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Iain McGregor
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2020 – today
- 2024
- [c14]Steven McSeveney, Monica Tamariz, Iain McGregor, Babis Koniaris, Kenny Mitchell:
Auditory Occlusion Based on the Human Body in the Direct Sound Path: Measured and Perceivable Effects. Audio Mostly Conference 2024: 130-143 - 2023
- [j6]Iain McGregor:
Video Game Audio in the Metaverse and Beyond. Games Res. Pract. 1(2): 15:1-15:3 (2023) - [c13]Stuart Cunningham, Iain McGregor, Jonathan Weinel, John Darby, Tony Stockman:
Towards a Framework of Aesthetics in Sonic Interaction. Audio Mostly Conference 2023: 109-115 - [c12]Alan Elliot, Iain McGregor:
FASS: Firefighter Audio Safety Systems. Audio Mostly Conference 2023: 177-184 - 2021
- [j5]Stuart Cunningham, Iain McGregor:
Evaluating Use of the Doppler Effect to Enhance Auditory Alerts. Int. J. Hum. Comput. Interact. 37(11): 1074-1087 (2021) - [j4]John J. McGowan, Iain McGregor, Grégory Leplâtre:
Evaluation of the Use of Real-time 3D Graphics to Augment Therapeutic Music Sessions for Young People on the Autism Spectrum. ACM Trans. Access. Comput. 14(1): 2:1-2:41 (2021) - [c11]Michael Quinton, Iain McGregor, David Benyon:
Sonification of Planetary Orbits in Asteroid Belts. Audio Mostly Conference 2021: 72-80 - [c10]Kenny Mitchell, Babis Koniaris, Monica Tamariz, Jessie Kennedy, Noshaba Cheema, Elisa D. Mekler, Pieter van der Linden, Erik Herrmann, Perttu Hämäläinen, Iain McGregor, Philipp Slusallek, Carmen Mac Williams:
Embodied online dance learning objectives of CAROUSEL+. VR Workshops 2021: 309-313 - 2020
- [c9]Konstantin Semionov, Iain McGregor:
Effect of various spatial auditory cues on the perception of threat in a first-person shooter video game. Audio Mostly Conference 2020: 22-29 - [c8]Michael Quinton, Iain McGregor, David Benyon:
Sonification of an exoplanetary atmosphere. Audio Mostly Conference 2020: 191-198
2010 – 2019
- 2019
- [j3]Stuart Cunningham, Iain McGregor:
Subjective Evaluation of Music Compressed with the ACER Codec Compared to AAC, MP3, and Uncompressed PCM. Int. J. Digit. Multim. Broadcast. 2019: 8265301:1-8265301:16 (2019) - [j2]Milena Droumeva, Iain McGregor:
Sound Stories: A Context-Based Study of Everyday Listening to Augmented Soundscapes. Interact. Comput. 31(3): 336-347 (2019) - 2017
- [c7]John J. McGowan, Grégory Leplâtre, Iain McGregor:
CymaSense: A Real-Time 3D Cymatics-Based Sound Visualisation Tool. Conference on Designing Interactive Systems (Companion Volume) 2017: 270-274 - [c6]John J. McGowan, Grégory Leplâtre, Iain McGregor:
CymaSense: A Novel Audio-Visual Therapeutic Tool for People on the Autism Spectrum. ASSETS 2017: 62-71 - [c5]John J. McGowan, Grégory Leplâtre, Iain McGregor:
Exploring Musical Creativity through Interactive Cymatics. BCS HCI 2017 - [c4]Carl Bishop, Augusto Esteves, Iain McGregor:
Head-mounted displays as opera glasses: using mixed-reality to deliver an egalitarian user experience during live events. ICMI 2017: 360-364 - 2014
- [j1]Iain McGregor:
Comparing designers' and listeners' experiences. AI Soc. 29(4): 473-483 (2014) - 2012
- [c3]Iain McGregor, Phil Turner:
Soundscapes and repertory grids: comparing listeners' and a designer's experiences. ECCE 2012: 131-137 - 2011
- [c2]Iain McGregor, Pontus Larsson, Phil Turner:
Evaluating a vehicle auditory display: comparing a designer's expectations with listeners' experiences. ECCE 2011: 89-92 - 2010
- [b1]Iain McGregor:
Soundscape mapping : comparing listening experiences. Edinburgh Napier University, UK, 2010
2000 – 2009
- 2004
- [c1]Grégory Leplâtre, Iain McGregor:
How to Tackle Auditory Interface Aesthetics: Discussion and Case Study. ICAD 2004
Coauthor Index
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