini, Sophie Cerf, Bogdan Robu:
React to the Worst: Lightweight and Proactive Protection of Location Privacy. IEEE Control. Syst. Lett. 7: 2371-2376 (2023) - 2022
- [j7]Emilio Molina, Alain Rapaport:
An optimal feedback control that minimizes the epidemic peak in the SIR model under a budget constraint. Autom. 146: 110596 (2022) - [j6]Emilio Molina, Alain Rapaport, Héctor Ramírez:
Equivalent Formulations of Optimal Control Problems with Maximum Cost and Applications. J. Optim. Theory Appl. 195(3): 953-975 (2022) - [c6]Guillem Cortes, Alex Ciurana, Emilio Molina, Marius Miron, Owen Meyers, Joren Six, Xavier Serra:
BAF: An audio fingerprinting dataset for broadcast monitoring. ISMIR 2022: 908-916 - 2021
- [j5]Jorge Amaya, Cristopher Hermosilla, Emilio Molina:
Optimality conditions for the continuous model of the final open pit problem. Optim. Lett. 15(3): 991-1007 (2021) - [c5]Furkan Yesiler, Emilio Molina, Joan Serrà, Emilia Gómez:
Investigating the Efficacy of Music Version Retrieval Systems for Setlist Identification. ICASSP 2021: 541-545 - [i1]Furkan Yesiler, Emilio Molina, Joan Serrà, Emilia Gómez:
Investigating the efficacy of music version retrieval systems for setlist identification. CoRR abs/2101.02098 (2021)
2010 – 2019
- 2019
- [j4]Blai Meléndez-Catalán, Emilio Molina, Emilia Gómez:
Open Broadcast Media Audio from TV: A Dataset of TV Broadcast Audio with Relative Music Loudness Annotations. Trans. Int. Soc. Music. Inf. Retr. 2(1): 43-51 (2019) - 2017
- [j3]José L. Santacruz, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Emilio Molina:
VOICE2TUBA: transforming singing voice into a musical instrument. Multim. Tools Appl. 76(7): 9855-9875 (2017) - 2015
- [j2]Emilio Molina, Lorenzo J. Tardón, Ana M. Barbancho, Isabel Barbancho:
SiPTH: Singing Transcription Based on Hysteresis Defined on the Pitch-Time Curve. IEEE ACM Trans. Audio Speech Lang. Process. 23(2): 252-263 (2015) - 2014
- [j1]Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Dissonance Reduction In Polyphonic Audio Using Harmonic Reorganization. IEEE ACM Trans. Audio Speech Lang. Process. 22(2): 325-334 (2014) - [c4]Emilio Molina, Isabel Barbancho, Ana M. Barbancho, Lorenzo J. Tardón:
Parametric model of spectral envelope to synthesize realistic intensity variations in singing voice. ICASSP 2014: 634-638 - [c3]Emilio Molina, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
The Importance of F0 Tracking in Query-by-singing-humming. ISMIR 2014: 277-282 - [c2]Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Evaluation Framework for Automatic Singing Transcription. ISMIR 2014: 567-572 - 2013
- [b2]Emilio Molina:
La transformación digital y su impacto en la industria cinematográfica: el caso de las producciones estereoscópicas. Autonomous University of Barcelona, Spain, 2013 - [b1]Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón, Emilio Molina:
Database of Piano Chords - An Engineering View of Harmony. Springer Briefs in Electrical and Computer Engineering, Springer 2013, ISBN 978-1-4614-7475-3, pp. i-xiv, 1-50 - [c1]Emilio Molina, Isabel Barbancho, Emilia Gómez, Ana M. Barbancho, Lorenzo J. Tardón:
Fundamental frequency alignment vs. note-based melodic similarity for singing voice assessment. ICASSP 2013: 744-748
Coauthor Index
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