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Emery Schubert
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Journal Articles
- 2021
- [j3]Niccolò Pretto
, Edoardo Micheloni, Anthony Chmiel
, Nadir Dalla Pozza, Dario Marinello, Emery Schubert
, Sergio Canazza:
Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes. Adv. Multim. 2021: 5410218:1-5410218:11 (2021) - 2014
- [j2]Giovanni De Poli
, Sergio Canazza, Antonio Rodà, Emery Schubert
:
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11(4): 22:1-22:20 (2014) - 2009
- [j1]Catherine J. Stevens
, Emery Schubert
, Rua Haszard Morris, Matt Frear, Johnson Chen, Sue Healey, Colin Schoknecht, Stephen Hansen:
Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance. Int. J. Hum. Comput. Stud. 67(9): 800-813 (2009)
Conference and Workshop Papers
- 2021
- [c8]Niccolò Pretto
, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi
, Emery Schubert
, Antonio Rodà, Simone Milani, Sergio Canazza:
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. Audio Mostly Conference 2021: 224-231 - 2015
- [c7]Emery Schubert
, Marcus T. Pearce
:
A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music. CMMR 2015: 358-370 - 2014
- [c6]Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC 2014 - [c5]Sam Ferguson, Emery Schubert
, Catherine J. Stevens
:
Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions. MOCO 2014: 94 - 2013
- [c4]Sam Ferguson, Emery Schubert
, Doheon Lee
, Densil Cabrera
, Gary E. McPherson:
A comparison between continuous categorical emotion responses and Stimulus loudness parameters. IISA 2013: 1-6 - 2012
- [c3]Emery Schubert
, Sam Ferguson, Natasha Farrar, David Taylor, Gary E. McPherson:
The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music. CMMR 2012: 1-18 - 2010
- [c2]Sam Ferguson, Emery Schubert, Catherine J. Stevens:
Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response. NIME 2010: 481-484 - 2004
- [c1]Emery Schubert:
Emotionface: Prototype Facial Expression Display of Emotion in Music. ICAD 2004
Coauthor Index
![](https://dblp1.uni-trier.de/img/cog.dark.24x24.png)
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