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Journal Articles
- 2013
[j7]Philippe Esling, Carlos Agón:
Multiobjective Time Series Matching for Audio Classification and Retrieval. IEEE Trans. Speech Audio Process. 21(10): 2057-2072 (2013)- 2012
- [j6]Philippe Esling, Carlos Agón:
Time-series data mining. ACM Comput. Surv. 45(1): 12:1-12:34 (2012) - 2011
- [j5]Carlos Agón, Jean Bresson, Marco Stroppa:
OMChroma: Compositional Control of Sound Synthesis. Comput. Music. J. 35(2): 67-83 (2011) - 2009
- [j4]Jean Bresson, Carlos Agón, Gérard Assayag:
Visual Lisp/CLOS programming in OpenMusic. High. Order Symb. Comput. 22(1): 81-111 (2009) - 2008
- [j3]Jean Bresson, Carlos Agón:
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. Comput. Music. J. 32(4): 31-47 (2008) - 2004
- [j2]Moreno Andreatta, D. T. Vuza, Carlos Agón:
On some theoretical and computational aspects of Anatol Vieru's periodic sequences. Soft Comput. 8(9): 588-596 (2004) - 1999
- [j1]Gérard Assayag, Camilo Rueda
, Mikael Laurson, Carlos Agón, Olivier Delerue:
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. Comput. Music. J. 23(3): 59-72 (1999)
Conference and Workshop Papers
- 2024
- [c33]Gonzalo Romero-García, Isabelle Bloch, Carlos Agón:
Mathematical Morphology Applied to Feature Extraction in Music Spectrograms. DGMM 2024: 431-442 - [c32]Carlos Agón, Karim Haddad, Gonzalo Romero-García:
The Maquette Monad. FARM 2024: 45-49 - [c31]Gonzalo Romero-García, Carlos Agón, Isabelle Bloch:
A Model of Scores as Abstract Syntactic Trees. MCM 2024: 268-279 - 2022
- [c30]Gonzalo Romero-García, Isabelle Bloch, Carlos Agón:
Mathematical Morphology Operators for Harmonic Analysis. MCM 2022: 255-266 - [c29]Paul Lascabettes, Carlos Agón, Moreno Andreatta, Isabelle Bloch:
Computational Analysis of Musical Structures Based on Morphological Filters. MCM 2022: 267-278 - 2018
- [c28]Carlos Agón, Moreno Andreatta, Jamal Atif, Isabelle Bloch, Pierre Mascarade:
Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology. ICCS 2018: 105-119 - 2017
- [c27]Pierre Talbot, Carlos Agón, Philippe Esling:
Interactive computer-aided composition with constraints. ICMC 2017 - 2014
- [c26]Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay:
Structured observation with polyphony: a multifaceted tool for studying music composition. Conference on Designing Interactive Systems 2014: 199-208 - [c25]Hélianthe Caure, Carlos Agón, Moreno Andreatta:
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language. ICMC 2014 - [c24]Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay:
PaperComposer: creating interactive paper interfaces for music composition. IHM 2014: 1-8 - 2012
- [c23]Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay:
Interactive paper substrates to support musical creation. CHI 2012: 1825-1828 - 2011
- [c22]Jean Bresson, Carlos Agón, Gérard Assayag:
OpenMusic: visual programming environment for music composition, analysis and research. ACM Multimedia 2011: 743-746 - [c21]Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay:
InkSplorer: Exploring Musical Ideas on Paper and Computer. NIME 2011: 361-366 - [c20]Jean Bresson, Carlos Agón:
Visual programming and music score generation with OpenMusic. VL/HCC 2011: 247-248 - 2010
- [c19]Philippe Esling, Grégoire Carpentier, Carlos Agón:
Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments. EvoApplications (2) 2010: 371-380 - [c18]Jean Bresson, Carlos Agón:
Processing Sound And Music Description Data Using Openmusic. ICMC 2010 - [c17]Philippe Esling, Carlos Agón:
Composition Of Sound Mixtures With Spectral Maquettes. ICMC 2010 - 2009
- [c16]Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag:
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. ICMC 2009 - 2008
- [c15]Carlos Agón, Jean Bresson, Gérard Assayag:
OpenMusic: Design and Implementation Aspects of a Visual Programming Language. ELS 2008: 107-124 - 2006
- [c14]Emmanuel Amiot, Thomas Noll, Moreno Andreatta, Carlos Agón:
Fourier Oracles for Computer-Aided Improvisation. ICMC 2006 - 2005
- [c13]Emmanuel Amiot, Moreno Andreatta, Carlos Agón:
Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects. ICMC 2005 - [c12]Jean Bresson, Marco Stroppa, Carlos Agón:
Symbolic control of sound synthesis in Computer Assisted Composition. ICMC 2005 - 2004
- [c11]Jean Bresson, Carlos Agón:
SDIF sound description data representation and manipulation in computer assisted composition. ICMC 2004 - 2003
- [c10]Moreno Andreatta, Carlos Agón:
Implementing algebraic methods in OpenMusic. ICMC 2003 - 2002
- [c9]Moreno Andreatta, Carlos Agón, Emmanuel Amiot:
Tiling problems in music composition: Theory and Implementation. ICMC 2002 - [c8]Carlos Agón, Gérard Assayag:
Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. IHM 2002: 205-206 - [c7]Carlos Agón, Karim Haddad, Gérard Assayag:
Representation and Rendering of Rhythm Structures. WEDELMUSIC 2002: 109-116 - 2001
- [c6]Charlotte Truchet, Carlos Agón, Gérard Assayag:
Recherche adaptative et contraintes musicales. JFPLC 2001: 91-108 - 2000
- [c5]Carlos Agón, Marco Stroppa, Gérard Assayag:
High Level Musical Control of Sound Synthesis in OpenMusic. ICMC 2000 - 1998
- [c4]Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda:
Objects, Time and Constraints in OpenMusic. ICMC 1998 - 1997
- [c3]Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe:
An Object Oriented Visual Environment For Musical Composition. ICMC 1997 - 1996
- [c2]Gérard Assayag, Carlos Agón:
OpenMusic Architecture. ICMC 1996 - 1994
- [c1]Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda:
Kant: a Critique of Pure Quantification. ICMC 1994
Editorship
- 2011
- [e2]Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau:
Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Lecture Notes in Computer Science 6726, Springer 2011, ISBN 978-3-642-21589-6 [contents] - 2007
- [e1]Carlos Agón, Olivier Delerue:
Proceedings of the 19th Conference on l'Interaction Homme-Machine, IHM 2007, Paris, France, November 12-15, 2007. ACM 2007, ISBN 978-1-59593-791-9 [contents]
Informal and Other Publications
- 2015
- [i2]Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag:
Gelisp: A Library to Represent Musical CSPs and Search Strategies. CoRR abs/1510.02828 (2015) - [i1]Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag:
NTCCRT: A concurrent constraint framework for real-time interaction (extended version). CoRR abs/1510.02834 (2015)
Coauthor Index
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last updated on 2024-09-10 02:06 CEST by the dblp team
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