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ORCID2nd DigitalHERITAGE 2015: Granada, Spain - Volume I
- Gabriele Guidi, Roberto Scopigno, Juan Carlos Torres, Holger Graf, Fabio Remondino, Luciana Duranti, Pere Brunet, Susan Hazan, Juan Antonio Barceló:
2nd Digital Heritage International Congress, DigitalHERITAGE 2015, Granada, Spain, September 28 - October 2, 2015, Volume I. IEEE 2015, ISBN 978-1-5090-0254-2 - Gabriele Guidi
, Roberto Scopigno:
Preface. XI-XII - Fauzia Albertin, Eva Peccenini, Yeukuang Hwu, Tsung-Tse Lee, Edwin B. L. Ong, Jung Ho Je, Frédéric Kaplan, Giorgio Margaritondo:
The Venice "Archivio Di Stato": innovating digitization with x-ray tomography. 5-10 - Chang Liu, Paul L. Rosin, Yu-Kun Lai, Weiduo Hu:
Robust segmentation of historical parchment XMT images for virtual unrolling. 11-18 - Aurore Mathys, Jonathan Brecko, Didier van den Spiegel, Patrick Semal:
3D and challenging materials. 19-26 - Brady Liss, Thomas E. Levy:
One man's trash: Using XRF to recreate ancient narratives from metallurgical waste heaps in Southern Jordan. 27-34 - Paul Thompson, John McNaught, Sophia Ananiadou:
Customised OCR correction for historical medical text. 35-42 - Camille Autran, François Guéna:
3D reconstruction for museums and scattered collections applied research for the Alexandre Lenoir's museum of French monument. 47-50 - E. Keats Webb:
Reflected infrared imaging revisiting the fundamentals. 51-54 - Angela Bellia:
The virtual reconstruction of an ancient musical instrument: The aulos of Selinus. 55-58 - Eva Peccenini, Matteo Bettuzzi, Rosa Brancaccio, Franco Casali, Maria Pia Morigi, Viviana Lanzarini, Antonio Todero, Luisa Leonardi, Laura Piro, Elios Sequi:
A new way to enrich museum experience through X-ray tomography the diagnostic study of a wax anatomical model of the 18th century made by Anna Morandi Manzolini. 59-62 - Joo-Pyo Hong, Zongming Zhang, Jiho Han:
Reconstruction of the woodblock using three-dimensional scanning and computer numerical control machining. 63-66 - David Vacas Madrid, Elina Rodriguez Millán, Jesús F. Torres Martínez:
Documentation and preservation of an iron age site through photogrammetry the case of Monte Bernorio. 67-70 - Juan Gregorio Rejas Ayuga, Javier Bonatti, Francisco Burillo, Rubén Martínez-Marín, Miguel Marchamalo Sacristán, Maria Cristina Pineda de Carias:
Remote sensing applied to the study of the cultural and natural heritage in the Mesoamerican Corridor. 71-74 - Panagiotis Parthenios, Alexandros Peteinarelis, Sofia Lousa, Nicky Efraimidou:
Three modes of a monument's 3D virtual reconstruction the case of Giali Tzamissi in Chania, Crete. 75-78 - Dries Nollet, Carlotta Capurro, Daniel Pletinckx:
Battery Aachen using landscape reconstruction for on-site exploration of a World War one military unit. 79-82 - Estibaliz Muñumer, José Luis Lerma:
Fusion of 3D data from different image-based and range-based sources for efficient heritage recording. 83-86 - Christine Chevrier, Kévin Jacquot, Pascal Humbert, Senda Ben Bouheni, Gilles Halin:
Virtual 3D reconstruction of Plan-Relief from historical document analysis for valorisation applications. 87-90 - Matthew Howland, Brady Liss, Mohammad Najjar, Thomas E. Levy:
GIS-based mapping of archaeological sites with low-altitude aerial photography and structure from Motion: A case study from Southern Jordan. 91-94 - Aaron Charles Pattee, Bernhard Höfle, Christian Seitz:
Integrative 3D recording methods of historic architecture Burg Hohenecken castle from southwest Germany. 95-98 - Zlatan Novak, Kristina Krulic:
Application of 3D technology for the documentation of late medieval wall paintings in the church of St. George in Lovran, Croatia. 99-102 - Paul Blockley, Simona Morandi:
The recording of two late Roman towers, Archaeological Museum, Milan 3D documentation and study using image-based modelling. 103-106 - Demetrios Athanasoulis, Antonios Georgiou, Xeni Simou, Anna Sfika, Vasiliki Klotsa, Theodora Zirogianni, Chrysostomos Theodoropoulos, Eleni-Olga Deligianni:
