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ORCID21st ICAD 2015: Graz, Austria
- Katharina Vogt, Areti Andreopoulou, Visda Goudarzi:
Proceedings of the 21st International Conference on Auditory Display, ICAD 2015, Graz, Austria, July 8-10, 2015. Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts Graz (KUG), Austria 2015, ISBN 978-3-902949-01-1
Keynotes
- Frank Melchior:
Let the sound interact and not the user - responsive and immersive experiences for the next generation broadcasting. ICAD 2015: 10 - Peter Lennox:
The Philosophy of Perception and Stupidity. ICAD 2015: 10 - Rebecca Fiebrink:
Data as design tool. How understanding data as a user interface can make end-user design more accessible, efficient, effective, and embodied, while challenging machine learning conventions. ICAD 2015: 11 - Stephen Barrass:
Sonic Information Design. ICAD 2015: 11
Full Papers
- Areti Andreopoulou, Brian F. G. Katz:
On the use of subjective HRTF evaluations for creating global perceptual similarity metrics of assessors and assessees. ICAD 2015: 13-20 - Oana Balan, Alin Moldoveanu, Hunor Nagy, György Wersényi, Nicolae Botezatu, Andrei Stan, Robert Gabriel Lupu:
Haptic-auditory perceptual feedback based training for improving the spatial acoustic resolution of the visually impaired people. ICAD 2015: 21-28 - Braxton Boren, Michele Geronazzo, Fabian Brinkmann, Edgar Choueiri:
Coloration metrics for headphone equalization. ICAD 2015: 29-34 - Ivica Ico Bukvic, Michael Matthews:
Aegis audio engine: Integrating a real-time analog signal processing, pattern recognition, and a procedural sound trackin a live twelve-perfomer spectacle with crowd participation. ICAD 2015: 35-42 - Cédric Camier, Julien Boissinot, Catherine Guastavino:
Does reverberation affect upper limits for auditory motion perception? ICAD 2015: 43-49 - Alex Chechile:
Creating Spatial Depth Using Distortion Product Otoacoustic Emissions in Music Composition. ICAD 2015: 50-53 - Christian Dayé:
Crafting sonifications: Levels of interdisciplinary exchange in group discussions and their empirical assessment. ICAD 2015: 54-57 - Stefano Delle Monache, Davide Rocchesso, Stefano Baldan, Davide Andrea Mauro:
Growing the practice of vocal sketching. ICAD 2015: 58-65 - Sam Ferguson:
Using Audio Feature Extraction for Interactive Feature-Based Sonification of Sound. ICAD 2015: 66-72 - Michele Geronazzo, Federico Avanzini, Federico Fontana:
Use of personalized binaural audio and interactive distance cues in an auditory goal-reaching task. ICAD 2015: 73-80 - Visda Goudarzi, Katharina Vogt, Robert Höldrich:
Observations on an interdisciplinary design process using a sonification framework. ICAD 2015: 81-85 - Alistair F. Hinde, Michael Evans, Anthony I. Tew, David M. Howard:
Onset asynchrony in spoken menus. ICAD 2015: 86-93 - Brian Horsak, Michael Iber, Karin Bauer, Anita Kiselka, Anna-Maria Gorgas, Ronald Dlapka, Jakob Doppler:
A wireless instrumented insole device for real-time sonification of gait. ICAD 2015: 94-101 - Robert Höldrich, Katharina Vogt:
Augmented Audification. ICAD 2015: 102-108 - Myounghoon Jeon:
An exploration of semiotics of new auditory displays: A comparative analysis with visual displays. ICAD 2015: 109-112 - Myounghoon Jeon, Ju-Hwan Lee, Jason Sterkenburg, Christopher Plummer:
Cultural differences in preference of auditory emoticons: USA and South Korea. ICAD 2015: 113-116 - Thimmaiah Kuppanda, Norberto Degara, David Worrall, Balaji Thoshkahna, Meinard Müller:
