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Natasha Barrett
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2020 – today
- 2022
- [j6]Mary Webb
, Megan Tracey, William S. Harwin, Ozan Tokatli
, Faustina Hwang, Ros Johnson, Natasha Barrett, Chris Jones:
Haptic-enabled collaborative learning in virtual reality for schools. Educ. Inf. Technol. 27(1): 937-960 (2022) - 2020
- [c11]Natasha Barrett:
Deepening presence: probing the hidden artefacts of everyday soundscapes. Audio Mostly Conference 2020: 77-84
2010 – 2019
- 2019
- [j5]Mara Helmuth, Judith Shatin, Annea Lockwood, Elizabeth Hoffman, Elsa Justel, Judy Klein, Elizabeth Hinkle-Turner, Laurie Spiegel, Hildegard Westerkamp, Natasha Barrett, Margaret Schedel, Paula Matthusen, Carla A. Scaletti, Katharine Norman, Frances White, Esther Lamneck:
Sound and Video Anthology: Program Notes. Comput. Music. J. 43(4): 110-120 (2019) - [c10]Mary Webb
, Megan Tracey, William S. Harwin, Ozan Tokatli
, Faustina Hwang, Ros Johnson, Natasha Barrett
, Chris Jones:
Design Considerations for Haptic-Enabled Virtual Reality Simulation for Interactive Learning of Nanoscale Science in Schools. iLRN 2019: 56-67 - 2018
- [c9]Ozan Tokatli
, Megan Tracey, Faustina Hwang, Natasha Barrett
, Chris Jones
, Ros Johnson, Mary Webb, William S. Harwin:
A Classroom Deployment of a Haptic System for Learning Cell Biology. EuroHaptics (2) 2018: 379-389 - [c8]Mary Webb
, Megan Tracey, William S. Harwin, Ozan Tokatli
, Faustina Hwang, Natasha Barrett
, Chris Jones, Ros Johnson:
An Investigation of the Impact of Haptics for Promoting Understanding of Difficult Concepts in Cell Biology. OCCE 2018: 197-206 - 2016
- [j4]Natasha Barrett:
Interactive Spatial Sonification of Multidimensional Data for Composition and Auditory Display. Comput. Music. J. 40(2): 47-69 (2016) - [j3]Thibaut Carpentier, Natasha Barrett, Rama Gottfried
, Markus Noisternig
:
Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices. Comput. Music. J. 40(4): 14-34 (2016) - [j2]Natasha Barrett:
A Musical Journey towards Permanent High-Density Loudspeaker Arrays. Comput. Music. J. 40(4): 35-46 (2016) - [c7]Natasha Barrett:
A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order Ambisonics. ICMC 2016 - [c6]Natasha Barrett, Alexander Refsum Jensenius:
The 'Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra. NIME 2016: 55-60 - 2015
- [c5]Natasha Barrett, Kristian Nymoen:
Investigations in coarticulated performance gestures using interactive parameter-mapping 3D sonification. ICAD 2015: 304-305 - [c4]Natasha Barrett:
Creating tangible spatial-musical images from physical performance gestures. NIME 2015: 191-194 - 2012
- [p1]Natasha Barrett:
Trends in electroacoustic music. The Cambridge Companion to Electronic Music 2012: 232-255
2000 – 2009
- 2006
- [c3]Cui Lin, Jun Li, Natasha Barrett, Yan-Qing Zhang, David A. Washburn:
Genetic Granular Cognitive Fuzzy Neural Networks and Human Brains for Pattern Recognition. WImBI 2006: 267-277 - 2005
- [c2]Jun Li, Natasha Barrett, Yan-Qing Zhang, David A. Washburn:
Genetic granular cognitive fuzzy neural networks and human brains for pattern recognition. GrC 2005: 172-175 - 2000
- [c1]Natasha Barrett:
A compositional methodology based on data extracted from natural phenomena. ICMC 2000
1990 – 1999
- 1999
- [j1]Natasha Barrett:
Little Animals: Compositional Structuring Processes. Comput. Music. J. 23(2): 11-18 (1999)
Coauthor Index
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