Bridging monuments through digital repository and graphic reconstruction methodologies the Digital Enhancement project of Argolid, Arcadia and Corinthia castles, Greece. 107-110 - Wensen Ma, Marc Walton, Oliver Cossairt, Gregory H. Bearman, Eric Doehne:
Crowd-sourced mobile phone images for heritage conservation monitoring. 111-114 - Macarena Salcedo Galera, José Calvo López, Anand Shah Kalpeshbhai:
Photogrammetric surveying and stereotomy the East hall of the Palace of Charles V in Granada. 115-118 - Renato Saleri, Hervé Lequay, Livio De Luca:
A light carbon crane as an alternative approach for vertical structures and facade surveying. 119-122 - João Covas, Victor Ferreira, Luís Mateus:
3D reconstruction with fisheye images strategies to survey complex heritage buildings. 123-126 - Arnaud Schenkel, Olivier Debeir:
Comparison of normalized transfer functions for fast blending-based color correction of scans acquired under natural conditions. 127-130 - Sara Morena:
The virtual reconstruction of the minaret of Mansourah mosque (Algeria). 131-134 - Oscar Cosido, Leticia Teran Vega, Massimiliano Campi, Raffaele Catuogno, Oscar Ruiz Lopez, Jesus M. Sendino Posada, Jose Pereda Llamas, Pedro Sarabia Rogina, Andrés Iglesias Prieto:
Representation of the Santander Cathedral by combination of different smart techniques. 135-138 - Gregorio Soria Tirado, Lidia M. Ortega-Alvarado, Francisco R. Feito:
Geometry to web Jaen's Cathedral. 139-142 - Vittorio Amos Ziparo, Fabio Cottefoglie, Daniele Calisi, Francesca Giannone, Giorgio Grisetti, Bastian Leibe, Marc Proesmans, Paolo Salonia, Luc Van Gool, Claudia Ventura, Cyrill Stachniss:
A new approach to digitalization and data management of cultural heritage sites. 143-146 - Saúl Retamozo, Diego Arce, Rafael Aguilar, Fernando Zvietcovich, Matias Quintana, Benjamín Castañeda, Sergio Ángeles:
A comparison of digital modelling techniques analyzing a section of Qhapaq Ñan. 147-150 - Dominique Meyer, Elioth Fraijo, Eric Lo, Dominique Rissolo, Falko Kuester:
Optimizing UAV systems for rapid survey and reconstruction of large scale cultural heritage sites. 151-154 - Aurore Mathys, Jonathan Brecko, Didier van den Spiegel, Laurence Cammaert, Patrick Semal:
Bringing collections to the digital era three examples of integrated high resolution digitisation projects. 155-158 - Mario Wallner, Matthias Kucera, Wolfgang Neubauer, Juan Torrejon Valdelomar, Joachim Brandtner, Vlad Sandici:
Application of georeferenced Archaeological Information Systems for archaeological digital heritage - the auxiliary fortress of carnuntum (Lower Austria). 159-162 - Laura Serra Oliva, Anna Mura, Alberto Betella, Daniel Pacheco, Enrique Martínez Bueno, Paul F. M. J. Verschure:
Recovering the history of Bergen Belsen using an interactive 3D reconstruction in a mixed reality space the role of pre-knowledge on memory recollection. 163-165 - Jihong Liang, Linqing Ma, Yunpeng Wu:
Digitizing the culture of Beijing - an introduction of the memories of Beijing project. 169-170 - Matthew L. Vincent, Mariano Flores Gutiérrez, Chance Coughenour, Víctor Manuel López-Menchero Bendicho, Fabio Remondino, Dieter Fritsch:
Crowd-sourcing the 3D digital reconstructions of lost cultural heritage. 171-172 - Thierry Laugée:
PATRINAT: The drawings in Buffon's Histoire naturelle, towards a digitized heritage. 173-174 - Willem F. Vletter, Sandra R. Schloen:
Ochre a powerful tool for culture Historical Research a chronological model for historical roads and paths. 175-176 - Luis Enrique Castillo, Cecilia Vilca, Gladys Ocharan Velásquez, Marco Sarmento:
The Chimu offerings integration of applied science and new media in the preservation and dissemination of prehispanic heritage. 177-178 - Elizabeth Shotton, William Spratt-Murphy:
Minor harbours of the east coast of Ireland. 179-180 - Dominique Rissolo, Alberto Nava Blank, Vid Petrovic, Roberto Chávez Arce, Corey Jaskolski, Pilar Luna Erreguerena, James C. Chatters:
Novel application of 3D documentation techniques at a submerged Late Pleistocene cave site in Quintana Roo, Mexico. 181-182 - Lola Vico, Sorin Hermon:
