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ORCIDDigital Creativity, Volume 22
Volume 22, Number 1, 2011
- Ben Challis:
Octonic: an accessible electronic musical instrument. 1-12 - René Wooller, Andrew R. Brown:
Note sequence morphing algorithms for performance of electronic dance music. 13-25 - Teija Vainio
:
Designing multimodal tracks for mobile users in unfamiliar urban environments. 26-39 - Asim Evren Yantaç, Oguzhan Özcan, Ayse Emengen:
Participatory design in interactive media design education for the solution of unfamiliar design problems: a case study on a disabling environment and an emerging technology. 40-48 - Kevin Badni:
The collaboration of two different working practices enabling autonomous virtual reality artwork. 49-64
Volume 22, Number 2, 2011
- Timothy Barker:
Objects and interaction. 65-77 - K. Margaret McVeigh:
Making the connection: Lev Manovich's Texas and the challenges of interactive new media narrative. 78-90 - Jeroen Bourgonjon, Kris Rutten, Ronald Soetaert, Martin Valcke:
From Counter-Strike to Counter-Statement: using Burke's pentad as a tool for analysing video games. 91-102 - Frédérik Lesage:
Telepresence and its transparent infrastructures. 103-114
- Sue Gollifer:
Art Space. 115-126
Volume 22, Number 3, 2011
- Lily Díaz, Ulrik Ekman:
Introduction to Mobile ubiquity in public and private spaces. 127-133 - Bo Kampmann Walther:
Towards a theory of pervasive ludology: reflections on gameplay, rules, and space. 134-147 - Gerard Goggin:
Ubiquitous apps: politics of openness in global mobile cultures. 148-159 - Petra Gemeinboeck, Rob Saunders:
Urban fictions: a critical reflection on locative art and performative geographies. 160-173 - Gunnar Liestøl, Terje Rasmussen, Tomas Stenarson:
Mobile innovation: designing and evaluating situated simulations. 174-186 - Larissa Hjorth, Kyoung-Hwa Yonnie Kim:
Good grief: the role of social mobile media in the 3.11 earthquake disaster in Japan. 187-199 - Heidi Tikka, Sandra Viña, Giulio Jacucci, Teemu Korpilahti:
Provoking the city - touch installations for urban space. 200-214
Volume 22, Number 4, 2011
- Matthias Zeppelzauer, Maia Zaharieva, Dalibor Mitrovic, Christian Breiteneder:
Retrieval of motion composition in film. 219-234 - Chris Speed:
Kissing and making up: time, space and locative media. 235-246 - Lise Amy Hansen:
Full-body movement as material for interaction design. 247-262 - Coral Houtman:
Adventures in remediation: the making of Echo. 263-274 - Michael Fowler:
Appropriating an architectural design tool for musical ends. 275-287
- Sue Gollifer:
Art Space: editorial. 289-292
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