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Michael J. Junokas
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2020 – today
- 2022
- [c8]Jenny Oyallon-Koloski, Michael J. Junokas:
Enhancing Film Choreography Through Digital Representation of Camera Movement and Agency. MOCO 2022: 14:1-14:5 - 2021
- [j2]Jenny Oyallon-Koloski, Dora Valkanova, Michael J. Junokas, Kayt MacMaster, Sarah Marks Mininsohn:
Moving Cinematic History: Filmic Analysis through Performative Research. Digit. Humanit. Q. 15(1) (2021)
2010 – 2019
- 2018
- [b1]Michael J. Junokas:
Using conditional restricted Boltzmann machines to generate timbral music composition systems. University of Illinois Urbana-Champaign, USA, 2018 - [j1]Michael J. Junokas, Robb Lindgren, J. Kang, Jason W. Morphew:
Enhancing multimodal learning through personalized gesture recognition. J. Comput. Assist. Learn. 34(4): 350-357 (2018) - 2017
- [c7]Michael J. Junokas, Greg Kohlburn, Benjamin Lane, Sahil Kumar, Wai-Tat Fu, Robb Lindgren:
Gestural Interactions of Embodied Educational Technology Using One-Shot Machine Learning. FG 2017: 996 - [c6]Michael J. Junokas, Greg Kohlburn, Sahil Kumar, Benjamin Lane, Wai-Tat Fu, Robb Lindgren:
Using One-Shot Machine Learning to Implement Real-Time Multimodal Learning Analytics. MMLA-CrossLAK@LAK 2017: 89-93 - 2016
- [c5]Kyungho Lee, Michael J. Junokas, Guy E. Garnett:
A Review of Interactive Conducting Systems: 1970-2015. ICMC 2016 - 2015
- [c4]Kyungho Lee, Donna J. Cox, Guy E. Garnett, Michael J. Junokas:
Express it!: An Interactive System for Visualizing Expressiveness of Conductor's Gestures. Creativity & Cognition 2015: 141-150 - [c3]Kyungho Lee, Michael J. Junokas, Mohammad Amanzadeh, Guy E. Garnett:
Exploratory Analysis on Expressions in Two Different 4/4 Beat Patterns. ICMC 2015 - [c2]Shannon Cuykendall, Michael J. Junokas, Mohammad Amanzadeh, David K. Tcheng, Yawen Wang, Thecla Schiphorst, Guy E. Garnett, Philippe Pasquier:
Hearing movement: how taiko can inform automatic recognition of expressive movement qualities. MOCO 2015: 140-147 - [c1]Kyungho Lee, Michael J. Junokas, Mohammad Amanzadeh, Guy E. Garnett:
An analysis of basic expressive qualities in instrumental conducting. MOCO 2015: 148-155
Coauthor Index
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