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The Cambridge Companion to Electronic Music, 2012

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Nick Collins, Julio D'Escrivàn:
The Cambridge Companion to Electronic Music. Cambridge University Press 2012, ISBN 978-0-521-68865-9

Part I - Electronic music in context

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Andrew Hugill:
The origins of electronic music. The Cambridge Companion to Electronic Music 2012: 7-23
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Margaret Schedel:
Electronic music and the studio. The Cambridge Companion to Electronic Music 2012: 24-37
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Nicolas Collins:
Live electronic music. The Cambridge Companion to Electronic Music 2012: 38-54
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Ge Wang:
A history of programming and music. The Cambridge Companion to Electronic Music 2012: 55-71

Part II - Electronic music in practice

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Sergi Jordà:
Interactivity and live computer music. The Cambridge Companion to Electronic Music 2012: 89-106
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Karlheinz Essl:
Algorithmic composition. The Cambridge Companion to Electronic Music 2012: 107-125
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Amy Alexander, Nick Collins:
Live audiovisuals. The Cambridge Companion to Electronic Music 2012: 126-139
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Julian Rohrhuber:
Network music. The Cambridge Companion to Electronic Music 2012: 140-155
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Julio D'Escrivàn:
Electronic music and the moving image. The Cambridge Companion to Electronic Music 2012: 156-170
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Nick Collins:
Musical robots and listening machines. The Cambridge Companion to Electronic Music 2012: 171-184

Part III - Analysis and synthesis

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Stefania Serafin:
Computer generation and manipulation of sounds. The Cambridge Companion to Electronic Music 2012: 203-217
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Petri Toiviainen:
The psychology of electronic music. The Cambridge Companion to Electronic Music 2012: 218-231
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Natasha Barrett:
Trends in electroacoustic music. The Cambridge Companion to Electronic Music 2012: 232-255

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