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2020 – today
- 2024
[c7]Kim Vincs
, John McCormick, Pajani Mardamootoo:
Volumetric Interaction: a new approach to expanding embodied experience in XR. MOCO 2024: 18- 2020
- [c6]Eugenia Sangmie Kim, Kim Vincs, John McCormick:
Oncheon: Learning to perform motion trails for virtual spaces. EVA 2020 - [c5]Irene M. Gironacci, Kim Vincs, John McCormick:
A Recommender System of Extended Reality Experiences. ICIGP 2020: 96-100
2010 – 2019
- 2015
- [j2]John McCormick, Steph Hutchison, Adam Nash, Kim Vincs, Saeid Nahavandi, Douglas C. Creighton:
Learning to replace a human: A virtual performing agent. Int. J. Virtual Real. 15(1): 18-22 (2015) - [c4]Mohammed Hossny, Saeid Nahavandi, Michael Fielding, James Mullins, Shady M. K. Mohamed, Douglas C. Creighton, John McCormick, Kim Vincs, Jordan Beth Vincent, Steph Hutchison:
Haptically-Enabled Dance Visualisation Framework for Deafblind-Folded Audience and Artists. SMC 2015: 446-450 - 2014
- [j1]Kim Vincs, Kim Barbour:
Snapshots of complexity: using motion capture and principal component analysis to reconceptualise dance. Digit. Creativity 25(1): 62-78 (2014) - [c3]John McCormick, Kim Vincs, Saeid Nahavandi, Douglas C. Creighton, Steph Hutchison:
Teaching a Digital Performing Agent: Artificial Neural Network and Hidden Markov Model for recognising and performing dance movement. MOCO 2014: 70 - [c2]John McCormick, Adam Nash, Steph Hutchison, Kim Vincs, Saeid Nahavandi, Douglas C. Creighton:
Recognition: combining human interaction and a digital performing agent. VRIC 2014: 19:1-19:5 - [p1]Kim Vincs, Alison Bennett, John McCormick, Jordan Beth Vincent, Stephanie Hutchison:
Skin to Skin: Performing Augmented Reality. Augmented Reality Art 2014: 161-174 - 2010
- [c1]Kim Vincs, John McCormick:
Touching space: using motion capture and stereo projection to create a "virtual haptics" of dance. SIGGRAPH Art Gallery 2010: 359-366
Coauthor Index
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