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ORCID8th ISMIR 2007: Vienna, Austria
- Simon Dixon, David Bainbridge, Rainer Typke:
Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007, Vienna, Austria, September 23-27, 2007. Austrian Computer Society 2007, ISBN 978-3-85403-218-2 - François Deliège, Torben Bach Pedersen:
Fuzzy Song Sets for Music Warehouses. 21-26 - Wei Peng, Tao Li, Mitsunori Ogihara:
Music Clustering with Constraints. 27-32 - Geoffroy Peeters:
Sequence Representation of Music Structure Using Higher-Order Similarity Matrix and Maximum-Likelihood Approach. 35-40 - Christophe Rhodes, Michael A. Casey:
Algorithms for Determining and Labelling Approximate Hierarchical Self-Similarity. 41-46 - Meinard Müller, Michael Clausen:
Transposition-Invariant Self-Similarity Matrices. 47-50 - Douglas Turnbull, Gert R. G. Lanckriet, Elias Pampalk, Masataka Goto:
A Supervised Approach for Detecting Boundaries in Music Using Difference Features and Boosting. 51-54 - Alan Marsden:
Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. 55-58 - Thomas Lidy, Andreas Rauber, Antonio Pertusa, José Manuel Iñesta Quereda:
Improving Genre Classification by Combination of Audio and Symbolic Descriptors Using a Transcription Systems. 61-66 - Xiao Hu, J. Stephen Downie:
Exploring Mood Metadata: Relationships with Genre, Artist and Usage Metadata. 67-72 - Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford:
How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems. 73-76 - Christopher DeCoro, Zafer Barutçuoglu, Rebecca Fiebrink:
Bayesian Aggregation for Hierarchical Genre Classification. 77-80 - Sally Jo Cunningham, David Bainbridge, Dana McKay:
Finding New Music: A Diary Study of Everyday Encounters with Novel Songs. 83-88 - Kazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Improving Efficiency and Scalability of Model-Based Music Recommender System Based on Incremental Training. 89-94 - Amelie Anglade, Marco Tiemann, Fabio Vignoli:
Virtual Communities for Creating Shared Music Channels. 95-100 - Elias Pampalk, Masataka Goto:
MusicSun: A New Approach to Artist Recommendation. 101-104 - Jesper Højvang Jensen, Daniel P. W. Ellis, Mads Græsbøll Christensen, Søren Holdt Jensen:
Evaluation of Distance Measures Between Gaussian Mixture Models of MFCCs. 107-108 - Carlos Gómez, Soraya Abad-Mota, Edna Ruckhaus:
An Analysis of the Mongeau-Sankoff Algorithm for Music Information Retrieval. 109-110 - Alberto Novello, Martin F. McKinney:
Assessment of Perceptual Music Similarity. 111-112 - Cory McKay, Ichiro Fujinaga:
jWebMiner: A Web-Based Feature Extractor. 113-114 - Tim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer:
Meaningfully Browsing Music Services. 115-116 - Markus Schedl, Gerhard Widmer, Tim Pohle, Klaus Seyerlehner:
Web-Based Detection of Music Band Members and Line-Up. 117-118 - Gijs Geleijnse, Jan H. M. Korst:
Tool Play Live: Dealing with Ambiguity in Artist Similarity Mining from the Web. 119-120 - Bin Wei, Chengliang Zhang, Mitsunori Ogihara:
Keyword Generation for Lyrics. 121-122 - Ian Knopke, Donald Byrd:
Towards Musicdiff: A Foundation for Improved Optical Music Recognition Using Multiple Recognizers. 123-126 - Olivier Lartillot, Petri Toiviainen:
MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio. 127-130 - Christian Fremerey, Frank Kurth, Meinard Müller, Michael Clausen:
A Demonstration of the SyncPlayer System. 131-132 - Neil J. Hurley, Félix Balado, Elizabeth P. McCarthy, Guenole C. M. Silvestre:
Performance of Philips Audio Fingerprinting under Desynchronisation. 133-134 - Mehryar Mohri, Pedro J. Moreno, Eugene Weinstein:
Robust Music Identification, Detection, and Analysis. 135-138 - Michaël Betser, Patrice Collen, Jean-Bernard Rault:
Audio Identification Using Sinusoidal Modeling and Application to Jingle Detection. 139-142 - Jérôme Lebossé, Luc Brun:
Audio Fingerprint Identification by Approximate String Matching. 143-144 - Yushen Han, Christopher Raphael:
