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Publication search results
found 27 matches
- 2016
- Natasha Barrett:
Interactive Spatial Sonification of Multidimensional Data for Composition and Auditory Display. Comput. Music. J. 40(2): 47-69 (2016) - Natasha Barrett:
A Musical Journey towards Permanent High-Density Loudspeaker Arrays. Comput. Music. J. 40(4): 35-46 (2016) - Andrés Cabrera, JoAnn Kuchera-Morin, Curtis Roads:
The Evolution of Spatial Audio in the AlloSphere. Comput. Music. J. 40(4): 47-61 (2016) - Thibaut Carpentier, Natasha Barrett, Rama Gottfried
, Markus Noisternig
:
Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices. Comput. Music. J. 40(4): 14-34 (2016) - Goktug T. Cinar, James Paul Sain, José C. Príncipe:
A Study of Musical Pitch Distance Using a Self-Organized Hierarchical Linear Dynamical System on Acoustic Signals. Comput. Music. J. 40(3): 68-82 (2016) - Nick Collins:
A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater. Comput. Music. J. 40(3): 41-57 (2016) - Dalia El-Shimy, Jeremy R. Cooperstock:
User-Driven Techniques for the Design and Evaluation of New Musical Interfaces. Comput. Music. J. 40(2): 35-46 (2016) - Ross Feller:
Andrew J. Nelson: The Sound of Innovation - Stanford and the Computer Music Revolution. Comput. Music. J. 40(1): 73-75 (2016) - Ross Feller:
Tornado Project: Trios for Flute, Clarinet, and Computer. Comput. Music. J. 40(2): 84-88 (2016) - Ross Feller:
Nicolas Collins: Salvaged - Compositions 1986-2014. Comput. Music. J. 40(4): 105-108 (2016) - Javier Alejandro Garavaglia
:
Creating Multiple Spatial Settings with "Granular Spatialisation" in the High-Density Loudspeaker Array of the Cube Concert Hall. Comput. Music. J. 40(4): 79-90 (2016) - Georg Hajdu:
Disposable Music. Comput. Music. J. 40(1): 25-34 (2016) - Robert Hasegawa:
James Tenney: From Scratch: Writings in Music Theory. Comput. Music. J. 40(3): 83-86 (2016) - Fernando Lopez-Lezcano:
Searching for the GRAIL. Comput. Music. J. 40(4): 91-103 (2016) - Eric Lyon, Terence Caulkins, Denis Blount, Ivica Ico Bukvic, Charles Nichols, Michael J. Roan, Tanner Upthegrove:
Genesis of the Cube: The Design and Deployment of an HDLA-Based Performance and Research Facility. Comput. Music. J. 40(4): 62-78 (2016) - Silvia Matheus:
The Seventh KYMA International Sound Symposium (KISS). Comput. Music. J. 40(1): 70-73 (2016) - Andrew J. Milne
, Roger T. Dean
:
Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness. Comput. Music. J. 40(1): 35-53 (2016) - Caroline Park:
Collaborative Resonances and Obstinate Interfaces: An Interview with Butch Rovan. Comput. Music. J. 40(3): 10-21 (2016) - Paul Rhys:
Smart Interfaces for Granular Synthesis of Sound by Fractal Organization. Comput. Music. J. 40(3): 58-67 (2016) - Seth Aaron Rozanoff:
Yannis Kyriakides and Andy Moor: A Life Is a Billion Heartbeats. Comput. Music. J. 40(2): 87-88 (2016) - Seth Aaron Rozanoff:
David Rothenberg and Korhan Erel: Berlin Bülbül. Comput. Music. J. 40(3): 86-88 (2016) - Seth Aaron Rozanoff:
Masayoshi Fujita and Jan Jelinek: Schaum. Comput. Music. J. 40(4): 104-108 (2016) - Carla A. Scaletti:
Looking Back, Looking Forward: A Keynote Address for the 2015 International Computer Music Conference. Comput. Music. J. 40(1): 10-24 (2016) - Stefania Serafin, Cumhur Erkut
, Juraj Kojs, Niels C. Nilsson
, Rolf Nordahl
:
Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions. Comput. Music. J. 40(3): 22-40 (2016) - Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Audio Systems Using Power-Preserving All-Pass Filters. Comput. Music. J. 40(1): 54-69 (2016) - Giuseppe Torre
, Kristina Andersen
, Frank Baldé:
The Hands: The Making of a Digital Musical Instrument. Comput. Music. J. 40(2): 22-34 (2016) - Valerio Velardo, Mauro Vallati
, Steven Jan
:
Symbolic Melodic Similarity: State of the Art and Future Challenges. Comput. Music. J. 40(2): 70-83 (2016)
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