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Maria Teresa Llano
Person information
- affiliation: Monash University, SensiLab, Australia
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Books and Theses
- 2013
- [b1]Maria Teresa Llano Rodriguez:
Invariant discovery and refinement plans for formal modelling in Event-B. Heriot-Watt University, UK, 2013
Journal Articles
- 2018
- [j4]Matthew John Yee-King, Thomas Wilmering, Maria Teresa Llano Rodriguez, Maria Krivenski, Mark d'Inverno:
Technology Enhanced Learning: The Role of Ontologies for Feedback in Music Performance. Frontiers Digit. Humanit. 5: 29 (2018) - 2016
- [j3]Maria Teresa Llano, Simon Colton, Rose Hepworth, Jeremy Gow:
Automated Fictional Ideation via Knowledge Base Manipulation. Cogn. Comput. 8(2): 153-174 (2016) - 2014
- [j2]Maria Teresa Llano, Andrew Ireland, Alison Pease:
Discovery of invariants through automated theory formation. Formal Aspects Comput. 26(2): 203-249 (2014) - 2013
- [j1]Andrew Ireland, Gudmund Grov, Maria Teresa Llano, Michael J. Butler:
Reasoned modelling critics: Turning failed proofs into modelling guidance. Sci. Comput. Program. 78(3): 293-309 (2013)
Conference and Workshop Papers
- 2023
- [c19]Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano, Meng Yang:
Is Writing Prompts Really Making Art? EvoMUSART@EvoStar 2023: 196-211 - 2022
- [c18]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. EvoMUSART 2022: 131-147 - 2021
- [c17]Stephen James Krol, Maria Teresa Llano, Cagatay Goncu:
Framing through Music: A Pilot Study. ICCC 2021: 16-20 - 2020
- [c16]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. ICCC 2020: 334-341 - [c15]Simon Colton, Alison Pease, Christian Guckelsberger, Jon McCormack, Maria Teresa Llano:
On the Machine Condition and its Creative Expression. ICCC 2020: 342-349 - [c14]Matthew Yee-King, Louis McCallum, Maria Teresa Llano, Vít Ruzicka, Mark d'Inverno, Mick Grierson:
Examining Student Coding Behaviours in Creative Computing Lessons using Abstract Syntax Trees and Vocabulary Analysis. ITiCSE 2020: 273-279 - 2019
- [c13]Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CHI 2019: 38 - [c12]Michael Cook, Simon Colton, Alison Pease, Maria Teresa Llano:
Framing In Computational Creativity - A Survey And Taxonomy. ICCC 2019: 156-163 - 2018
- [c11]Andrew Ireland, Maria Teresa Llano, Simon Colton:
The Use of Automated Theory Formation in Support of Hazard Analysis. NFM 2018: 237-243 - 2016
- [c10]Gudmund Grov, Andrew Ireland, Maria Teresa Llano, Peter Kovacs, Simon Colton, Jeremy Gow:
Semi-Automated Design Space Exploration for Formal Modelling. ABZ 2016: 282-289 - [c9]Maria Teresa Llano, Christian Guckelsberger, Rose Hepworth, Jeremy Gow, Joseph Corneli, Simon Colton:
What If A Fish Got Drunk? Exploring the Plausibility of Machine-Generated Fictions. ICCC 2016: 213-221 - [c8]Simon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd:
The "Beyond the Fence" Musical and "Computer Says Show" Documentary. ICCC 2016: 311-321 - [c7]John William Charnley, Simon Colton, Maria Teresa Llano, Joseph Corneli:
The FloWr Online Plat-form: Automated Programming and Computational Creativity as a Service. ICCC 2016: 363-370 - 2015
- [c6]Joseph Corneli, Anna Jordanous, Rosie Shepperd, Maria Teresa Llano, Joanna Misztal, Simon Colton, Christian Guckelsberger:
Computational Poetry Workshop: Making Sense of Work in Progress. ICCC 2015: 268-275 - 2014
- [c5]Maria Teresa Llano, Rose Hepworth, Simon Colton, Jeremy Gow, John William Charnley, Nada Lavrac, Martin Znidarsic, Matic Perovsek, Mark Granroth-Wilding, Stephen Clark:
Baseline Methods for Automated Fictional Ideation. ICCC 2014: 211-219 - [c4]John William Charnley, Simon Colton, Maria Teresa Llano:
The FloWr Framework: Automated Flowchart Construction, Optimisation and Alteration for Creative Systems. ICCC 2014: 315-323 - 2012
- [c3]Gudmund Grov, Andrew Ireland, Maria Teresa Llano:
Refinement Plans for Informed Formal Design. ABZ 2012: 208-222 - 2011
- [c2]Maria Teresa Llano, Andrew Ireland, Alison Pease:
Discovery of Invariants through Automated Theory Formation. Refine@FM 2011: 1-19 - 2009
- [c1]Maria Teresa Llano, Rob Pooley:
UML Specification and Correction of Object-Oriented Anti-patterns. ICSEA 2009: 39-44
Informal and Other Publications
- 2024
- [i7]Jon McCormack, Maria Teresa Llano, Stephen James Krol, Nina Rajcic:
No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. CoRR abs/2401.14425 (2024) - 2023
- [i6]Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano, Meng Yang:
Is Writing Prompts Really Making Art? CoRR abs/2301.13049 (2023) - 2022
- [i5]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. CoRR abs/2205.05682 (2022) - [i4]Simon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd:
The Beyond the Fence Musical and Computer Says Show Documentary. CoRR abs/2206.03224 (2022) - [i3]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. CoRR abs/2206.08264 (2022) - 2019
- [i2]Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CoRR abs/1902.06442 (2019) - 2016
- [i1]Gudmund Grov, Andrew Ireland, Maria Teresa Llano, Peter Kovacs, Simon Colton, Jeremy Gow:
Semi-Automated Design Space Exploration for Formal Modelling. CoRR abs/1603.00636 (2016)
Coauthor Index
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