Desoloing Monaural Audio Using Mixture Models. 145-148 - Juan José Burred, Thomas Sikora:
Monaural Source Separation from Musical Mixtures Based on Time-Frequency Timbre Models. 149-152 - Alberto Pinto, Reinier H. van Leuken, M. Fatih Demirci, Frans Wiering, Remco C. Veltkamp:
Indexing Music Collections Through Graph Spectra. 153-156 - Catherine Lai, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, Brian McMillan:
Metadata Infrastructure for Sound Recordings. 157-158 - Christian Landone, Joseph Harrop, Josh Reiss:
Enabling Access to Sound Archives Through Integration, Enrichment and Retrieval: The EASAIER Project. 159-160 - Polina Proutskova:
Musical Memory of the World - Data Infrastructure in Ethnomusicological Archives. 161-162 - Rosana S. G. Lanzelotte, Adriana O. Ballesté, Martha Ulhoa:
A Digital Collection of Brazilian Lundus. 163-164 - Beinan Li, Simon de Leon, Ichiro Fujinaga:
Alternative Digitization Approach for Stereo Phonograph Records Using Optical Audio Reconstruction. 165-166 - Stefan Leitich, Martin Topf:
Globe of Music - Music Library Visualization Using Geosom. 167-170 - Adam R. Tindale, David W. Sprague, George Tzanetakis:
Strike-A-Tune: Fuzzy Music Navigation Using a Drum Interface. 171-172 - Paul Lamere, Douglas Eck:
Using 3D Visualizations to Explore and Discover Music. 173-174 - Stephen Hitchner, Jennifer Murdoch, George Tzanetakis:
Music Browsing Using a Tabletop Display. 175-176 - Peter Knees:
Search & Select - Intuitively Retrieving Music from Large Collections. 177-178 - Marco Tiemann, Steffen Pauws, Fabio Vignoli:
Ensemble Learning for Hybrid Music Recommendation. 179-180 - Justin Donaldson, Ian Knopke:
Music Recommendation Mapping and Interface Based on Structural Network Entropy. 181-182 - Teemu Tuomas Ahmaniemi:
Influence of Tempo and Subjective Rating of Music in Step Frequency of Running. 183-184 - Daniel McEnnis, Sally Jo Cunningham:
Sociology and Music Recommendation Systems. 185-186 - Arpi Mardirossian, Elaine Chew:
Visualizing Music: Tonal Progressions and Distributions. 189-194 - Özgür Izmirli:
Localized Key Finding from Audio Using Nonnegative Matrix Factorization for Segmentation. 195-200 - Gabi Teodoru, Christopher Raphael:
Pitch Spelling with Conditionally Independent Voices. 201-206 - Gabriel Gatzsche, Markus Mehnert, David Gatzsche, Karlheinz Brandenburg:
A Symmetry Based Approach for Musical Tonality Analysis. 207-210 - Luis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange:
Polyphonic Instrument Recognition Using Spectral Clustering. 213-218 - Olivier Gillet, Gaël Richard:
Supervised and Unsupervised Sequence Modelling for Drum Transcription. 219-224 - Jouni Paulus, Anssi Klapuri:
Combining Temporal and Spectral Features in HMM-Based Drum Transcription. 225-228 - Pierre Roy, François Pachet, Sergio Krakowski:
Improving the Classification of Percussive Sounds with Analytical Features: A Case Study. 229-232 - Pierre Leveau, David Sodoyer, Laurent Daudet:
Automatic Instrument Recognition in a Polyphonic Mixture Using Sparse Representations. 233-236 - Juan Pablo Bello:
Audio-Based Cover Song Retrieval Using Approximate Chord Sequences: Testing Shifts, Gaps, Swaps and Beats. 239-244 - Kyogu Lee, Malcolm Slaney:
A Unified System for Chord Transcription and Key Extraction Using Hidden Markov Models. 245-250 - John Ashley Burgoyne, Laurent Pugin, Corey Kereliuk, Ichiro Fujinaga:
A Cross-Validated Study of Modelling Strategies for Automatic Chord Recognition in Audio. 251-254 - Matthias Mauch, Simon Dixon, Christopher Harte, Michael A. Casey, Benjamin Fields:
Discovering Chord Idioms Through Beatles and Real Book Songs. 255-258 - Frank Kurth, Meinard Müller, Christian Fremerey, Yoon-ha Chang, Michael Clausen:
Automated Synchronization of Scanned Sheet Music with Audio Recordings. 261-266 - Paul H. Peeling, Ali Taylan Cemgil, Simon J. Godsill:
A Probabilistic Framework for Matching Music Representations. 267-272 - Riccardo Miotto, Nicola Orio:
A Methodology for the Segmentation and Identification of Music Works. 273-278 - Wei You, Roger B. Dannenberg:
Polyphonic Music Note Onset Detection Using Semi-Supervised Learning. 279-282 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
ATTA: Implementing GTTM on a Computer. 285-286 - Tillman Weyde, Jens Wissmann, Kerstin Neubarth:
An Experiment on the Role of Pitch Intervals in Melodic Segmentation. 287-288 - Mika Kuuskankare, Mikael Laurson:
Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGL. 289-290 - Klaus Frieler:
Visualizing Music on the Metrical Circle. 291-292 - Anja Volk, Jörg Garbers, Peter van Kranenburg, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
Applying Rhythmic Similarity Based on Inner Metric Analysis to Folksong Research. 293-296 - Iasonas Antonopoulos, Aggelos Pikrakis, Sergios Theodoridis, Olmo Cornelis, Dirk Moelants, Marc Leman:
Music Retrieval by Rhythmic Similarity Applied on Greek and African Traditional Music. 297-300 - Aggelos Pikrakis, Sergios Theodoridis:
An Application of Empirical Mode Decomposition on Tempo Induction from Music Recordings. 301-304 - Ching-Hua Chuan, Elaine Chew:
A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances. 305-308 - Xiao Hu, Mert Bay, J. Stephen Downie:
Creating a Simplified Music Mood Classification Ground-Truth Set. 309-310 - Matthias Varewyck, Jean-Pierre Martens:
Assessment of State-of-the-Art Meter Analysis Systems with an Extended Meter Description Model. 311-314 - Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael:
Evaluation of Real-Time Audio-to-Score Alignment. 315-316 - Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins:
Evaluating a Chord-Labelling Algorithm. 317-318 - Joan Serrà:
A Qualitative Assessment of Measures for the Evaluation of a Cover Song Identification System. 319-322 - Andreas F. Ehmann, J. Stephen Downie, M. Cameron Jones:
The Music Information Retrieval Evaluation Exchange "Do-It-Yourself" Web Service. 323-324 - Jin Ha Lee, J. Stephen Downie, M. Cameron Jones:
Preliminary Analyses of Information Features Provided by Users for Identifying Music. 325-328 - Elizabeth Davis:
Finding Music in Scholarly Sets and Series: The Index to Printed Music (IPM). 329-330 - Alexander Duda, Andreas Nürnberger, Sebastian Stober:
Towards Query by Singing/Humming on Audio Databases. 331-334 - David Little, David Raffensperger, Bryan Pardo:
A Query by Humming System that Learns from Experience. 335-338 - Daniel P. W. Ellis:
Classifying Music Audio with Timbral and Chroma Features. 339-340 - Arthur Flexer:
A Closer Look on Artist Filters for Musical Genre Classification. 341-344 - Janto Skowronek, Martin F. McKinney, Steven van de Par:
A Demonstrator for Automatic Music Mood Estimation. 345-346 - Sten Govaerts, Nik Corthaut, Erik Duval:
Mood-ex-Machina: Towards Automation of Moody Tunes. 347-350 - Ajay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis:
Pedagogical Transcription for Multimodal Sitar Performance. 351-352 - Arnaud Moreau, Arthur Flexer:
Drum Transcription in Polyphonic Music Using Non-Negative Matrix Factorisation. 353-354 - Alia Al Kasimi, Eric Nichols, Christopher Raphael:
A Simple Algorithm for Automatic Generation of Polyphonic Piano Fingerings. 355-356 - Karin Dressler, Sebastian Streich:
Tuning Frequency Estimation Using Circular Statistics. 357-360 - Edith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford:
TagATune: A Game for Music and Sound Annotation. 361-364 - Michael I. Mandel, Daniel P. W. Ellis:
A Web-Based Game for Collecting Music Metadata. 365-366 - Douglas Eck, Thierry Bertin-Mahieux, Paul Lamere:
Autotagging Music Using Supervised Machine Learning. 367-368 - Matthias Gruhne, Christian Dittmar, Konstantin Schmidt:
Phoneme Recognition in Popular Music. 369-370 - Yasunori Ohishi, Masataka Goto, Katunobu Itou, Kazuya Takeda:
A Stochastic Representation of the Dynamics of Sung Melody. 371-372 - Chuan Cao, Ming Li, Jian Liu, Yonghong Yan:
Singing Melody Extraction in Polyphonic Music by Harmonic Tracking. 373-374 - Annamaria Mesaros, Tuomas Virtanen, Anssi Klapuri:
Singer Identification in Polyphonic Music Using Vocal Separation and Pattern Recognition Methods. 375-378 - Stanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama:
Multipitch Analysis with Harmonic Nonnegative Matrix Approximation. 381-386 - Eric Nichols, Christopher Raphael:
Automatic Transcription of Music Audio Through Continuous Parameter Tracking. 387-392 - Chunghsin Yeh, Niels Bogaards, Axel Röbel:
Synthesized Polyphonic Music Database with Verifiable Ground Truth for Multiple F0 Estimation. 393-398 - Jayme Garcia Arnal Barbedo, Amauri Lopes, Patrick J. Wolfe:
High Time-Resolution Estimation of Multiple Fundamental Frequencies. 399-402 - David A. Torres, Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet:
Identifying Words that are Musically Meaningful. 405-410 - Mark Levy, Mark B. Sandler:
A Semantic Space for Music Derived from Social Tags. 411-416 - Yves Raimond, Samer A. Abdallah, Mark B. Sandler, Frederick Giasson:
The Music Ontology. 417-422 - Jean-Julien Aucouturier, François Pachet, Pierre Roy, Anthony Beurivé:
Signal + Context = Better Classification. 425-430 - Parag Chordia, Alex Rae:
Raag Recognition Using Pitch-Class and Pitch-Class Dyad Distributions. 431-436 - Pedro J. Ponce de León, David Rizo, José Manuel Iñesta Quereda:
Towards a Human-Friendly Melody Characterization by Automatically Induced Rules. 437-440 - George Tzanetakis, Randy Jones, Kirk McNally:
Stereo Panning Features for Classifying Recording Production Style. 441-444 - Ioannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Emilios Cambouropoulos:
VISA: The Voice Integration/Segregation Algorithm. 445-448 - Jörg Garbers, Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
Using Pitch Stability Among a Group of Aligned Query Melodies to Retrieve Unidentified Variant Melodies. 451-456 - Christian André Romming, Eleanor Selfridge-Field:
Algorithms for Polyphonic Music Retrieval: The Hausdorff Metric and Geometric Hashing. 457-462 - Keiichiro Hoashi, Hiromi Ishizaki, Kazunori Matsumoto, Fumiaki Sugaya:
Content-Based Music Retrieval Using Query Integration for Users with Diverse Preferences. 463-466 - Hiromasa Fujihara, Masataka Goto:
A Music Information Retrieval System Based on Singing Voice Timbre. 467-470 - Hamish Allan, Daniel Müllensiefen, Geraint A. Wiggins:
Methodological Considerations in Studies of Musical Similarity. 473-478 - Malcolm Slaney, William White:
Similarity Based on Rating Data. 479-484 - Jeremy Reed, Chin-Hui Lee:
A Study on Attribute-Based Taxonomy for Music Information Retrieval. 485-490 - Wietse Balkema:
Variable-Size Gaussian Mixture Models for Music Similarity Measures. 491-494 - Craig Stuart Sapp:
Comparative Analysis of Multiple Musical Performances. 497-500 - Jürgen Diet, Frank Kurth:
The Probado Music Repository at the Bavarian State Library. 501-504 - Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, Remco C. Veltkamp:
Towards Integration of MIR and Folk Song Research. 505-508 - John Ashley Burgoyne, Laurent Pugin, Greg Eustace, Ichiro Fujinaga:
A Comparative Survey of Image Binarisation Algorithms for Optical Recognition on Degraded Musical Sources. 509-512 - Laurent Pugin, John Ashley Burgoyne, Ichiro Fujinaga:
MAP Adaptation to Improve Optical Music Recognition of Early Music Documents Using Hidden Markov Models. 513-516 - Klaus Seyerlehner, Gerhard Widmer, Dominik Schnitzer:
From Rhythm Patterns to Perceived Tempo. 519-524 - Gijs Geleijnse, Markus Schedl, Peter Knees:
The Quest for Ground Truth in Musical Artist Tagging in the Social Web Era. 525-530 - Mohamed Sordo, Cyril Laurier, Òscar Celma:
Annotating Music Collections: How Content-Based Similarity Helps to Propagate Labels. 531-534 - Douglas Turnbull, Ruoran Liu, Luke Barrington, Gert R. G. Lanckriet:
A Game-Based Approach for Collecting Semantic Annotations of Music. 535-538 - M. Cameron Jones, J. Stephen Downie, Andreas F. Ehmann:
Human Similarity Judgments: Implications for the Design of Formal Evaluations. 539-542
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