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ORCIDVAST 2010: Paris, France
- Alessandro Artusi, Morwena Joly, Geneviève Lucet, Denis Pitzalis, Alejandro Ribés:
11th International Symposium on Virtual Reality, Archaeology, and Cultural Heritage, incorporating the 8th Eurographics Workshop on Graphics and Cultural Heritage, VAST 2010, Paris, France, September 21-24, 2010. Eurographics Association 2010, ISBN 978-3-905674-29-3
Data Acquisition
- Martin Ritz, Manuel Scholz, Michael Goesele, André Stork:
High Resolution Acquisition of Detailed Surfaces with Lens-Shifted Structured Light. 1-8 - Christiane Bathow, Bernd Breuckmann, Roberto Scopigno:
Verification and Acceptance Tests for High Definition 3D Surface Scanners. 9-16 - Jassim Happa, Alessandro Artusi, Silvester Czanner
, Alan Chalmers:
High Dynamic Range Video for Cultural Heritage Documentation and Experimental Archaeology. 17-24
Tools and Applications for Cultural Heritage 1
- Alexandre Bourdeu, Denis Piztalis:
Geometric Morphometrics for Provenance Determination of Gallo-Roman White Clay Figurines. 25-31 - Nicolas Mellado, Patrick Reuter, Christophe Schlick:
Semi-Automatic Geometry-Driven Reassembly of Fractured Archeological Objects. 33-38 - Chris Rowland, John Anderson:
WreckSight: Revealing our Submerged Maritime Heritage. 39-45 - Tiziano Diamanti, Pilar Diarte Blasco, Antonella Guidazzoli, María Sebastián López, Elena Toffalori:
ViSMan: an Open-Source Visualization Framework for Virtual Reconstructions and Data Management in Archaeology. 47-53
Visualisation
- Matteo Dellepiane, Luca Benedetti, Roberto Scopigno:
Removing Shadows for Color Projection Using Sun Position Estimation. 55-62 - Patrick Callet, Sylvain Dumazet, Christophe Leclercq, Carine Politi:
Natural Lighting, Gilts and Polychromy of Notre-Dame de Paris Cathedral. 63-70 - Hijung Shin, Christos Doumas, Thomas A. Funkhouser, Szymon Rusinkiewicz, Kenneth Steiglitz, Andreas Vlachopoulos, Tim Weyrich:
Analyzing Fracture Patterns in TheranWall Paintings. 71-78 - Sebastian Bechtold, Susanne Krömker, Hubert Mara, Bettina Kratzmüller:
Rollouts of Fine Ware Pottery using High Resolution 3D Meshes. 79-86
Documentation and Archiving
- Denis Pitzalis, Franco Niccolucci, Maria Theodoridou, Martin Doerr:
LIDO and CRMdig from a 3D Cultural Heritage Documentation Perspective. 87-95 - Martin Doerr, Katerina Tzompanaki, Maria Theodoridou, Christos Georgis, Anastasia Axaridou, Sven Havemann:
A Repository for 3D Model Production and Interpretation in Culture and Beyond. 97-104 - Xueming Pan, Philipp Beckmann, Sven Havemann, Katerina Tzompanaki, Martin Doerr, Dieter W. Fellner:
A Distributed Object Repository for Cultural Heritage. 105-114 - Achille Felicetti, Matteo Lorenzini, Franco Niccolucci:
Semantic Enrichment of Geographic Data and 3D Models for the Management of Archaeological Features. 115-122
Tools and Applications for Cultural Heritage 2
- Achille Felicetti, Melissa Samaes, Karin Nys, Franco Niccolucci:
AnnoMAD: A Semantic Framework for the Management and the Integration of Full-text Excavation Data and Geographic Information. 123-130 - Hubert Mara, Susanne Krömker, Stefan Jakob, Bernd Breuckmann:
GigaMesh and Gilgamesh ? 3D Multiscale Integral Invariant Cuneiform Character Extraction. 131-138 - Jaime Kaminski, Jim McLoughlin, Babak Sodagar:
3D-ISF: An Impact Measurement Tool for Business and Strategic Planning in ICT and 3D Heritage Applications. 139-145
Virtual and Augmented Reality Application for Cultural Heritage
- Luca Chittaro, Lucio Ieronutti, Roberto Ranon, Eliana Siotto, Domenico Visintini:
A High-Level Tool for Curators of 3D Virtual Visits and ist Application to a Virtual Exhibition of Renaissance Frescoes. 147-154 - Xenophon Zabulis, Dimitris Grammenos, Thomas Sarmis, Konstantinos Tzevanidis, Antonis A. Argyros:
Exploration of Large-scale Museum Artifacts through Non-instrumented, Location-based, Multi-user Interaction. 155-162 - Fatima-Zahra Kaghat, Pierre Cubaud:
Fluid Interaction in Audio-Guided Museum Visit: Authoring Tool and Visitor Device. 163-170 - Eva Pietroni, Francesco Antinucci:
"The Approval of the Franciscan Rule" - Virtual Experience among the Characters of Giotto's Work. 171-178
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