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44th SIGGRAPH 2017: Los Angeles, CA, USA - Talks
- Special Interest Group on Computer Graphics and Interactive Techniques Conference, SIGGRAPH 2017, Los Angeles, CA, USA, July 30 - August 3, 2017, Talks. ACM 2017, ISBN 978-1-4503-5008-2
The art of production
- Peter Tieryas, Henry Garcia, Stacey Truman, Evan Bonifacio:
Bringing Lou to life: a study in creating Lou. 1:1-1:2 - George Nguyen, Peter Tieryas, Jae Hyung Kim, Josh Holtsclaw:
Revving up a storm: a talk on creating Jackson storm. 2:1-2:2 - Kim Keech, Rachel Bibb, Brian Whited, Brett Achorn:
The role of hand-drawn animation in Disney's Moana. 3:1-3:2 - Tomohiro Hasegawa:
A fantasy based on reality the art of Final Fantasy XV. 4:1-4:2
It's complicated
- Jens Jebens, Damien Gray, Simon Bull, Aidan Sarsfield:
Evolving complexity management on "the LEGO Batman movie". 5:1-5:2 - Hannes Ricklefs, Stefan Puschendorf, Sandilya Bhamidipati, Brian Eriksson, Akshay Pushparaja:
From VFX project management to predictive forecasting. 6:1-6:2 - Dhruv Govil:
Animation collaboration with depth compositing. 7:1-7:2 - Daniel Heckenberg, Luke Emrose, Matthew Reid, Michael Balzer, Antoine Roille, Max Liani:
Rendering the darkness: glimpse on the LEGO Batman movie. 8:1-8:2
Effects omelette
- Ciaran Moloney, Jamie Haydock, Mathew Puchala, Miguel Perez Senent:
Rogue One: A Star Wars Story - Jedha destruction. 9:1-9:2 - Marc Bryant, Ian J. Coony, Jonathan Garcia:
Moana: Foundation of a Lava Monster. 10:1-10:2 - Dong Joo Byun, Shant Ergenian, Gregory Culp:
Moana: geometry based disco ball lighting for tamatoa's lair. 11:1-11:2 - Matt Ebb, Richard Sutherland, Daniel Heckenberg, Miles Green:
Building detailed fractal sets for "Guardians of the Galaxy Vol. 2". 12:1-12:2
Game on
- Jim Malmros:
Gears of War 4: custom high-end graphics features and performance techniques. 13:1-13:2 - Colin Matisz, Andy Yi Shen:
HDR TV output and lighting Gears of War 4. 14:1-14:2 - Prasert Prasertvithyakarn, Tatsuhiro Joudan, Hidekazu Kato, Seiji Nanase, Masayoshi Miyamoto, Isamu Hasegawa:
Procedural photograph generation from actual gameplay: snapshot AI in FINAL FANTASY XV. 15:1-15:2 - Kleber Garcia:
Circular separable convolution depth of field. 16:1-16:2
Catching light
- Daniel Heckenberg, Steve Agland
, Jean-Pascal leBlanc, Raphael Barth:
Automated light probes from capture to render for Peter Rabbit. 17:1-17:2 - Lucio Moser, Darren Hendler, Doug Roble:
Masquerade: fine-scale details for head-mounted camera motion capture data. 18:1-18:2 - Andrew W. Feng, Evan A. Suma, Ari Shapiro:
Just-in-time, viable, 3d avatars from scans. 19:1-19:2 - Adrien Kaiser
, José Alonso Ybáñez Zepeda, Tamy Boubekeur:
Proxy clouds for RGB-D stream processing: an insight. 20:1-20:2
I like to move it, move it
- Matthew Cong, Lana Lan, Ronald Fedkiw:
Muscle simulation for facial animation in Kong: Skull Island. 21:1-21:2 - David Bollo:
High performance animation in Gears of War 4. 22:1-22:2 - Gene S. Lee, Christian Eisenacher, Andy Lin
, Noel Villegas:
Handling scene constraints for pose-based caching. 23:1-23:2 - Pilar Molina Lopez, Jake Richards:
The eyes have it: comprehensive eye control for animated characters. 24:1-24:2
Hair it is!
