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Publication search results
found 104 matches
- 2015
- Mohammad Akbari, Howard Cheng:
Clavision: visual automatic piano music transcription. NIME 2015: 313-314 - Simon Alexander-Adams, Michael Gurevich:
A flexible platform for tangible graphic scores. NIME 2015: 174-175 - Hans Anderson, Kin Wah Edward Lin, Natalie Agus, Simon Lui:
Major thirds: a better way to tune your ipad. NIME 2015: 365-368 - Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber L. Ramalho, Marcelo M. Wanderley:
Designing dmis for popular music in the brazilian northeast: lessons learned. NIME 2015: 277-280 - Jerônimo Barbosa, Joseph W. Malloch, Marcelo M. Wanderley, Stéphane Huot:
What does 'evaluation' mean for the nime community? NIME 2015: 156-161 - Timothy J. Barraclough, Dale A. Carnegie, Ajay Kapur:
Musical instrument design process for mobile technology. NIME 2015: 289-292 - Natasha Barrett:
Creating tangible spatial-musical images from physical performance gestures. NIME 2015: 191-194 - Steve Benford, Adrian Hazzard, Alan Chamberlain, Liming Xu:
Augmenting a guitar with its digital footprint. NIME 2015: 303-306 - Ethan Benjamin, Jaan Altosaar:
Musicmapper: interactive 2d representations of music samples for in-browser remixing and exploration. NIME 2015: 325-326 - Peter D. Bennett, Jarrod Knibbe, Florent Berthaut, Kirsten Cater:
Resonant bits: controlling digital musical instruments with resonance and the ideomotor effect. NIME 2015: 176-177 - Edgar Berdahl, Denis Huber:
The haptic hand. NIME 2015: 32-33 - Andreas Bergsland, Robert Wechsler:
Composing interactive dance pieces for the motioncomposer, a device for persons with disabilities. NIME 2015: 20-23 - Florent Berthaut, David Coyle, James W. Moore, Hannah Limerick:
Liveness through the lens of agency and causality. NIME 2015: 382-386 - Florent Berthaut, Diego Martínez Plasencia, Martin Hachet, Sriram Subramanian:
Reflets: combining and revealing spaces for musical performances. NIME 2015: 116-120 - Rhushabh Bhandari, Avinash Parnandi, Eva Shipp, Beena Ahmed, Ricardo Gutierrez-Osuna:
Music-based respiratory biofeedback in visually-demanding tasks. NIME 2015: 78-82 - Matthew Blessing, Edgar Berdahl:
Textural crossfader. NIME 2015: 180-181 - Brennon Bortz, Javier Jaimovich, R. Benjamin Knapp:
Emotion in motion: a reimagined framework for biomusical/emotional interaction. NIME 2015: 44-49 - Courtney Brown, Sharif Razzaque, Garth Paine:
Rawr! a study in sonic skulls: embodied natural history. NIME 2015: 5-10 - Jamie Bullock, Ali Momeni:
Ml.lib: robust, cross-platform, open-source machine learning for max and pure data. NIME 2015: 265-270 - Andrés Cabrera:
Serverless and peer-to-peer distributed interfaces for musical control. NIME 2015: 355-358 - Dario Cazzani:
Posture identification of musicians using non-intrusive low-cost resistive pressure sensors. NIME 2015: 54-57 - Nuno N. Correia, Atau Tanaka:
Prototyping audiovisual performance tools: a hackathon approach. NIME 2015: 319-321 - Nicolas D'Alessandro, Joëlle Tilmanne, Ambroise Moreau, Antonin Puleo:
Airpiano: a multi-touch keyboard with hovering control. NIME 2015: 255-258 - Palle Dahlstedt:
Mapping strategies and sound engine design for an augmented hybrid piano. NIME 2015: 271-276 - Palle Dahlstedt, Per Anders Nilsson, Gino Robair:
The bucket system - a computer mediated signalling system for group improvisation. NIME 2015: 317-318 - Roger B. Dannenberg, Andrew Russell:
Arrangements: flexibly adapting music data for live performance. NIME 2015: 315-316 - Rhys Duindam, Diemo Schwarz, Hans Leeuw:
Tingle: a digital music controller re-capturing the acoustic instrument experience. NIME 2015: 219-222 - Warren Enström, Joshua Dennis, Brian Lynch, Kevin Schlei:
Musical notation for multi-touch interfaces. NIME 2015: 83-86 - Tommy Feldt, Sarah Freilich, Shaun Mendonsa, Daniel Molin, Andreas Rau:
Puff, puff, play: a sip-and-puff remote control for music playback. NIME 2015: 34-35 - Asbjørn Blokkum Flø, Hans Wilmers:
Doppelgänger: a solenoid-based large scale sound installation. NIME 2015: 61-64
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