Nuragic sacred well of Santa Cristina in Sardinia from the 3D survey analysis to labour investment. 183-185 - Alexandru Duliu, Jakob Vogel, Claudia Dorina Samoilescu, Tobias Lasser, Nassir Navab:
Illumination compensation for high-resolution multispectral image mosaicing of heritage paintings. 191-198 - Irina Ciortan, Hilda Deborah, Sony George, Jon Yngve Hardeberg:
Color and hyperspectral image segmentation for historical documents. 199-206 - Samantha Stout, James Strawson, Eric Lo, Falko Kuester:
The WAVEcam: Ultra-high resolution imaging of paintings. 207-214 - Xiang Huang, Marc Walton, Gregory H. Bearman, Oliver Cossairt:
Near light correction for image relighting and 3D shape recovery. 215-222 - Marco Callieri, Paolo Pingi, Marco Potenziani, Matteo Dellepiane, Gaia Pavoni, Aurelia Lureau, Roberto Scopigno:
Alchemy in 3D: A digitization for a journey through matter. 223-230 - Antonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori, Luigi Verri, Giovanni Bellavia, Alfonsina Russo, Rita Cosentino, Maria Anna De Lucia:
The Etruscans and the Afterlife an engaging exhibition with accurate scientific, technological and communicative requirements. 231-238 - Eliana Siotto, Gianpaolo Palma, Marco Potenziani, Roberto Scopigno:
Digital study and web-based documentation of the colour and gilding on ancient marble artworks. 239-246 - Francesco Gabellone, Ivan Ferrari, Francesco Giuri, Maria Chiffi:
The Palmieri hypogeum in Lecce from the integrated survey to the dissemination of contents. 247-254 - Seth Berrier, Michael Tetzlaff, Michael Ludwig, Gary W. Meyer:
Improved appearance rendering for photogrammetrically acquired 3D models. 255-262 - Bruno Fanini, Enzo d'Annibale, Emanuel Demetrescu, Daniele Ferdani, Alfonsina Pagano:
Engaging and shared gesture-based interaction for museums the case study of K2R international expo in Rome. 263-270 - Carlotta Capurro, Dries Nollet, Daniel Pletinckx:
Tangible interfaces for digital museum applications. 271-276 - Adeola Fabola, Alan Miller, Richard Fawcett:
Exploring the past with Google Cardboard. 277-284 - Manuel Olbrich, Jens Keil, Thomas Makiela:
Heritage move a natural & lightweight navigation schema for low-cost, non-stationary immersive virtual environments. 289-292 - Kosin Kalarat:
Parallax Occlusion Mapping in augmented reality case study on facade of Sino Portuguese Architecture Phuket, Thailand. 293-296 - Alejandro Rodríguez, Alejandro León:
Smartphone-based remote 3D interaction for digital heritage applications. 297-300 - C. J. Davies, Alan Miller, Richard Fawcett:
Mobile onsite exploration of parallel realities with Oculus Rift. 301-304 - Violette Abergel, Renato Saleri, Hervé Lequay, Livio De Luca:
An immersive visualization kit for online 3D objects databases. 305-308 - Luigi Malomo, Francesco Banterle, Paolo Pingi, Francesco Gabellone, Roberto Scopigno:
VirtualTour: A system for exploring Cultural Heritage sites in an immersive way. 309-312 - Daniele Rossi:
A hand-held 3D-printed box projector study for a souvenir from a mixed-reality experience. 313-316 - Francisco Guimarães, Mauro J. G. Figueiredo, José I. Rodrigues:
Augmented Reality and Storytelling in heritage application in public gardens: Caloust Gulbenkian Foundation Garden. 317-320 - Patrick C. Shih, Kyungsik Han, John M. Carroll:
Engaging community members with digitally curated social media content at an arts festival. 321-324 - José Antonio Sánchez del Rivero, María José García-Pumarino Pérez, Marcos Fernández Díaz, Javier Gutiérrez Meana, Marta Flórez Igual, Alfonso Palacio Álvarez:
INSIDDE AR application: Bringing art closer to citizens by promoting the use of smartphones and tablets. 325-328 - Sasithorn Rattanarungrot, Martin White, Ben Jackson:
The application of service orientation on a mobile AR platform - a museum scenario. 329-332 - Alessandro Pozzebon, Silvia Calamai:
Smart devices for Intangible Cultural Heritage fruition. 333-336 - Holger Graf, Jens Keil, Alfonsina Pagano, Sofia Pescarin:
A contextualized educational museum experience connecting objects, places and themes through mobile virtual museums. 337-340 - Mohamed Khalil, Sameh Oransa, Karim Omar:
