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ORCIDTanya E. Clement
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- affiliation: University of Texas at Austin, USA
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2020 – today
- 2022
[j9]Tanya E. Clement, Ben W. Brumfield, Sara Brumfield:
The AudiAnnotate Project: Four Case Studies in Publishing Annotations for Audio and Video. Digit. Humanit. Q. 16(2) (2022)- 2021
- [j8]Tanya E. Clement, Liz Fischer:
Audiated Annotation from the Middle Ages to the Open Web. Digit. Humanit. Q. 15(1) (2021) - 2020
- [c19]Weijia Xu, Maria Esteva
, Peter Cui, Eugene Castillo, Kewen Wang, Hanna Robbins Hopkins, Tanya E. Clement, Aaron Choate, Ruizhu Huang:
A Study of Spoken Audio Processing using Machine Learning for Libraries, Archives and Museums (LAM). IEEE BigData 2020: 1939-1948 - [c18]Jason Camlot, Tanya E. Clement, Klara du Plessis, Liz Fisher, Deanna Fong, Yuliya Kondratenko, Emily Christina Murphy, Annie Murray, Michael O'Driscoll, Karis Shearer:
Ethical Soundings in Collaborative Digital Humanities Research Projects: Critical Scenarios from The SpokenWeb. DH 2020 - [c17]Maria Esteva, Tanya E. Clement, Weijia Xu, Aaron Choate, Hannah Robbins Hopkins:
AI4AV (Artificial Intelligence for Audiovisual): Design and Evaluation of a Shared System for LAMs. DH 2020
2010 – 2019
- 2018
- [j7]Tanya E. Clement:
Coding Literacy: How Computer Programming Is Changing Writing. Annette Vee. Cambridge, MA: The MIT Press, 2017. $34.00 (hardcover). (ISBN 9780262036245). J. Assoc. Inf. Sci. Technol. 69(9): 1174-1176 (2018) - [c16]Tanya E. Clement, Lori Emerson, Elizabeth M. Losh, Thomas Padilla:
Reimagining the Humanities Lab. DH 2018: 55-58 - 2017
- [j6]Tanya E. Clement, Daniel Carter:
Connecting theory and practice in digital humanities information work. J. Assoc. Inf. Sci. Technol. 68(6): 1385-1396 (2017) - [c15]Sarah A. Buchanan, Julia Bullard, William Aspray, Diane E. Bailey, Lecia Barker, Daniel Carter, Tanya E. Clement, Nicholas Gottschlich, James Howison, Stephen McLaughlin, Melissa G. Ocepek, Daniel Sholler, Ciaran B. Trace:
Collaborative syllabus design for studying information work. ASIST 2017: 630-632 - [c14]Tanya E. Clement, Alison Booth, Maria Sachiko Cecire, Ryan Cordell, Miriam Posner:
Challenges for New Infrastructures and Paradigms in DH Curricular Program Development. DH 2017 - 2016
- [j5]Tanya E. Clement:
Towards a Rationale of Audio-Text. Digit. Humanit. Q. 10(3) (2016) - [c13]Susan Brown, Tanya E. Clement, Laura Mandell, Deb Verhoeven, Jacque Wernimont:
Creating Feminist Infrastructure in the Digital Humanities. DH 2016: 47-50 - [c12]Tanya E. Clement, Steve McLaughlin, David Tcheng, Loretta Auvil, Tony Borries:
ARLO (Adaptive Recognition with Layered Optimization): a Prototype for High Performance Analysis of Sound Collections in the Humanities. DH 2016: 158-161 - 2015
- [j4]Tanya E. Clement:
An Information Science Question in DH Feminism. Digit. Humanit. Q. 9(2) (2015) - 2014
- [c11]Tanya E. Clement, David Tcheng, Loretta Auvil, Tony Borries:
High Performance Sound Technologies for Access and Scholarship (HiPSTAS) in the Digital Humanities. ASIST 2014: 1-10 - [c10]Tanya E. Clement:
Developing for Distant Listening: Developing Computational Tools for Sound Analysis By Framing User Requirements within Critical Theories for Sound Studies. DH 2014 - [c9]Tanya E. Clement, Kari Kraus, Jentery Sayers, Whitney Anne Trettien, David Tcheng, Loretta Auvil, Tony Borries, Min Wu, Douglas W. Oard, Adi Hajj-Ahmad, Hui Su, Mary Caton Lingold, Darren Mueller, William J. Turkel, Devon Elliott:
<audio>Digital Humanities</audio>: The Intersections of Sound and Method. DH 2014 - 2013
- [j3]Tanya E. Clement, David Tcheng, Loretta Auvil, Boris Capitanu, Megan Monroe:
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts. Digit. Humanit. Q. 7(1) (2013) - [j2]Tanya E. Clement, David Tcheng, Loretta Auvil, Boris Capitanu, João Barbosa:
Distant Listening to Gertrude Stein's 'Melanctha': Using Similarity Analysis in a Discovery Paradigm to Analyze Prosody and Author Influence. Lit. Linguistic Comput. 28(4): 582-602 (2013) - 2012
- [c8]Manfred Thaller, Patrick Sahle, Florence Clavaud, Tanya E. Clement, Domenico Fiormonte, Elena Pierazzo, Malte Rehbein, Geoffrey Rockwell, Susan Schreibman, Stéfan Sinclair:
Digital Humanities as a university degree: The status quo and beyond. DH 2012: 72-78 - [c7]Tanya E. Clement, Loretta Auvil, David Tcheng, Boris Capitanu, Megan Monroe, Ankita Goel:
Sounding for Meaning: Analyzing Aural Patterns Across Large Digital Collections. DH 2012: 158-161 - [c6]Tanya E. Clement:
Methodologies in the digital humanities for analyzing aural patterns in texts. iConference 2012: 287-293 - 2011
- [c5]Bethany Nowviskie, Julia Flanders, Tanya E. Clement, Douglas Reside, Dorothy (Dot) Porter, Eric Rochester:
The "#alt-ac" Track: Digital Humanists off the Straight and Narrow Path to Tenure. DH 2011: 52-54 - 2010
- [c4]Tanya E. Clement, Fotis Jannidis, Willard McCarty:
Digital Literacy for the Dumbest Generation - Digital Humanities Programs 2010. DH 2010: 31-36
2000 – 2009
- 2009
- [c3]Romain Vuillemot, Tanya E. Clement, Catherine Plaisant, Amit Kumar:
What's being said near "Martha"? Exploring name entities in literary text collections. IEEE VAST 2009: 107-114 - 2008
- [j1]Tanya E. Clement:
'A thing not beginning and not ending': using digital tools to distant-read Gertrude Stein's The Making of Americans. Lit. Linguistic Comput. 23(3): 361-381 (2008) - 2007
- [c2]Anthony Don, Elena Zheleva, Machon Gregory, Sureyya Tarkan, Loretta Auvil, Tanya E. Clement, Ben Shneiderman, Catherine Plaisant:
Discovering interesting usage patterns in text collections: integrating text mining with visualization. CIKM 2007: 213-222 - 2006
- [c1]Catherine Plaisant, James Rose, Bei Yu, Loretta Auvil, Matthew G. Kirschenbaum, Martha Nell Smith, Tanya E. Clement, Greg Lord:
Exploring erotics in Emily Dickinson's correspondence with text mining and visual interfaces. JCDL 2006: 141-150
Coauthor Index
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