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14th CMMR 2019: Marseille, France
- Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki:
Perception, Representations, Image, Sound, Music - 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, Revised Selected Papers. Lecture Notes in Computer Science 12631, Springer 2021, ISBN 978-3-030-70209-0
Music Information Retrieval - Music, Emotion and Representation
- Geoffroy Peeters:
The Deep Learning Revolution in MIR: The Pros and Cons, the Needs and the Challenges. 3-30 - Diemo Schwarz, Dominique Fourer:
Methods and Datasets for DJ-Mix Reverse Engineering. 31-47 - Matthias Nowakowski, Christof Weiß, Jakob Abeßer:
Towards Deep Learning Strategies for Transcribing Electroacoustic Music. 48-59 - Sascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil:
Ensemble Size Classification in Colombian Andean String Music Recordings. 60-74 - António Sá Pinto, Matthew E. P. Davies:
Tapping Along to the Difficult Ones: Leveraging User-Input for Beat Tracking in Highly Expressive Musical Content. 75-90 - Frédéric Tamagnan, Yi-Hsuan Yang:
Drum Fills Detection and Generation. 91-99 - Noémie Voss, Phong Nguyen:
End-to-End Classification of Ballroom Dancing Music Using Machine Learning. 100-109
Computational Musicology
- Satoshi Tojo:
Modal Logic for Tonal Music. 113-128 - Benny Sluchin, Mikhail Malt:
John Cage's Number Pieces, a Geometric Interpretation of "Time Brackets" Notation. 129-141 - Hanlin Hu, David Gerhard:
Modelling 4-Dimensional Tonal Pitch Spaces with Hopf Fibration. 142-156 - Luciano Ciamarone, Baris Bozkurt, Xavier Serra:
Automatic Dastgah Recognition Using Markov Models. 157-165 - Yui Uehara, Eita Nakamura, Satoshi Tojo:
Chord Function Identification with Modulation Detection Based on HMM. 166-178
Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools
- Dirk Vander Wilt, Morwaread Mary Farbood:
Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking. 181-189 - Marco Buongiorno Nardelli:
MUSICNTWRK: Data Tools for Music Theory, Analysis and Composition. 190-215 - Keiji Hirata, Masatoshi Hamanaka, Satoshi Tojo:
Feasibility Study of Deep Frequency Modulation Synthesis. 216-224 - Thiago de Almeida Magalhães Campolina, Mauricio Alves Loureiro:
Musical Note Attacks Description in Reverberant Environments. 225-247 - Ayumi Shiga, Tetsuro Kitahara:
Generating Walking Bass Lines with HMM. 248-256 - Andrea Agostini, Daniele Ghisi, Jean-Louis Giavitto:
Programming in Style with bach. 257-278 - Guido Kramann:
Generative Grammar Based on Arithmetic Operations for Realtime Composition. 279-303
Notation and Instruments Distributed on Mobile Devices
- Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober, Catinca Dumitrascu:
Mobile Music with the Faust Programming Language. 307-318 - Daniel McKemie:
COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web Browser. 319-328 - Pedro Louzeiro:
Distributed Scores and Audio on Mobile Devices in the Music for a Multidisciplinary Performance. 329-344 - Jonathan Bell, Dominique Fober, Daniel Fígols-Cuevas, Pedro Garcia-Velasquez:
The BabelBox: An Embedded System for Score Distribution on Raspberry Pi with INScore, SmartVox and BabelScores. 345-359
Auditory Perception and Cognition - From the Ear to the Body
- Aurélien Antoine, Philippe Depalle, Philippe Macnab-Séguin, Stephen McAdams:
Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information. 363-378 - Prithvi Kantan, Rares Stefan Alecu, Sofia Dahl:
The Effect of Auditory Pulse Clarity on Sensorimotor Synchronization. 379-395 - Gabriela Salim Spagnol, Li Hui Ling, Li Min Li, Jônatas Manzolli:
A Proposal of Emotion Evocative Sound Compositions for Therapeutic Purposes. 396-408 - Jérémy Marozeau:
Why People with a Cochlear Implant Listen to Music. 409-421 - Sylvain Brétéché:
The Deaf Musical Experience - Bodily and Visual Specificities: Corpaurality and Vusicality. 422-448 - Jean Vion-Dury, Marie Degrandi, Gaëlle Mougin, Thomas Bordonné, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki:
How Would You Reproduce a Synthetic Sound of an Ellipse in Water? A Phenomenological Investigation of Pre-reflexive Contents of Consciousness. 449-461
The Process of Sound Design
- Stefano Delle Monache, Davide Rocchesso:
Exploring Design Cognition in Voice-Driven Sound Sketching and Synthesis. 465-480 - Marcelo F. Caetano:
Morphing Musical Instrument Sounds with the Sinusoidal Model in the Sound Morphing Toolbox. 481-503 - Nicolas Misdariis, Patrick Susini, Olivier Houix, Roque Rivas, Clément Cerles, Eric Lebel, Alice Tetienne, Aliette Duquesne:
Mapping Sound Properties and Oenological Characters by a Collaborative Sound Design Approach - Towards an Augmented Experience. 504-516 - Roland Cahen:
Kinetic Design - From Sound Spatialisation to Kinetic Music. 517-530
Sonic Interaction for Immersive Media - Virtual and Augmented Reality
- Frédéric Voisin, Arnaud Bidotti, France Mourey:
Designing Soundscapes for Alzheimer's Disease Care, with Preliminary Clinical Observations. 533-553 - Sihwa Park:
ARLooper: A Mobile AR Application for Collaborative Sound Recording and Performance. 554-562 - Stefania Serafin, Ali Adjorlu, Lars Koreska Andersen, Nicklas B. S. Andersen:
Singing in Virtual Reality with the Danish National Children's Choir. 563-574
Musical Interaction: Embodiment, Improvisation, Collaboration
- Lia Mice, Andrew P. McPherson:
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. 577-590 - Rory Hoy, Doug Van Nort:
Augmentation of Sonic Meditation Practices: Resonance, Feedback and Interaction Through an Ecosystemic Approach. 591-599 - Michael Zbyszynski, Balandino Di Donato, Federico Ghelli Visi, Atau Tanaka:
Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative Synthesis. 600-622 - Torbjörn Gulz, Andre Holzapfel, Anders Friberg:
Developing a Method for Identifying Improvisation Strategies in Jazz Duos. 623-635 - Jérôme Villeneuve, James Leonard, Olivier Tache:
Instruments and Sounds as Objects of Improvisation in Collective Computer Music Practice. 636-654
Jean-Claude Risset and Beyond
- Vincent Tiffon:
Jean-Claude Risset's Paradoxical Practice of Interdisciplinarity: Making Inseparable Both Activities of Scientist and Musician, While Resolutely Distinguishing the Two Fields. 657-664 - Hugo Scurto, Axel Chemla-Romeu-Santos:
Machine Learning for Computer Music Multidisciplinary Research: A Practical Case Study. 665-680 - Georg Essl:
Iterative Phase Functions on the Circle and Their Projections: Connecting Circle Maps, Waveshaping, and Phase Modulation. 681-698 - Thierry Paul:
Mathematics and Music: Loves and Fights. 699-708 - Sébastien Denjean, Richard Kronland-Martinet, Vincent Roussarie, Sølvi Ystad:
Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset Glissando. 709-724
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