Resolving the conflict between High visual quality and high performance in Virtual reality applications keys to Rome project as case study. 341-344 - Paloma Díaz, Andrea Bellucci, Ignacio Aedo:
Enabling social interaction in the museum through the Social Display Environment. 345-348 - Roberto Frasca, Antonio Mazzeo, Davide Pantile, Matteo Ventrella, Giovanni Verreschi:
Innovative systems for the enjoyment of pictorial works the experience of Gallerie dell'Accademia Museum in Venice. 349-352 - Maria Vayanou, Vivi Katifori, Vassilis Kourtis, Manos Karvounis, Yannis E. Ioannidis, Erna Bomers, Niels de Jong:
Interactive experiences in the Stedelijk Museum a living lab experiment with the CHESS framework. 353-356 - Simone Garagnani, Luisa Bravo, José Manuel Pagés Madrigal:
The Lion's Gate and the Persian Wall in Byblos opening the doors of digital representation to the cultural heritage of a resilient city in Lebanon. 357-360 - Davide Borra:
Digital Panorama. 361-364 - Franz Fischnaller, Antonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori, Alfonsina Russo, Rita Cosentino, Maria Anna De Lucia:
Sarcophagus of the Spouses installation intersection across archaeology, 3D video mapping, holographic techniques combined with immersive narrative environments and scenography. 365-368 - Markus Schütz, Michael Wimmer:
High-quality point-based rendering using fast single-pass interpolation. 369-372 - Alfonsina Pagano, Giulia Armone, Elisabetta De Sanctis:
Virtual museums and audience studies: the case of "Keys To Rome" exhibition. 373-376 - Georgia Kontogianni, Andreas Georgopoulos:
A realistic Gamification attempt for the Ancient Agora of Athens. 377-380 - Osama Elrawi:
The digital archimusic patterns in Alhambra. 381-384 - Michael Ludwig, Gary W. Meyer:
Environment map based lighting for reflectance transformation images. 385-388 - Mohamed Farouk, Mohamed Ismail, Karam Mustafa:
VR multiple channel authoring with immersive display. 389-392 - Daniel Pacheco, Sytse Wierenga, Pedro Omedas, Laura Serra Oliva, Stefan Wilbricht, Stephanie Billib, Habbo Knoch, Paul F. M. J. Verschure:
A location-based Augmented Reality system for the spatial interaction with historical datasets. 393-396 - Muqeem Khan:
A radicalized phenomenological transformation of Greek/Unani humoral theory into a virtual reality based game engine. 397-400 - Copper Frances Giloth, Jonathan Tanant:
User experiences in three approaches to a visit to a 3D Labyrinthe of Versailles. 403-404 - Willem F. Vletter, James H. Wesolowski:
Using a gaming software for historical road and path research. 405-406 - João Gouveia, Fernando Branco, Armanda Rodrigues, Nuno Correia:
Travelling through space and time in Lisbon's religious buildings. 407-408 - Park Jinho, Tufail Muhammad, Jisoo Kim, Ji-Hyun Lee:
A virtual reality platform for the 3D representation of Seokguram Temple. 409-410 - Giasemi N. Vavoula, Maria-Anna Tseliou, Rheinallt Ffoster-Jones, Sally Coleman, Paul Long, Esther Simpson:
Leicester Castle tells its story beacon-based mobile interpretation for historic buildings. 411-412 - John Tredinnick, Paul Richens:
A fulldome interactive visitor experience a novel approach to delivering interactive virtual heritage experiences to group audiences in fulldome projection spaces, evaluated through spatial awareness and emotional response. 413-414 - Sara Monaci, Andrea Sanna, Domenico Morreale, Gianluca Cuniberti, Mariano Equizzi:
StoryTECH 4 ever storytelling technologies for European values and heritage. 415-416 - Susanne Haake, Wolfgang Müller:
New memory spaces for cultural history. 417-418 - Laurent Bergerot:
A MetaViewer for sharing multiple media by WebGL-based interfaces. 419-420 - Javier Esclapés, Daniel Tejerina, Alejandro Martín, Laia Fabregat:
Development of a low-cost application of virtual reality for the promotion of cultural heritage. 421-422 - Kyung-Kyu Kang, JiHyung Lee, Chang Joon Park, Jae Woo Kim, Man Hee Lee:
X-Top: An interactive exhibition for building experience with mini-components of stone pagoda. 423-424
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