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2020 – today
- 2023
[j3]Arthur Yosef, Eli Shnaider, Moti Schneider, Michael Gurevich:
Heuristic normalization procedure for batch effect correction. Soft Comput. 27(12): 7813-7829 (2023)- [c27]Adam G. Schmidt, Michael Gurevich:
The Hummellaphone: An Electromagnetically Actuated Instrument and Open-Source Toolkit. NIME 2023 - 2020
- [i1]Michael Gurevich, Stephan von Muehlen:
The Accordiatron: A MIDI Controller For Interactive Music. CoRR abs/2010.01574 (2020)
2010 – 2019
- 2018
- [c26]Koray Tahiroglu, Michael Gurevich, R. Benjamin Knapp:
Contextualising Idiomatic Gestures in Musical Interactions with NIMEs. NIME 2018: 126-131 - 2017
- [c25]Michael Gurevich:
Discovering instruments in scores: a repertoire-driven approach to designing new interfaces for musical expression. NIME 2017: 163-168 - 2016
- [c24]Simon Holland
, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston:
Music and HCI. CHI Extended Abstracts 2016: 3339-3346 - 2015
- [c23]Eric Sheffield, Michael Gurevich:
Distributed mechanical actuation of percussion instruments. NIME 2015: 11-15 - [c22]Simon Alexander-Adams, Michael Gurevich:
A flexible platform for tangible graphic scores. NIME 2015: 174-175 - 2014
- [c21]Michael Gurevich:
Distributed Control in a Mechatronic Musical Instrument. NIME 2014: 487-490 - 2012
- [j2]Michael Gurevich, Adnan Marquez-Borbon, Paul Stapleton:
Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument. Comput. Music. J. 36(1): 23-41 (2012) - [c20]Graham Booth, Michael Gurevich:
Proceeding from Performance: an ethnography of the Birmingham Laptop Ensemble. ICMC 2012 - [c19]Graham Booth, Michael Gurevich:
Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography. NIME 2012 - [c18]A. Cavan Fyans, Adnan Marquez-Borbon, Paul Stapleton, Michael Gurevich:
Ecological considerations for participatory design of DMIs. NIME 2012 - [e1]Georg Essl, R. Brent Gillespie, Michael Gurevich, Sile O'Modhrain:
12th International Conference on New Interfaces for Musical Expression, NIME 2012, Ann Arbor, Michigan, USA, May 21-23, 2012. nime.org 2012 [contents] - 2011
- [c17]Adnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, Paul Stapleton:
Designing Digital Musical Interactions in Experimental Contexts. NIME 2011: 373-376 - [c16]A. Cavan Fyans, Michael Gurevich:
Perceptions of Skill in Performances with Acoustic and Electronic Instruments. NIME 2011: 495-498 - 2010
- [c15]Michael Gurevich, Paul Stapleton, Adnan Marquez-Borbon:
Style and Constraint in Electronic Musical Instruments. NIME 2010: 106-111 - [c14]A. Cavan Fyans, Michael Gurevich, Paul Stapleton:
Examining the Spectator Experience. NIME 2010: 451-454
2000 – 2009
- 2009
- [j1]Tamir Tuller, Udi Rubinstein, Dani Bar, Michael Gurevich, Eytan Ruppin, Martin Kupiec:
Higher-Order Genomic Organization of Cellular Functions in Yeast. J. Comput. Biol. 16(2): 303-316 (2009) - [c13]A. Cavan Fyans, Michael Gurevich, Paul Stapleton:
Spectator understanding of error in performance. CHI Extended Abstracts 2009: 3955-3960 - [c12]A. Cavan Fyans, Michael Gurevich, Paul Stapleton:
Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective. NIME 2009: 171-172 - [c11]Michael Gurevich, Paul Stapleton, Peter D. Bennett:
Designing for Style in New Musical Interactions. NIME 2009: 213-217 - 2008
- [c10]Udi Rubinstein, Yifat Felder, Nana Ginzbourg, Michael Gurevich, Tamir Tuller:
Editing Bayesian Networks: A New Approach for Combining Prior Knowledge and Gene Expression Measurements for Researching Diseases. BIBM 2008: 273-277 - 2007
- [c9]Michael Gurevich, Jeffrey Treviño:
Expression and Its Discontents: Toward an Ecology of Musical Creation. NIME 2007: 106-111 - 2006
- [c8]Michael Gurevich:
JamSpace: a networked real-time collaborative music environment. CHI Extended Abstracts 2006: 821-826 - [c7]Michael Gurevich:
JamSpace: Designing A Collaborative Networked Music Space for Novices. NIME 2006: 118-123 - 2003
- [c6]Michael Gurevich, Bill Verplank, Scott Wilson:
Physical Interaction Design for Music. ICMC 2003 - [c5]Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang:
Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. NIME 2003: 24-29 - 2002
- [c4]Bill Verplank, Michael Gurevich, Max V. Mathews:
The PLANK: Designing a simple Haptic Controller. NIME 2002: 33-36 - 2001
- [c3]Michael Gurevich, Stephan von Muehlen:
The Accordiatron: A Gestural Interface for Interactive Music. ICMC 2001 - [c2]Michael Gurevich:
The Accordiatron. NIME 2001 - [c1]Michael Gurevich, Stephan von Muehlen:
The Accordiatron: A MIDI Controller For Interactive Music. NIME 2001: 27-29
Coauthor Index
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