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ORCIDSergio Canazza
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2020 – today
- 2024
[j30]Marina Bosi
, Sergio Canazza, Niccolò Pretto, Alessandro Russo, Matteo Spanio:
From Tape to Code: An International AI-Based Standard for Audio Cultural Heritage Preservation - Don't Play That Song for me (If it's Not Preserved With ARP!). IEEE Access 12: 152544-152558 (2024)- [j29]Alessandro Fiordelmondo, Sergio Canazza, Niccolò Pretto:
Reactivating and Preserving Interactive Multimedia Artworks: An Analog Performance from the Seventies. ACM Journal on Computing and Cultural Heritage 17(2): 27:1-27:17 (2024) - [j28]Anna Zuccante, Alessandro Fiordelmondo, Pierluigi Bontempi, Sergio Canazza:
A Signal-Processing-Based Simulation System for High-End Stereo Headsets. Sensors 24(7): 2190 (2024) - [c40]Alessandro Russo, Andrea Franceschini, Antonio Rodà, Sergio Canazza:
Virtual recreation of an interactive multimedia art installation from 1977. AVICH@AVI 2024 - [i2]Pierluigi Bontempi, Daniele Manerba, Alexandre D'Hooge, Sergio Canazza:
From MIDI to Rich Tablatures: an Automatic Generative System incorporating Lead Guitarists' Fingering and Stylistic choices. CoRR abs/2407.09052 (2024) - 2023
- [j27]Pierluigi Bontempi, Sergio Canazza, Filippo Carnovalini, Antonio Rodà:
Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application? Multimodal Technol. Interact. 7(2): 15 (2023) - [c39]Alessandro Russo, Matteo Spanio, Sergio Canazza:
Enhancing Preservation and Restoration of Open Reel Audio Tapes Through Computer Vision. ICIAP Workshops (2) 2023: 297-308 - 2022
- [j26]Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History. Sensors 22(9): 3465 (2022) - [i1]Filippo Carnovalini, Alessandro Pelizzo, Antonio Rodà, Sergio Canazza:
Harmonization and Evaluation; Tweaking the Parameters on Human Listeners. CoRR abs/2208.14750 (2022) - 2021
- [j25]Niccolò Pretto, Edoardo Micheloni, Anthony Chmiel, Nadir Dalla Pozza, Dario Marinello, Emery Schubert, Sergio Canazza:
Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes. Adv. Multim. 2021: 5410218:1-5410218:11 (2021) - [j24]Dario De Notaris, Sergio Canazza, Carlo Mariconda, Cristina Paulon:
How to play a MOOC: Practices and simulation. Entertain. Comput. 37: 100395 (2021) - [c38]Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza:
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. Audio Mostly Conference 2021: 224-231 - [c37]Roberta Bianca Luzietti, Niccolò Pretto, Frédéric Kaplan, Alain Dufaux, Sergio Canazza:
FONTI 4.0: Evaluating Speech-to-Text Automatic Transcription of Digitized Historical Oral Sources. CLiC-it 2021 - 2020
- [j23]Niccolò Pretto, Edoardo Micheloni, Silvia Gasparotto, Carlo Fantozzi, Giovanni De Poli, Sergio Canazza:
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt. ACM Journal on Computing and Cultural Heritage 13(2): 8:1-8:20 (2020)
2010 – 2019
- 2019
- [j22]Sergio Canazza, Giovanni De Poli:
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. Comput. Music. J. 43(4): 58-80 (2019) - 2018
- [j21]Marcella Mandanici, Federico Altieri, Antonio Rodà, Sergio Canazza:
Inclusive sound and music serious games in a large-scale responsive environment. Br. J. Educ. Technol. 49(4): 620-635 (2018) - [j20]Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza:
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape. Comput. Music. J. 42(4): 59-74 (2018) - [c36]Marcella Mandanici, Federico Altieri, Niccolò Pretto, Matteo Munaro, Sergio Canazza, Emanuele Menegatti:
The "Good or Bad?" Game: Stimulating Listening Skills through Playful Engagement. GOODTECHS 2018: 177-182 - 2017
- [j19]Carlo Fantozzi, Federica Bressan, Niccolò Pretto, Sergio Canazza:
Tape music archives: from preservation to access. Int. J. Digit. Libr. 18(3): 233-249 (2017) - [c35]Edoardo Micheloni, Niccolò Pretto, Sergio Canazza:
A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations. AI*CH@AI*IA 2017: 17-24 - [c34]Marcella Mandanici, Antonio Rodà, Sergio Canazza, Giulia Cavagnoli:
Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering. GOODTECHS 2017: 11-20 - 2016
- [j18]Marcella Mandanici, Antonio Rodà, Sergio Canazza:
The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment. Adv. Multim. 2016: 4027164:1-4027164:16 (2016) - [c33]Federica Bressan, Sergio Canazza, Tim Vets, Marc Leman:
Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art. IRCDL 2016: 47-58 - 2015
- [j17]Sergio Canazza, Giovanni De Poli, Antonio Rodà:
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015: 850474:1-850474:13 (2015) - [j16]Sergio Canazza, Carlo Fantozzi, Niccolò Pretto:
Accessing Tape Music Documents on Mobile Devices. ACM Trans. Multim. Comput. Commun. Appl. 12(1s): 20:1-20:20 (2015) - [c32]Marcella Mandanici, Antonio Rodà, Sergio Canazza:
A conceptual framework for motion based music applications. SIVE@VR 2015: 9-13 - 2014
- [j15]Federica Bressan, Sergio Canazza:
The challenge of preserving interactive sound art: a multi-level approach. Int. J. Arts Technol. 7(4): 294-315 (2014) - [j14]Antonio Rodà, Sergio Canazza, Giovanni De Poli:
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5(4): 364-376 (2014) - [j13]Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert:
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11(4): 22:1-22:20 (2014) - [c31]Marcella Mandanici, Antonio Rodà, Sergio Canazza:
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. ICMC 2014 - [c30]Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC 2014 - [c29]Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico:
The Counterpoint Game: Rules, Constraints and Computational Spaces. ICMC 2014 - [c28]Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC 2014 - [c27]Federica Bressan, Sergio Canazza:
Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music. IRCDL 2014: 48-51 - 2013
- [j12]Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani:
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. Adv. Multim. 2013: 276354:1-276354:14 (2013) - [j11]Serena Zanolla, Sergio Canazza, Antonio Rodà, Antonio Camurri, Gualtiero Volpe:
Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. Entertain. Comput. 4(3): 213-220 (2013) - [j10]Federica Bressan, Sergio Canazza:
A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools. J. Electr. Comput. Eng. 2013: 489515:1-489515:21 (2013) - [j9]Sergio Canazza, Gian Luca Foresti:
A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments. J. Sensors 2013: 564864:1-564864:12 (2013) - [j8]Daniele Salvati, Sergio Canazza:
Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments. IEEE Signal Process. Lett. 20(5): 507-510 (2013) - [c26]Federica Bressan, Sergio Canazza, Antonio Rodà:
Interactive Multimedia Installations: Towards a Model for Preservation. ArtsIT 2013: 81-88 - 2012
- [j7]Sergio Canazza:
The digital curation of ethnic music audio archives: from preservation to restoration - Preserving a multicultural society. Int. J. Digit. Libr. 12(2-3): 121-135 (2012) - [c25]Daniele Salvati, Sergio Canazza, Gian Luca Foresti:
A microphone array Interface for Real-Time Interactive Music Performance. ICMC 2012 - [r1]Claudio Piciarelli, Sergio Canazza, Christian Micheloni, Gian Luca Foresti:
A Network of Audio and Video Sensors for Monitoring Large Environments. Handbook of Soft Computing for Video Surveillance 2012: 287-315 - 2011
- [c24]Daniele Salvati, Antonio Rodà, Sergio Canazza, Gian Luca Foresti:
Multiple acoustic sources localization using incident Signal Power comparison. AVSS 2011: 77-82 - [c23]Ingrid Visentini, Antonio Rodà, Sergio Canazza, Lauro Snidaro:
Audio-Video Analysis of Musical Expressive Intentions. ICIAP (2) 2011: 219-228 - [c22]Serena Zanolla, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti, Sergio Canazza, Corrado Canepa, Paolo Coletta, Gualtiero Volpe:
Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria. INTETAIN 2011: 231-235 - [c21]Federica Bressan, Sergio Canazza:
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona". MM4CH 2011: 103-113 - 2010
- [j6]Sergio Canazza, Antonio Camurri, Ichiro Fujinaga:
Ethnic music audio documents: From preservation to fruition. Signal Process. 90(4): 977-980 (2010) - [j5]Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Restoration of Audio Documents by Means of Extended Kalman Filter. IEEE Trans. Speech Audio Process. 18(6): 1107-1115 (2010) - [c20]Sergio Canazza, Nicola Orio:
Audio Objects Access: Tools for the Preservation of the Cultural Heritage. IRCDL 2010: 161-172 - [c19]Sergio Canazza, Antonina Dattolo:
Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs. IRCDL 2010: 205-217 - [c18]Sergio Canazza, Antonina Dattolo:
Listening the photos. SAC 2010: 1941-1945
2000 – 2009
- 2009
- [j4]Nicola Orio, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti:
Methodologies and tools for audio digital archives. Int. J. Digit. Libr. 10(4): 201-220 (2009) - [j3]Christian Micheloni, Sergio Canazza, Gian Luca Foresti:
Audio-video biometric recognition for non-collaborative access granting. J. Vis. Lang. Comput. 20(6): 353-367 (2009) - [c17]Sergio Canazza, Nicola Orio:
Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs. ECDL 2009: 451-454 - 2008
- [c16]Giovanni Ferrin, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti:
Soft data issues in fusion of video surveillance. FUSION 2008: 1-8 - [c15]Sergio Canazza, Antonina Dattolo:
New Data Structure for Old Musical Open Works. NIME 2008: 140-143 - 2004
- [j2]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Modeling and control of expressiveness in music performance. Proc. IEEE 92(4): 686-701 (2004) - 2002
- [c14]Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa:
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire. ICMC 2002 - [c13]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon:
Real Time Analysis of Expressive Contents in Piano Performances. ICMC 2002 - 2001
- [c12]Sergio Canazza, Guido Coraddu, Giovanni De Poli, Gian Antonio Mian:
An Objective and Subjective Comparison of Audio Restoration Systems. ICHIM (2) 2001: 273-281 - [c11]Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà:
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC 2001: 116-122 - 2000
- [j1]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7(3): 79-83 (2000) - [c10]Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. ICMC 2000 - [c9]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini:
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC 2000
1990 – 1999
- 1999
- [c8]Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà:
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC 1999 - [c7]Sergio Canazza, Antonio Rodà, Nicola Orio:
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. ICMC 1999 - [c6]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 1999: 518-523 - [c5]Antonio Rodà, Sergio Canazza:
Adding Expressiveness in Musical Performance in Real Time. ICMCS, Vol. 2 1999: 1026-1027 - 1998
- [c4]Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin:
A Model To Add Expressiveness To Automatic Musical Performance. ICMC 1998 - 1997
- [c3]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Analysis by synthesis of the expressive intentions in musical performance. ICMC 1997 - 1996
- [c2]Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin:
Sonological Analysis of Clarinet Expressivity. Joint International Conference on Cognitive and Systematic Musicology 1996: 431-440 - [c1]Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. Joint International Conference on Cognitive and Systematic Musicology 1996: 441-450
Coauthor Index
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last updated on 2024-11-07 21:31 CET by the dblp team
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