default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDDigital Creativity, Volume 26
Volume 26, Number 1, 2015
Foreword
- Richard Povall:
Foreword. 1-2
- Laura Lee Coles, Philippe Pasquier
:
Digital eco-art: transformative possibilities. 3-15 - Michelle Lewis-King:
Touch as techne: rethinking digitality. 16-31 - Aidan Deery:
Practical approaches towards interactivity in soundscape composition. 32-39 - Bram Thomas Arnold, Rebecca Birch, Rob Smith:
A Belgian Transect: Field Broadcast in the expanded field of ecology. 40-47 - Gabrielle Hoad:
The further away they are: creative approaches to recording bird flight paths. 48-55 - Jeong Han Kim, Hong-Gee Kim, Hyun-Jean Lee:
The BirdMan: hybrid perception. 56-64 - David Kadish, Aleksandra Dulic:
Crafting sustainability: approaching wicked environmental problems through high-low tech practice. 65-81
Volume 26, Number 2, 2015
- Susana Pajares Tosca:
Dreaming of e-reading futures. 83-91 - Mark Meagher, Jeffrey Huang, Nathaniel Zuelzke, Trevor Patt, Guillaume Labelle, Julien Nembrini:
Code and its image: the functions of text and visualisation in a code-based design studio. 92-109 - Julia Stefan, Andrew R. Brown:
Generative music video composition: using automation to extend creative practice. 110-120 - Marisa Enhuber:
Art, space and technology: how the digitisation and digitalisation of art space affect the consumption of art - a critical approach. 121-137 - Per-Erik Eriksson, Yvonne Eriksson:
Syncretistic images: iPhone fiction filmmaking and its cognitive ramifications. 138-153 - Huang-Ming Chang, Leonid Ivonin, Marta Díaz, Andreu Català, Wei Chen, Matthias Rauterberg:
Enacting archetypes in movies: grounding the unconscious mind in emotion-driven media. 154-173
Volume 26, Numbers 3-4, 2015
- Rebecca Rouse, Maria Engberg, Nassim Jafarinaimi, Jay David Bolter:
MRX: an interdisciplinary framework for mixed reality experience design and criticism. 175-181 - Maria Engberg, Jay David Bolter:
MRx and the aesthetics of locative writing. 182-192 - Rebecca Rouse:
MRx as a performative and theatrical stage. 193-206 - Nassim Jafarinaimi:
MRx as a participatory platform. 207-220 - Rebecca Rouse, Maria Engberg, Nassim Jafarinaimi, Jay David Bolter:
MRx design and criticism: the confluence of media studies, performance and social interaction. 221-227
- Jason Freeman, Shaoduo Xie, Takahiko Tsuchiya, Weibin Shen, Yan-Ling Chen, Nathan Weitzner:
Using massMobile, a flexible, scalable, rapid prototyping audience participation framework, in large-scale live musical performances. 228-244 - Jiun-Jhy Her, Jim Hamlyn:
Ambient interaction and situational influence: case studies in public sites. 245-262 - Corelia Elena Baibarac:
Spatial-technological experiments in the environment: eliciting and representing experiences of urban space. 263-278 - Maria Michails:
Mining data, making art. 279-286 - Moon-Hwan Lee, Seijin Cha, Tek-Jin Nam:
Impact of digital traces on the appreciation of movie contents. 287-303 - Phil Turner, Richard Hetherington, Susan Turner, Maggie Kosek:
The limits of pretending. 304-317
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-12-02 23:35 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
