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ORCID24th DAFx 2021: Vienna, Austria
- 24th International Conference on Digital Audio Effects, DAFx 2021, Vienna, Austria, September 8-10, 2021. IEEE 2021, ISBN 978-3-200-08378-3
- Judy Najnudel, Rémy Müller, Thomas Hélie, David Roze:
Identification of Nonlinear Circuits as Port-Hamiltonian Systems. 1-8 - Pier Paolo La Pastina, Stefano D'Angelo, Leonardo Gabrielli:
Arbitrary-Order IIR Antiderivative Antialiasing. 9-16 - Kurt James Werner:
An Equivalent Circuit Interpretation of Antiderivative Antialiasing. 17-24 - Michele Ducceschi, Stefan Bilbao, Craig J. Webb:
Non-Iterative Schemes for the Simulation of Nonlinear Audio Circuits. 25-32 - Mohammed Danish, Stefan Bilbao, Michele Ducceschi:
Applications of Port Hamiltonian Methods to Non-Iterative Stable Simulations of the KORG35 and MOOG 4-Pole VCF. 33-40 - Fabian Esqueda, Boris Kuznetsov, Julian D. Parker:
Differentiable White-Box Virtual Analog Modeling. 41-48 - François G. Germain:
Practical Virtual Analog Modeling Using MÖbius Transforms. 49-56 - Jason Naradowsky:
Amp-Space: A Large-Scale Dataset for Fine-Grained Timbre Transformation. 57-64 - Julian Neri, Philippe Depalle, Roland Badeau:
Damped Chirp Mixture Estimation Via Nonlinear Bayesian Regression. 65-72 - Leonardo Fierro, Vesa Välimäki:
Sitrano: A Matlab App for Sines-Transients-Noise Decomposition of Audio Signals. 73-80 - Marcelo Caetano, Philippe Depalle:
On the Estimation of Sinusoidal Parameters Via Parabolic Interpolation of Scaled Magnitude Spectra. 81-88 - Pier Paolo La Pastina, Stefano D'Angelo:
Optimal Integer Order Approximation of Fractional Order Filters. 89-96 - Champ C. Darabundit, Jonathan S. Abel:
Conformal Maps for the Discretization of Analog Filters Near the Nyquist Limit. 97-104 - Sebastian Laguerre, Gary P. Scavone:
Simulating a Hexaphonic Pickup Using Parallel Comb Filters for Guitar Distortion. 105-112 - Yuri De Pra, Federico Fontana
, Stefano Papetti:
Interacting with Digital Audio Effects Through a Haptic Knob with Programmable Resistance. 113-120 - Sebastian Rosenzweig, Simon J. Schwär, Jonathan Driedger, Meinard Müller:
Adaptive Pitch-Shifting with Applications to Intonation Adjustment in a Cappella Recordings. 121-128 - Jon Fagerström, Sebastian J. Schlecht, Vesa Välimäki:
One-to-Many Conversion for Percussive Samples. 129-135 - Vinayak Agarwal, Maddie Cusimano, James Traer, Josh H. McDermott:
Object-Based Synthesis of Scraping and Rolling Sounds Based on Non-Linear Physical Constraints. 136-143 - Silvin Willemsen, Stefan Bilbao, Michele Ducceschi, Stefania Serafin:
Dynamic Grids for Finite-Difference Schemes in Musical Instrument Simulations. 144-151 - Silvin Willemsen, Stefan Bilbao, Michele Ducceschi, Stefania Serafin:
A Physical Model of the Trombone Using Dynamic Grids for Finite-Difference Schemes. 152-159 - Brian Hamilton:
Air Absorption Filtering Method Based on Approximate Green's Function for Stokes' Equation. 160-167 - Marius George Onofrei, Silvin Willemsen, Stefania Serafin:
Real-Time Implementation of a Friction Drum Inspired Instrument Using Finite Difference Schemes. 168-175 - Vadim Zavalishin, Julian D. Parker:
On the Equivalence of Integrator- and Differentiator-Based Continuous- and Discrete-Time Systems. 176-183 - Nara Hahn, Frank Schultz, Sascha Spors:
Higher-Order Anti-Derivatives of Band Limited Step Functions for the Design of Radial Filters in Spherical Harmonics Expansions. 184-190 - Jacob McQuillan, Maarten van Walstijn:
Modal Spring Reverb Based on Discretisation of the Thin Helical Spring Model. 191-198 - Raimundo Gonzalez, Archontis Politis, Tapio Lokki:
Spherical Decomposition of Arbitrary Scattering Geometries for Virtual Acoustic Environments. 199-205 - Janis Heldmann, Sebastian J. Schlecht:
The Role of Modal Excitation in Colorless Reverberation. 206-213 - Leo McCormack, Archontis Politis, Ville Pulkki:
Parametric Spatial Audio Effects Based on the Multi-Directional Decomposition of Ambisonic Sound Scenes. 214-221 - Joseph Turian, Jordie Shier, George Tzanetakis, Kirk McNally, Max Henry:
One Billion Audio Sounds from GPU-Enabled Modular Synthesis. 222-229 - Prateek Verma, Chris Chafe:
A Generative Model for Raw Audio Using Transformer Architectures. 230-237 - Dario Sanfilippo, Julian D. Parker:
Combining Zeroth and First-Order Analysis with Lagrange Polynomials to Reduce Artefacts in Live Concatenative Granulation. 238-244 - Tiago Fernandes Tavares, Thales Roel P. Pessanha, Gustavo Nishihara, Guilherme Zanchetta L. Avila:
Alloy Sounds: Non-Repeating Sound Textures with Probabilistic Cellular Automata. 245-252 - Gerard Roma, Pierre Alexandre Tremblay, Owen Green:
Graph-Based Audio Looping And Granulation. 253-259 - Georg Essl:
Topologizing Sound Synthesis Via Sheaves. 260-267 - Domenico Stefani, Luca Turchet:
Bio-Inspired Optimization of Parametric Onset Detectors. 268-275 - Gwendal Le Vaillant, Thierry Dutoit, Sebastien Dekeyser:
Improving Synthesizer Programming From Variational Autoencoders Latent Space. 276-283 - Aleksi Peussa, Eero-Pekka Damskägg, Thomas Sherson, Stylianos I. Mimilakis, Lauri Juvela, Athanasios Gotsopoulos, Vesa Välimäki:
Exposure Bias and State Matching in Recurrent Neural Network Virtual Analog Models. 284-291 - Xianke Wang, Wei Xu, Juanting Liu, Weiming Yang, Wenqing Cheng:
Transition-Aware: A More Robust Approach for Piano Transcription. 292-299 - Naotake Masuda, Daisuke Saito:
Quality Diversity for Synthesizer Sound Matching. 300-307 - Xianke Wang, Wei Xu, Juanting Liu, Weiming Yang, Wenqing Cheng:
An Audio-Visual Fusion Piano Transcription Approach Based on Strategy. 308-315
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