- 2008
- Álvaro Barbosa:
Ten-Hand Piano: A Networked Music Installation. NIME 2008: 9-12 - Olivier Bau, Atau Tanaka, Wendy E. Mackay:
The A20: Musical Metaphors for Interface Design. NIME 2008: 91-96 - Ross Bencina, Danielle Wilde, Somaya Langley:
Gesture ≈ Sound Experiments: Process and Mappings. NIME 2008: 197-202 - Edgar Berdahl, Julius O. Smith III:
A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument Interface. NIME 2008: 299-302 - Edgar Berdahl, Hans-Christoph Steiner, Collin Oldham:
Practical Hardware and Algorithms for Creating Haptic Musical Instruments. NIME 2008: 61-66 - Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley:
Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. NIME 2008: 38-43 - Nicolas Bouillot, Michael Wozniewski, Zack Settel, Jeremy R. Cooperstock:
A Mobile Wireless Augmented Guitar. NIME 2008: 189-192 - Matteo Bozzolan, Giovanni Cospito:
SMuSIM: a Prototype of Multichannel Spatialization System with Multimodal Interaction Interface. NIME 2008: 24-27 - Jennifer Butler:
Creating Pedagogical Etudes for Interactive Instruments. NIME 2008: 77-80 - Antonio Camurri, Corrado Canepa, Paolo Coletta, Barbara Mazzarino, Gualtiero Volpe:
Mappe per Affetti Erranti: a Multimodal System for Social Active Listening and Expressive Performance. NIME 2008: 134-139 - Sergio Canazza, Antonina Dattolo:
New Data Structure for Old Musical Open Works. NIME 2008: 140-143 - Parag Chordia, Alex Rae:
Real-Time Raag Recognition for Interactive Music. NIME 2008: 331-334 - Miha Ciglar:
"3rd. Pole" - A Composition Performed via Gestural Cues. NIME 2008: 203-206 - Niall Coghlan, R. Benjamin Knapp:
Sensory Chairs: A System for Biosignal Research and Performance. NIME 2008: 233-236 - Greg J. Corness:
Performer Model: Towards a Framework for Interactive Performance Based on Perceived Intention. NIME 2008: 265-268 - Alain Crevoisier, Greg Kellum:
Transforming Ordinary Surfaces into Multi-touch Controllers. NIME 2008: 113-116 - Michiel Demey, Marc Leman, Frederick Bossuyt, Jan Vanfleteren:
The Musical Synchrotron: Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo. NIME 2008: 372-373 - Smilen Dimitrov, Marcos Alonso, Stefania Serafin:
Developing Block-Movement, Physical-Model Based Objects for the Reactable. NIME 2008: 211-214 - Josh Dubrau, Mark Havryliv:
P[a]ra[pra]xis: Poetry in Motion. NIME 2008: 164-167 - Arne Eigenfeldt, Ajay Kapur:
An Agent-based System for Robotic Musical Performance. NIME 2008: 144-149 - Ayaka Endo, Yasuo Kuhara:
Rhythmic Instruments Ensemble Simulator Generating Animation Movies Using Bluetooth Game Controller. NIME 2008: 345-346 - Stuart Favilla, Joanne Cannon, Tony Hicks, Dale Chant, Paris Favilla:
Gluisax: Bent Leather Band's Augmented Saxophone Project. NIME 2008: 366-369 - Lesley Flanigan, Andrew Doro:
Plink Jet. NIME 2008: 349-351 - Sean Follmer, Chris Warren, Adnan Marquez-Borbon:
The Pond: Interactive Multimedia Installation. NIME 2008: 354-355 - Angelo Fraietta:
Open Sound Control: Constraints and Limitations. NIME 2008: 19-23 - Adrian Freed:
Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers. NIME 2008: 107-112 - Gabriel Gatzsche, Markus Mehnert, Christian Stöcklmeier:
Interaction with Tonal Pitch Spaces. NIME 2008: 325-330 - Christian Geiger, Holger Reckter, David Paschke, Florian Schulz, Cornelius Poepel:
Towards Participatory Design and Evaluation of Theremin-based Musical Interfaces. NIME 2008: 303-306 - Andrew B. Godbehere, Nathan J. Ward:
Wearable Interfaces for Cyberphysical Musical Expression. NIME 2008: 237-240 - Maurizio Goina, Pietro Polotti:
Elementary Gestalts for Gesture Sonification. NIME 2008: 150-153