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Publication search results
found 40 matches
- 1999
- Terryl Bacon, Martin Rieser, Constance Fleuriot, Priscilla Heard, Glenn Easy:
Do engineers and artists make good love objects ? (panel session). Creativity & Cognition 1999: 28-29 - Jonathan Bedworth, James Norwood:
The Turing test is dead ... Creativity & Cognition 1999: 193-194 - Nigel Birch, James Plummer, Geraint A. Wiggins, Bronac Ferran, Robin Lyons:
Nurturing creativity (panel session). Creativity & Cognition 1999: 30-35 - Glenn Blauvelt, Thomas Wrensch, Michael Eisenberg:
Integrating craft materials and computation. Creativity & Cognition 1999: 50-56 - Alain Bonardi, Francis Rousseaux:
Composing interactive virtual operas. Creativity & Cognition 1999: 144-147 - Bert Bongers:
Exploring Novel ways of interaction in musical performance. Creativity & Cognition 1999: 76-81 - Nathalie Bonnardel:
Creativity in design activities: the role of analogies in a constrained cognitive environment. Creativity & Cognition 1999: 158-165 - Bettina Brendal:
Art as metaphor. Creativity & Cognition 1999: 189-190 - Linda Candy, Ernest A. Edmonds:
Introducing creativity to cognition. Creativity & Cognition 1999: 3-6 - Harold Cohen:
A self-defining game for one player. Creativity & Cognition 1999: 14 - Luisa Paraguai Donati, Gilbertto Prado
:
Artistic environments of telepresence in the WWW. Creativity & Cognition 1999: 148-151 - Ernest A. Edmonds, Linda Candy, Geoff Cox, Jacob Eisenstein, Gerhard Fischer, Bob Hughes, Thomas T. Hewett:
Individual and/versus social creativity (panel session). Creativity & Cognition 1999: 36-39 - Alberto Faro, Daniela Giordano:
Ontology, aesthetics and creativity at the crossroads in information system design. Creativity & Cognition 1999: 124-131 - Gerhard Fischer:
Symmetry of igorance, social creativity, and meta-design. Creativity & Cognition 1999: 116-123 - Gregory P. Garvey:
The split-brain human computer user interface. Creativity & Cognition 1999: 63-67 - Thomas T. Hewett:
Cognitive factors in design (tutorial session): basic phenomena in human memory and problem solving. Creativity & Cognition 1999: 26-27 - Mike King:
The new metaphysics and the deep structure of creativity and cognition. Creativity & Cognition 1999: 93-100 - Bryan Lawson:
"Fake" and "Real" creativity using computer aided design: some lessons from Herman Hertzberger. Creativity & Cognition 1999: 174-179 - Tang-Chun Li:
Who or what is making the music: music creation in a machine age. Creativity & Cognition 1999: 57-62 - Jean-Paul Longavesne:
Revolution in art: networking painting machine. Creativity & Cognition 1999: 191-192 - John Lycette, Greg O'Connor, Darren Tofts, Peter Webb, Christopher Waller:
A CONCEIT: a collaborative mapping in 3 spaces. Creativity & Cognition 1999: 152-157 - Marvin Minsky:
The emotion machine: from pain to suffering. Creativity & Cognition 1999: 7-13 - Vittorio Mischi:
Skunk Works: "speciation" strategies for creativity. Creativity & Cognition 1999: 101-107 - Tsutomu Miyasato:
Generation of passion spaces from "Tanka" poems. Creativity & Cognition 1999: 184-186 - Kumiyo Nakakoji, Yasuhiro Yamamoto, Masao Ohira:
A framework that supports collective creativity in design using visual images. Creativity & Cognition 1999: 166-173 - Ryohei Nakatsu, Joy Nicholson, Naoko Tosa:
Emotion recognition and its application to computer agents with spontaneous interactive capabilities. Creativity & Cognition 1999: 135-143 - Kazushi Nishimoto, Kenji Mase:
A proposal for a framework for general multimedia art creation instruments. Creativity & Cognition 1999: 108-115 - Hisataka Noguchi:
How do material constraints affect design creativity? Creativity & Cognition 1999: 82-87 - Michael Quantrill:
Drawing as a function of movement. Creativity & Cognition 1999: 195-196 - Doug Riecken:
Wolfgang: "Emotions" plus goals enable learning. Creativity & Cognition 1999: 197-198
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