Virtual reality platform for sonification evaluation. ICAD 2015: 117-124 - PerMagnus Lindborg, Yuning David Liu:
Locust wrath: An iOS audience-participatory auditory display. ICAD 2015: 125-132 - Justyna Maculewicz, Cumhur Erkut, Stefania Serafin:
An investigation on the influence of soundscapes and footstep sounds in affecting preferred walking pace. ICAD 2015: 133-137 - Catarina Mendonça, Olli Rummukainen, Ville Pulkki:
3D sound can have a negative impact on the perception of visual content in audiovisual reproductions. ICAD 2015: 138-143 - Oussama Metatla, Nick Bryan-Kinns, Tony Stockman, Fiore Martin:
Sonifications for digital audio workstations: Reflections on a participatory design approach. ICAD 2015: 144-151 - Yuki Nakayama, Yuji Takano, Masaki Matsubara, Kenji Suzuki, Hiroko Terasawa:
Real-time smile sonification using surface emg signal and the evaluation of its usability. ICAD 2015: 152-156 - Jennifer no. e Parker:
Sonification as Art: Developing Praxis for Audifying Compost. ICAD 2015: 157-164 - Andrés Pérez-López:
3Dj: a SuperCollider Framework for Real-Time Sound Spatialization. ICAD 2015: 165-172 - Nicholas Powell, Jo Lumsden:
Exploring novel auditory displays for supporting accelerated skills acquisition and enhanced performance in motorsport. ICAD 2015: 173-180 - Stephen Roddy, Dermot Furlong:
Sonification listening: An empirical embodied approach. ICAD 2015: 181-187 - Hanns Holger Rutz, Katharina Vogt, Robert Höldrich:
The SysSon Platform: A Computer Music Perspective of Sonification. ICAD 2015: 188-192 - Nina Schaffert, Andrew Godbout:
The sound of the pedal stroke cycle: Sonification of the Wattbike cycling ergometer. ICAD 2015: 193-196 - Timothy Schmele, Juan Alzate Romero, Thomas A. Troge, Nicole V. Ruiter, Michael Zapf:
Sonifying Multichannel Ultrasound Data for Periphonic Loudspeaker Array. ICAD 2015: 197-203 - Simone Spagnol, Federico Avanzini:
Anthropometric tuning of a spherical head model for binaural virtual acoustics based on interaural level differences. ICAD 2015: 204-209 - Benjamin Stahl, Balaji Thoshkahna:
Real-time heart rate sonification for athletes. ICAD 2015: 210-216 - Tony Steffert, Simon Holland, Paul Mulholland, Nick Sheep Dalton, Aleksander Väljamäe:
Prototyping a method for the assessment of real-time EEG sonifications. ICAD 2015: 217-224 - Dominik Storek, Jan Stuchlik, Frantisek Rund:
Modifications of the Surrounding Auditory Space by Augmented Reality Audio: Introduction to Warped Acoustic Reality. ICAD 2015: 225-230 - Hiroko Terasawa, Yota Morimoto, Masaki Matsubara, Akira Sato, Makoto Ohara, Masatoshi Kawarasaki:
Guiding auditory attention toward the subtle components in electrocardiography sonification. ICAD 2015: 231-235 - Francesco Tordini, Albert S. Bregman, Jeremy R. Cooperstock:
The loud bird doesn't (always) get the worm: Why computational salience also needs brightness and tempo. ICAD 2015: 236-243 - Takahiko Tsuchiya, Jason Freeman, Lee W. Lerner:
Data-to-music API: Real-time data-agnostic sonification with musical structure models. ICAD 2015: 244-251 - René Tünnermann, Christian Leichsenring, Till Bovermann, Thomas Hermann:
Upstairs - a calm auditory communication and presence system. ICAD 2015: 252-259 - Bartlomiej P. Walus, Sandra Pauletto, Amanda Mason-Jones:
Evaluating the use of sonification and music to support the communication of alcohol health risk to young people: Initial results. ICAD 2015: 260-267 - György Wersényi, Ádám Csapó, Hunor Nagy:
Evaluation of reaction times to sound stimuli on mobile devices. ICAD 2015: 268-272 - R. Michael Winters, Gil Weinberg:
Sonification of the Tohoku Earthquake: Music, Popularization & the Auditory Sublime. ICAD 2015: 273-280 - KatieAnna Wolf, Genna Gliner, Rebecca Fiebrink:
End-User Development of Sonifications using Soundscapes. ICAD 2015: 281-288 - Jiajun Yang, Andy Hunt:
Real-time Sonification of Biceps Curl Exercise Using Muscular Activity and Kinematics. ICAD 2015: 289-293 - Bin Yu, Loe M. G. Feijs, Mathias Funk, Jun Hu:
Designing Auditory Display of Heart Rate Variability in Biofeedback Context. ICAD 2015: 294-298
Extended Abstracts
- Mark Ballora:
Two examples of sonification for viewer engagement: Hurricanes and squirrel hibernation cycles. ICAD 2015: 300-301 - Stephen Barrass:
Diagnostic Singing Bowls. ICAD 2015: 302-303 - Natasha Barrett, Kristian Nymoen:
Investigations in coarticulated performance gestures using interactive parameter-mapping 3D sonification. ICAD 2015: 304-305 - Lapo Boschi, Arthur Paté, Benjamin K. Holtzman, Jean-Loïc Le Carrou:
Can auditory display help us categorize seismic signals? ICAD 2015: 306-307 - Cédric Camier, François-Xavier Féron, Julien Boissinot, Catherine Guastavino:
Tracking moving sounds: Perception of spatial figures. ICAD 2015: 308-310 - Coralie Diatkine, Stéphanie Bertet, Miguel Ortiz:
Towards the holistic spatialization of multiple sound sources in 3D, implementation using ambisonics to binaural technique. ICAD 2015: 311-312 - Seyedeh Maryam FakhrHosseini, Paul Kirby, Myounghoon Jeon:
Regulating Drivers? Aggressiveness by Sonifying Emotional Data. ICAD 2015: 313-314 - Wolfgang Hauer, Katharina Vogt:
Sonification of a streaming-server logfile. ICAD 2015: 315-316 - Thomas Hermann, Tobias Hildebrandt, Patrick Langeslag, Stefanie Rinderle-Ma:
Optimizing aesthetics and precision in sonification for peripheral process-monitoring. ICAD 2015: 317-318 - Minna Huotilainen, Matti Gröhn, Iikka Yli-Kyyny, Jussi Virkkala, Tiina Paunio:
Sleep Enhancement by Sound Stimulation. ICAD 2015: 319-320 - Steven Landry, Jayde Croschere, Myounghoon Jeon:
Subjective Assessment of In-Vehicle Auditory Warnings for Rail Grade Crossings. ICAD 2015: 321-322 - Rick McIlraith, Paul Walton, Jude Brereton:
The Spatialised Sonification of Drug-Enzyme Interactions. ICAD 2015: 323-234 - George I. Mihalas, Minodora Andor, Sorin Paralescu, Anca Tudor, Adrian Neagu, Lucian Popescu, Antoanela Náaji:
Adding Sound to Medical Data Representation. ICAD 2015: 325-326 - Rainer Mittmannsgruber, Katharina Vogt:
Auditory assistance for timing presentations. ICAD 2015: 327-328 - Joseph W. Newbold, Andy Hunt, Jude Brereton:
Chemical Spectral Analysis through Sonification. ICAD 2015: 329-330 - S. Camille Peres, Daniel Verona, Paul Ritchey:
The Effects of Various Parameter Combinations in Parameter-Mapping Sonifications: A Pilot Study. ICAD 2015: 331-332 - Eva Sjuve:
Metopia: Experiencing Complex Environmental Data Through Sound. ICAD 2015: 333-334 - Benjamin Stahl, Katharina Vogt:
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test. ICAD 2015: 335-336 - David Worrall:
Realtime sonification and visualisation of network metadata (TheNetSonProject). ICAD 2015: 337-339 - Bernhard Zeller, Katharina Vogt:
Auditory graph evolution by the example of spurious correlations. ICAD 2015: 340-341
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