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ORCIDEstefanía Cano
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- affiliation: Fraunhofer Institute for Digital Media Technology (IDMT)
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2020 – today
- 2023
[j7]Juan Sebastián Gómez Cañón
, Nicolás Felipe Gutiérrez Páez, Lorenzo Porcaro, Alastair Porter, Estefanía Cano, Perfecto Herrera-Boyer, Aggelos Gkiokas, Patricia Santos, Davinia Hernández-Leo, Casper Karreman, Emilia Gómez:
TROMPA-MER: an open dataset for personalized music emotion recognition. J. Intell. Inf. Syst. 60(2): 549-570 (2023)- [c25]Sascha Grollmisch, Estefanía Cano, Hanna M. Lukashevich, Jakob Abeßer:
Uncertainty in Semi-Supervised Audio Classification - A Novel Extension for FixMatch. EUSIPCO 2023: 161-165 - 2021
- [j6]Juan Sebastián Gómez Cañón, Estefanía Cano, Tuomas Eerola, Perfecto Herrera, Xiao Hu, Yi-Hsuan Yang, Emilia Gómez:
Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. IEEE Signal Process. Mag. 38(6): 106-114 (2021) - [j5]Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate, Moises Betancur Peláez:
Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version. Trans. Int. Soc. Music. Inf. Retr. 4(1): 248 (2021) - [c24]Christian Kehling, Estefanía Cano:
Knowledge Transfer from Neural Networks for Speech Music Classification. CMMR 2021: 202-213 - [c23]Juan Sebastián Gómez Cañón, Estefanía Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gómez:
Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? ICASSP 2021: 576-580 - [c22]Juan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez:
Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. ISMIR 2021: 237-245 - [i4]Juan Sebastián Gómez Cañón, Perfecto Herrera, Estefanía Cano, Emilia Gómez:
Personalized musically induced emotions of not-so-popular Colombian music. CoRR abs/2112.04975 (2021) - 2020
- [j4]Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller:
Examining the Mapping Functions of Denoising Autoencoders in Singing Voice Separation. IEEE ACM Trans. Audio Speech Lang. Process. 28: 266-278 (2020) - [c21]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Transfer learning from speech to music: towards language-sensitive emotion recognition models. EUSIPCO 2020: 136-140 - [c20]Sascha Grollmisch, Estefanía Cano, Christian Kehling, Michael Taenzer:
Analyzing the Potential of Pre-Trained Embeddings for Audio Classification Tasks. EUSIPCO 2020: 790-794 - [c19]Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez:
Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. ISMIR 2020: 409-415 - [c18]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. ISMIR 2020: 853-860 - [i3]Scott Beveridge, Steffen A. Herff, Estefanía Cano:
Degradation effects of water immersion on earbud audio quality. CoRR abs/2009.02151 (2020)
2010 – 2019
- 2019
- [j3]Estefanía Cano, Derry FitzGerald, Antoine Liutkus, Mark D. Plumbley, Fabian-Robert Stöter:
Musical Source Separation: An Introduction. IEEE Signal Process. Mag. 36(1): 31-40 (2019) - [c17]Sascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil:
Ensemble Size Classification in Colombian Andean String Music Recordings. CMMR 2019: 60-74 - [c16]Estefanía Cano, Scott Beveridge:
Microtiming Analysis in Traditional Shetland Fiddle Music. ISMIR 2019: 511-516 - [c15]Estefanía Cano, Hanna M. Lukashevich:
Selective Hearing: A Machine Listening Perspective. MMSP 2019: 1-6 - [i2]Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller:
Examining the Mapping Functions of Denoising Autoencoders in Music Source Separation. CoRR abs/1904.06157 (2019) - [i1]Juan Sebastián Gómez Cañón, Perfecto Herrera, Emilia Gómez, Estefanía Cano:
The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. CoRR abs/1909.05882 (2019) - 2018
- [c14]Stylianos Ioannis Mimilakis, Estefanía Cano, Derry FitzGerald, Konstantinos Drossos, Gerald Schuller:
Examining the Perceptual Effect of Alternative Objective Functions for Deep Learning Based Music Source Separation. ACSSC 2018: 679-683 - [c13]Estefanía Cano, Judith Liebetrau, Derry Fitzgerald, Karlheinz Brandenburg:
The Dimensions of Perceptual Quality of Sound Source Separation. ICASSP 2018: 601-605 - [c12]Juan S. Gómez, Jakob Abeßer, Estefanía Cano:
Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning. ISMIR 2018: 577-584 - 2017
- [j2]Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, Wolf-Georg Zaddach:
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos. IEEE ACM Trans. Audio Speech Lang. Process. 25(1): 168-177 (2017) - [c11]Estefanía Cano, Johannes Nowak, Sascha Grollmisch:
Exploring sound source separation for acoustic condition monitoring in industrial scenarios. EUSIPCO 2017: 2264-2268 - 2016
- [c10]Estefanía Cano, Derry FitzGerald, Karlheinz Brandenburg:
Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics. EUSIPCO 2016: 1758-1762 - 2015
- [c9]Daniel Matz, Estefanía Cano, Jakob Abeßer:
New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. ISMIR 2015: 749-755 - [c8]Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach:
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. ISMIR 2015: 823-829 - 2014
- [b1]Estefanía Cano Ceron:
Pitch-informed solo and accompaniment separation. Universität Ilmenau, 2014, pp. I-XII, 1-218 - [j1]Estefanía Cano, Gerald Schuller, Christian Dittmar:
Pitch-informed solo and accompaniment separation towards its use in music education applications. EURASIP J. Adv. Signal Process. 2014: 23 (2014) - [c7]Estefanía Cano, Mark D. Plumbley, Christian Dittmar:
Phase-based harmonic/percussive separation. INTERSPEECH 2014: 1628-1632 - [c6]Christof Weiß, Estefanía Cano, Hanna M. Lukashevich:
A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio. Semantic Audio 2014 - [p2]Estefanía Cano:
Tonhöheninformierten Trennung in Solo- und Begleitspuren. Ausgezeichnete Informatikdissertationen 2014: 61-69 - 2012
- [c5]Johannes Krasser, Jakob Abeßer, Holger Großmann, Christian Dittmar, Estefanía Cano:
Improved music similarity computation based on tone objects. Audio Mostly Conference 2012: 47-54 - [c4]Christian Dittmar, Pedro Mercado, Holger Grossmann, Estefanía Cano:
Towards lyrics spotting in the SyncGlobal project. CIP 2012: 1-6 - [c3]Estefanía Cano, Christian Dittmar, Gerald Schuller:
Efficient implementation of a system for solo and accompaniment separation in polyphonic music. EUSIPCO 2012: 285-289 - [p1]Christian Dittmar, Estefanía Cano, Jakob Abeßer, Sascha Grollmisch:
Music Information Retrieval Meets Music Education. Multimodal Music Processing 2012: 95-120 - 2011
- [c2]Estefanía Cano, Christian Dittmar, Gerald Schuller:
Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals. Semantic Audio 2011 - 2010
- [c1]Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer:
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. CMMR 2010: 259-272
Coauthor Index
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