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Publication search results
found 67 matches
- 2018
- Miriam Akkermann:
Is This How It Sounded? The Idea of 'Historic Informed Performance Practice' in Early Mixed Music. ICMC 2018 - Chun-Ming Au, Andrew Horner:
Music Production Mobile App with Voice-to-MIDI Feature. ICMC 2018 - Edgar Berdahl:
Dipole Instruments for Sketching in Hardware with Embedded Acoustics. ICMC 2018 - Michael Blandino:
Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic Music. ICMC 2018 - Braxton Boren, Michael Musick:
Spatial Organization in Musical Form. ICMC 2018 - Ivica Ico Bukvic, Andrea L. Ogier:
Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music. ICMC 2018 - Vincent Caers:
LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation Tool. ICMC 2018 - Tate Carson:
Philosophical Underpinnings of Environmental Music. ICMC 2018 - Hiu Ting Chan, Ronald K. Mo, Chuck-Jee Chau, Andrew Horner:
The Emotional Characteristics of Section String Instruments with Different Pitch and Dynamics. ICMC 2018 - Bing Yen Chang, Andrew Horner:
The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano Voice. ICMC 2018 - Jinok Cho, Donoung Lee:
Studio Report: KEAMS. ICMC 2018 - Hongchan Choi:
Audioworklet: the Future of Web Audio. ICMC 2018 - Teresa Marie Connors:
The Lure Towards the Performative in Nonlinear Audiovisual Installations. ICMC 2018 - Kevin Dahan:
(Re)discovering Sounds of CCRMA - Towards Computer Music Preservation. ICMC 2018 - Roger B. Dannenberg:
UGG: a Unit Generator Generator. ICMC 2018 - Luc Döbereiner:
OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic Composition. ICMC 2018 - Arne Eigenfeldt:
Imaginary Miles: Modeling Musebots After Musicians. ICMC 2018 - Marc Estibeiro:
Displaced Light: a Composition for Six Instruments and Electronics Mediated Through the Application of Microsound. ICMC 2018 - Shuraifa Asmah Shad Saleem Faruqi, Tae Hong Park:
Urban Soundscape: Analyzing Spatiotemporal Patterns of Acoustic Events and Soundscape Components, and Its Influence on the Socioeconomic Status of New York City Neighborhoods. ICMC 2018 - Stefano Fasciani:
Spectral Granular Synthesis. ICMC 2018 - Stefano Fasciani, Habibur Rahman:
Tangible Virtual Patch Cords. ICMC 2018 - Emma Frid:
Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences. ICMC 2018 - Brian Garbet:
Sustainability of Compositions Involving Electronic Technology: Part I - in Conversation With Alcides Lanza. ICMC 2018 - Hugo Solís García:
Sonode; a Collaborative Sound Map of Mexico City. ICMC 2018 - Marta Gentilucci, Luc Ardaillon, Marco Liuni:
Vocal Distortion and Real-Time Processing of Roughness. ICMC 2018 - Yu Hong, Ronald K. Mo, Andrew Horner:
The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions. ICMC 2018 - Eunjeong Stella Koh, Shahrokh Yadegari:
Mugeetion: Musical Interface Using Facial Gesture and Emotion. ICMC 2018 - Myungin Lee:
Deep Neural Network Based Music Source Conducting System. ICMC 2018 - Cheng Lee:
Digital Ensemble Skills in a Laptop Orchestra. ICMC 2018 - Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
Electronic Music Documentations, Practices and Models. ICMC 2018
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