- Marc Thyng, Christopher Evart, Toby Jones, Aleka McAdams:
The art and technology of hair simulation in Disney's Moana. 25:1-25:2 - Brian Missey, Amaury Aubel, Arunachalam Somasundaram, Megha Davalath:
Hairy effects in Trolls. 26:1-26:2 - Chloe LeGendre, Loc Huynh, Shanhe Wang, Paul E. Debevec:
Modeling vellus facial hair from asperity scattering silhouettes. 27:1-27:2
The art of visual journeys
- Elias Saliba, Mustafa Barkaoui, Hind Wakil:
Behind the scenes of VFX in the Middle East & Syria: "in art we trust". 28:1-28:2
Wet and wild
- Sean Palmer
, Jonathan Garcia, Sara Drakeley, Patrick Kelly, Ralf Habel:
The ocean and water pipeline of Disney's Moana. 29:1-29:2 - Ben Frost, Alexey Stomakhin
, Hiroaki Narita:
Moana: performing water. 30:1-30:2 - Rob Hopper, Kai Wolter:
The water effects of Pirates of the Caribbean: Dead Men Tell no Tales. 31:1-31:2 - Stephen Marshall, Tim Speltz, Greg Gladstone, Krzysztof Rost, Jon Reisch:
Racing to the finish line: effects challenges on Cars 3. 32:1-32:2
Lite brite
- Alejandro Conty Estevez, Christopher D. Kulla:
Importance sampling of many lights with adaptive tree splitting. 33:1-33:2 - Alexander Keller, Carsten Wächter, Matthias Raab, Daniel Seibert, Dietger van Antwerpen, Johann Korndörfer, Lutz Kettner:
The iray light transport simulation and rendering system. 34:1-34:2 - Beibei Wang, Nicolas Holzschuch:
Precomputed multiple scattering for light simulation in participating medium. 35:1-35:2 - Norbert Bus, Tamy Boubekeur:
Double hierarchies for efficient sampling in Monte Carlo rendering. 36:1-36:2
It's a material world
- Colin Penty, Ian Wong:
Gears of War 4: creating a layered material system for 60fps. 37:1-37:2 - Priyamvad Deshmukh, Feng Xie, Eric Tabellion:
DreamWorks fabric shading model: from artist friendly to physically plausible. 38:1-38:2 - Lutz Kettner:
Fast automatic level of detail for physically-based materials. 39:1-39:2 - Yuxiao Du, Ergun Akleman
:
Designing look-and-feel using generalized crosshatching. 40:1-40:2
Making waves
- Dong Joo Byun, Alexey Stomakhin
:
Moana: crashing waves. 41:1-41:2 - Gergely Klár
, Jeff Budsberg, Matt Titus, Stephen Jones, Ken Museth:
Production ready MPM simulations. 42:1-42:2 - Todd Keeler
, Robert Bridson:
Compact iso-surface representation and compression for fluid phenomena. 43:1-43:2 - Michael Bang Nielsen, Konstantinos Stamatelos, Adrian Graham, Marcus Nordenstam, Robert Bridson:
Localized guided liquid simulations in bifrost. 44:1-44:2
VR/AR to go
- Chris Kramer:
Evolution of AR in Pokémon go. 44a:1 - Kent Bye:
How VR changes the sense of ourselves & reality. 44b:1 - Graham Roberts:
A new (virtual) reality at the New York Times. 44c:1
Alt. workflows
- Mike Jutan, Steve Ellis:
Director-centric virtual camera production tools for rogue one. 45:1-45:2 - Vincent Serritella, David Lally, Brian Larsen, Farhez Rayani, Jason Kim, Matt Silas:
Smash and grab: off the rails filmmaking at Pixar. 46:1-46:2 - Jeff Stringer, Owen Nelson, Tony Aiello:
LAIKA's digital big boards. 47:1-47:2 - Kenneth Vanhoey
, Carlos Eduardo Porto de Oliveira, Hayko Riemenschneider, András Bódis-Szomorú, Santiago Manén, Danda Pani Paudel
, Michael Gygli, Nikolay Kobyshev, Till Kroeger, Dengxin Dai, Luc Van Gool:
VarCity - the video: the struggles and triumphs of leveraging fundamental research results in a graphics video production. 48:1-48:2
Make me a design
- Andrzej Zarzycki
, Martina Decker:
Programmable buildings: architecture as an interaction interface powered with programmable matter. 49:1-49:2 - Jochen Suessmuth, Sky Asay, Conor Fitzgerald, Mario Poerner, Davoud Ohadi, Detlef Mueller:
