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Publication search results
found 72 matches
- 2003
- Stefan Müller, Guerino Mazzola:
The Extraction of Expressive Shaping in Performance. Comput. Music. J. 27(1): 47-58 (2003) - Wei Li, Xiangyang Xue:
An Audio Watermarking Technique That Is Robust Against Random Cropping. Comput. Music. J. 27(4): 58-68 (2003) - Denis Baggi:
First International Conference on Musical Application Using XML. Comput. Music. J. 27(2): 105-108 (2003) - C. K. Barlow:
Thomas DeLio: amounts. to. John Donald Robb Composers' Symposium/University Art Museum, University of New Mexico, Albuquerque, New Mexico, USA, 30 March-2 April 2003. Comput. Music. J. 27(4): 91-93 (2003) - Steve Benner:
Carya Amara: Vestigial Digital. Comput. Music. J. 27(3): 97 (2003) - Steve Benner:
Sonic Art from Aberdeen, Glasgow, Huddersfield, and Newcastle. Comput. Music. J. 27(3): 103-105 (2003) - James Bohn:
Erik Belgum: Strange Neonatal Cry. Comput. Music. J. 27(4): 99-100 (2003) - Sinan Bökesoy, Gerard Pape:
Stochos: Software for Real-Time Synthesis of Stochastic Music. Comput. Music. J. 27(3): 33-43 (2003) - Kristine H. Burns, Colby Leider:
Uli Aumüller: My Cinema for the Ears: The Musique Concrète of Francis Dhomont and Paul Lansky. Comput. Music. J. 27(2): 115-116 (2003) - Warren Burt:
Pauline Oliveros: Alien Bog/Beautiful Soop. Comput. Music. J. 27(3): 102-103 (2003) - Donald Byrd, Eric J. Isaacson:
A Music Representation Requirement Specification for Academia. Comput. Music. J. 27(4): 43-57 (2003) - Margaret Cahill:
Litter. Comput. Music. J. 27(4): 108-110 (2003) - David Cope:
Computer Analysis of Musical Allusions. Comput. Music. J. 27(1): 11-28 (2003) - John Dack:
Brandon LaBelle and Christof Migone, Editors: Writing Aloud - The Sonics of Language. Comput. Music. J. 27(1): 86-88 (2003) - Don Damborg, James Harley:
GRM Tools. Comput. Music. J. 27(4): 103-107 (2003) - Eric Ducasse:
A Physical Model of a Single-Reed Wind Instrument, Including Actions of the Player. Comput. Music. J. 27(1): 59-70 (2003) - Ross Feller:
Mara Helmuth & Allen Otte: Implements of Actuation. Comput. Music. J. 27(3): 99-101 (2003) - Michael Fingerhut:
Letters. Comput. Music. J. 27(2): 4-5 (2003) - Rajmil Fischman:
Clouds, Pyramids, and Diamonds: Applying Schrödinger's Equation to Granular Synthesis and Compositional Structure. Comput. Music. J. 27(2): 47-69 (2003) - Kelly Fitz, Lippold Haken, Susanne Lefvert, Corbin Champion, Mike O'Donnell:
Cell-Utes and Flutter-Tongued Cats: Sound Morphing Using Loris and the Reassigned Bandwidth-Enhanced Model. Comput. Music. J. 27(3): 44-65 (2003) - James Forrest:
Curtis Bahn: r!g. Comput. Music. J. 27(3): 97-99 (2003) - Susan E. George:
Online Pen-Based Recognition of Music Notation with Artificial Neural Networks. Comput. Music. J. 27(2): 70-79 (2003) - Francesco Giomi, Damiano Meacci
, Kilian Schwoon:
Live Electronics in Luciano Berio's Music. Comput. Music. J. 27(2): 30-46 (2003) - Michael Hamman:
Thomas Licata, Editor: Electroacoustic Music: Analytical Perspectives. Comput. Music. J. 27(3): 92-95 (2003) - James Harley:
Trevor Wishart: voiceprints. Comput. Music. J. 27(4): 101-103 (2003) - Jim Hearon:
New Zealand Sonic Art. Comput. Music. J. 27(1): 101-103 (2003) - Jim Hearon:
Fernando Pereira & Touradj Ebrahimi, Editors: The MPEG-4 Book. Comput. Music. J. 27(3): 95-96 (2003) - Jim Hearon:
Virtos Noise Wizard Noise Reduction DirectX Plug-Ins. Comput. Music. J. 27(3): 110-111 (2003) - Keiji Hirata, Tatsuya Aoyagi:
Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database. Comput. Music. J. 27(3): 73-89 (2003) - Henkjan Honing
:
The Final Ritard: On Music, Motion, and Kinematic Models. Comput. Music. J. 27(3): 66-72 (2003)
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