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2020 – today
- 2020
[c11]Maria Kallionpää, Hans-Peter Gasselseder:
Back to the Future and Forward to the Past: Zukunftsmusik and the aesthetics of immersive classical music experience. EVA 2020
2010 – 2019
- 2019
- [c10]Hans-Peter Gasselseder, Maria Kallionpää:
Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiences. EVA 2019: 409-416 - 2018
- [c9]Maria Kallionpää, Alan Chamberlain
, Hans-Peter Gasselseder:
Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies. Audio Mostly Conference 2018: 14:1-14:8 - 2016
- [c8]Hans-Peter Gasselseder:
What You Hear is Where You Are is What I Hear. EVA 2016 - [c7]Maria Kallionpää, Hans-Peter Gasselseder:
The Imaginary Friend, Crossing over Computer Game Scoring Techniques and Musical Expression. EVA 2016 - 2015
- [c6]Hans-Peter Gasselseder:
The Role of Agency in Ludoacoustic Immersion: Experiencing Recorded Sound and Music in Situational Context. Audio Mostly Conference 2015: 13:1-13:7 - [c5]Maria Kallionpää, Hans-Peter Gasselseder:
Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities. Audio Mostly Conference 2015: 20:1-20:7 - [c4]Hans-Peter Gasselseder:
Re-sequencing the Ludic Orchestra - Evaluating the Immersive Effects of Dynamic Music and Situational Context in Video Games. HCI (18) 2015: 458-469 - 2014
- [c3]Hans-Peter Gasselseder:
Dynamic music and immersion in the action-adventure an empirical investigation. Audio Mostly Conference 2014: 28:1-28:8 - [c2]Hans-Peter Gasselseder:
Those who played were listening to the music? Immersion and dynamic music in the ludonarrative. CIP 2014: 1-8 - 2013
- [c1]Hans-Peter Gasselseder:
Re-orchestrating Game Drama: The Immersive Experience of Dynamic Music in Video Games. EVA 2013
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