Concept through creation: establishing a 3-D design process in the footwear industry. 50:1-50:2 - Don Derek Haddad, Gershon Dublon, Brian D. Mayton, Spencer Russell, Xiao Xiao, Ken Perlin, Joseph A. Paradiso:
Resynthesizing reality: driving vivid virtual environments from sensor networks. 51:1-51:2
Procedural with caution
- Daniela Hasenbring, Jeremy Hoey:
Interactive environment creation with sprout. 52:1-52:2 - James Bartolozzi, Matt Kuruc:
A hybrid approach to procedural tree skeletonization. 53:1-53:2 - Wanho Choi, Nayoung Kim, Julie Jang, Sanghun Kim, Dohyun Yang:
Build your own procedural grooming pipeline. 54:1-54:2 - Arunachalam Somasundaram:
FurCollide: fast, robust, and controllable fur collisions with meshes. 55:1-55:2
It's alive! alternative immersions
- Andy Rowan-Robinson:
Field trip to Mars. 56:1 - Oculus:
Dear angelica: breathing life into VR illustrations. 57:1-57:2 - Dave Mauriello, Jason Kirk, Jeremy Fernsler:
Two novel approaches to visualizing internal and external anatomy of the cardiac cycle with a windowed virtual heart model. 58:1-58:2
Pipe dreams
- Matthew Chambers, Justin Israel, Andy Wright:
Large scale VFX pipelines. 59:1-59:2 - Daniel Bergel, Craig Dibble, Pauline Koh, James Pearson, Hannes Ricklefs:
Cloudy with a chance of rendering. 60:1-60:2 - Mungo Pay, Damien Maupu, Martin Prazák:
Flexible pipeline for crowd production. 61:1-61:2 - Ton Roosendaal, Francesco Siddi:
Beyond "cosmos laundromat": blender's open source studio pipeline. 62:1-62:2
Realities of VR production
- Dominik P. Käser, Evan Parker, Adam Glazier, Mike Podwal, Matt Seegmiller, Chun-Po Wang, Per Karlsson, Nadav Ashkenazi, Joanna Kim, Andre Le, Matthias Bühlmann, Joshua Moshier:
The making of Google earth VR. 63:1-63:2 - Bruna Berford, Carlos Diaz-Padron, Terry Kaleas, Irem Oz, Devon Penney:
Building an animation pipeline for VR stories. 64:1-64:2 - Chris Healer:
Visual effects for VR. 65:1-65:2
Partly crowdy
- Brett Achorn, Sean Palmer
, Larry Wu:
Building moana's kakamora barge. 66:1-66:2 - Melt van der Spuy:
PackIT: animating complicated character groups easily. 67:1 - Greg Mourino
, Mason Evans, Kevin Edzenga, Svetla Cavaleri, Mark Adams, Justin Bisceglio:
Populating the crowds in Ferdinand. 68:1-68:2 - Damien Maupu, Emanuele Goffredo, Nile Hylton, Mungo Pay, Martin Prazák:
Artist-driven crowd authoring tools. 69:1-69:2
Tools of the trade
- Curtis Andrus, Endre Balint, Chong Deng, Simon Coupe:
Optical flow-based face tracking in The Mummy. 70:1-70:2 - Andreas Bauer:
A new contour method for highly detailed geometry. 71:1-71:2 - Xinling Chen, Christopher D. Kulla, Lucas Miller, Alan Chen:
Lighting up the smurfs enchanted forest. 72:1-72:2
Don't be scared - it's only math
- Ken Dahm, Alexander Keller:
Learning light transport the reinforced way. 73:1-73:2 - Ken Museth:
Novel algorithm for sparse and parallel fast sweeping: efficient computation of sparse signed distance fields. 74:1-74:2 - Ran Dong
, DongSheng Cai, Nobuyoshi Asai:
Dance motion analysis and editing using hilbert-huang transform. 75:1-75:2 - Danil Nagy:
Nature-based hybrid computational geometry system for optimizing the interior structure of aerospace components. 76:1-76:2
Physical exe stuff
- Nitish Padmanaban
, Robert Konrad, Emily A. Cooper, Gordon Wetzstein
:
Optimizing VR for all users through adaptive focus displays. 77:1-77:2 - Nathan Matsuda, Alexander Fix, Douglas Lanman:
A case study on raytracing-in-the-loop optimization: focal surface displays. 78:1-78:2 - Konrad Tollmar, Pietro Lungaro, Alfredo Fanghella Valero, Ashutosh Mittal:
Beyond foveal rendering: smart eye-tracking enabled networking (SEEN). 79:1-79:2 - Christian Früh, Avneesh Sud, Vivek Kwatra:
Headset removal for virtual and mixed reality. 80:1-80:2
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