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Hiroko Terasawa
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2020 – today
- 2023
- [c17]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa:
PrimaDNN': A Characteristics-Aware DNN Customization for Singing Technique Detection. EUSIPCO 2023: 406-410 - [i3]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa:
PrimaDNN': A Characteristics-aware DNN Customization for Singing Technique Detection. CoRR abs/2306.14191 (2023) - 2022
- [c16]Yuya Yamamoto, Juhan Nam
, Hiroko Terasawa:
Deformable CNN and Imbalance-Aware Feature Learning for Singing Technique Classification. INTERSPEECH 2022: 2778-2782 - [c15]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa:
Analysis and detection of singing techniques in repertoires of J-POP solo singers. ISMIR 2022: 384-391 - [i2]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa:
Deformable CNN and Imbalance-Aware Feature Learning for Singing Technique Classification. CoRR abs/2206.12230 (2022) - [i1]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa:
Analysis and Detection of Singing Techniques in Repertoires of J-POP Solo Singers. CoRR abs/2210.17367 (2022) - 2021
- [c14]Yuya Yamamoto, Juhan Nam, Hiroko Terasawa, Yuzuru Hiraga:
Investigating Time-Frequency Representations for Audio Feature Extraction in Singing Technique Classification. APSIPA ASC 2021: 890-896
2010 – 2019
- 2019
- [c13]Hiroko Terasawa, Kenta Wakasa, Hideki Kawahara, Ken-Ichi Sakakibara:
Investigating the Physiological and Acoustic Contrasts Between Choral and Operatic Singing. INTERSPEECH 2019: 2025-2029 - 2017
- [j2]Yuki Nakayama, Yuji Takano, Masaki Matsubara, Kenji Suzuki
, Hiroko Terasawa:
The sound of smile: Auditory biofeedback of facial EMG activity. Displays 47: 32-39 (2017) - 2015
- [j1]Masaki Matsubara, Takahiro Ohba, Hideki Kadone, Hiroko Terasawa, Kenji Suzuki
, Masaki Iguchi:
Wearable Auditory Biofeedback Device for Blind and Sighted Individuals. IEEE Multim. 22(1): 68-73 (2015) - [c12]Yuki Nakayama, Yuji Takano, Masaki Matsubara, Kenji Suzuki, Hiroko Terasawa:
Real-time smile sonification using surface emg signal and the evaluation of its usability. ICAD 2015: 152-156 - [c11]Hiroko Terasawa, Yota Morimoto, Masaki Matsubara, Akira Sato, Makoto Ohara, Masatoshi Kawarasaki:
Guiding auditory attention toward the subtle components in electrocardiography sonification. ICAD 2015: 231-235 - [c10]Rumi Hiraga, Kjetil Falkenberg Hansen
, Naoya Kano, Masaki Matsubara, Hiroko Terasawa, Keiji Tabuchi:
Music Perception of hearing-Impaired Persons with Focus on One Test Subject. SMC 2015: 2407-2412 - 2014
- [c9]Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa:
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography. ICMC 2014 - [c8]Masaki Matsubara, Hiroko Terasawa, Rumi Hiraga:
The effect of musical experience on rhythm perception for hearing-impaired undergraduates. SMC 2014: 1666-1669 - 2013
- [c7]Takayuki Hamano, Tomasz M. Rutkowski, Hiroko Terasawa, Kazuo Okanoya, Kiyoshi Furukawa:
Generating an Integrated Musical Expression with a Brain-Computer Interface. NIME 2013: 49-54 - 2012
- [c6]Teruaki Kaniwa, Hiroko Terasawa, Masaki Matsubara, Tomasz M. Rutkowski, Shoji Makino:
EEG steady state synchrony patterns sonification. APSIPA 2012: 1-6 - [c5]Masaki Matsubara, Hiroko Terasawa, Hideki Kadone, Kenji Suzuki, Shoji Makino:
Sonification of muscular activity in human movements using the temporal patterns in EMG. APSIPA 2012: 1-5
2000 – 2009
- 2007
- [c4]Mark Cartwright, Matt Jones, Hiroko Terasawa:
Rage in Conjunction with the Machine. NIME 2007: 224-227 - 2006
- [c3]Hiroko Terasawa, Malcolm Slaney, Jonathan Berger:
A statistical model of timbre perception. SAPA@INTERSPEECH 2006: 18-23 - 2005
- [c2]Hiroko Terasawa, Jonathan Berger, Julius O. Smith III:
Using a perceptually Based Timbre Metric for parameter control estimation in Physical Modeling synthesis. ICMC 2005 - [c1]Hiroko Terasawa, Malcolm Slaney, Jonathan Berger:
A timbre space for speech. INTERSPEECH 2005: 1729-1732
Coauthor Index
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