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@incollection{DBLP:books/cu/12/AlexanderC12,
  author       = {Amy Alexander and
                  Nick Collins},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Live audiovisuals},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {126--139},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.009},
  doi          = {10.1017/CCOL9780521868617.009},
  timestamp    = {Thu, 14 Oct 2021 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/AlexanderC12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Barrett12,
  author       = {Natasha Barrett},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Trends in electroacoustic music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {232--255},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.015},
  doi          = {10.1017/CCOL9780521868617.015},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Barrett12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Collins12,
  author       = {Nicolas Collins},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Live electronic music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {38--54},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.005},
  doi          = {10.1017/CCOL9780521868617.005},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Collins12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Collins12a,
  author       = {Nick Collins},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Musical robots and listening machines},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {171--184},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.012},
  doi          = {10.1017/CCOL9780521868617.012},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Collins12a.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/DEscrivan12,
  author       = {Julio D'Escriv{\`{a}}n},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Electronic music and the moving image},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {156--170},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.011},
  doi          = {10.1017/CCOL9780521868617.011},
  timestamp    = {Fri, 02 Oct 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/DEscrivan12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Essl12,
  author       = {Karlheinz Essl},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Algorithmic composition},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {107--125},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.008},
  doi          = {10.1017/CCOL9780521868617.008},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Essl12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Hugill12,
  author       = {Andrew Hugill},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {The origins of electronic music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {7--23},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.003},
  doi          = {10.1017/CCOL9780521868617.003},
  timestamp    = {Sun, 02 Oct 2022 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Hugill12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Jorda12,
  author       = {Sergi Jord{\`{a}}},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Interactivity and live computer music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {89--106},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.007},
  doi          = {10.1017/CCOL9780521868617.007},
  timestamp    = {Mon, 15 Jun 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Jorda12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Rohrhuber12,
  author       = {Julian Rohrhuber},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Network music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {140--155},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.010},
  doi          = {10.1017/CCOL9780521868617.010},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Rohrhuber12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Schedel12,
  author       = {Margaret Schedel},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Electronic music and the studio},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {24--37},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.004},
  doi          = {10.1017/CCOL9780521868617.004},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Schedel12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Serafin12,
  author       = {Stefania Serafin},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {Computer generation and manipulation of sounds},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {203--217},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.013},
  doi          = {10.1017/CCOL9780521868617.013},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Serafin12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Toiviainen12,
  author       = {Petri Toiviainen},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {The psychology of electronic music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {218--231},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.014},
  doi          = {10.1017/CCOL9780521868617.014},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Toiviainen12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@incollection{DBLP:books/cu/12/Wang12,
  author       = {Ge Wang},
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {A history of programming and music},
  booktitle    = {The Cambridge Companion to Electronic Music},
  pages        = {55--71},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617.006},
  doi          = {10.1017/CCOL9780521868617.006},
  timestamp    = {Fri, 29 May 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/Wang12.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}

@book{DBLP:books/cu/12/CE2012,
  editor       = {Nick Collins and
                  Julio D'Escriv{\`{a}}n},
  title        = {The Cambridge Companion to Electronic Music},
  publisher    = {Cambridge University Press},
  year         = {2012},
  url          = {https://doi.org/10.1017/CCOL9780521868617},
  doi          = {10.1017/CCOL9780521868617},
  isbn         = {978-0-521-68865-9},
  timestamp    = {Fri, 02 Oct 2020 01:00:00 +0200},
  biburl       = {https://dblp.org/rec/books/cu/12/CE2012.bib},
  bibsource    = {dblp computer science bibliography, https://dblp.org}
}
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