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ORCID1st NPAR 2000: Annecy, France
- 1st International Symposium on Non-Photorealistic Animation and Rendering, NPAR 2000, Annecy, France, June 5-7, 2000, Proceedings. ACM 2000, ISBN 1-58113-277-8
- Aaron Hertzmann, Ken Perlin:
Painterly rendering for video and interaction. 7-12 - Adam T. Lake, Carl Marshall, Mark Harris, Marc Blackstein:
Stylized rendering techniques for scalable real-time 3D animation. 13-20 - Scott S. Snibbe, Golan Levin:
Interactive dynamic abstraction. 21-29 - J. D. Northrup, Lee Markosian:
Artistic silhouettes: a hybrid approach. 31-37 - John W. Buchanan, Mario Costa Sousa:
The edge buffer: a data structure for easy silhouette rendering. 39-42 - Ahna Reza Girshick, Victoria Interrante, Steven Haker, Todd Lemoine:
Line direction matters: an argument for the use of principal directions in 3D line drawings. 43-52 - Michio Shiraishi, Yasushi Yamaguchi
:
An algorithm for automatic painterly rendering based on local source image approximation. 53-58 - Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Loring Holden, J. D. Northrup, John F. Hughes:
Art-based rendering with continuous levels of detail. 59-66 - Matthew Kaplan, Bruce Gooch, Elaine Cohen:
Interactive artistic rendering. 67-74 - Domingo Martín, Salvador García, Juan Carlos Torres:
Observer dependent deformations in illustration. 75-82 - Jonathan M. Cohen, John F. Hughes, Robert C. Zeleznik:
Harold: aworld made of drawings. 83-90 - Zsófia Ruttkay, Han Noot:
Animated CharToon faces. 91-100 - Ian Buck, Adam Finkelstein, Charles E. Jacobs, Allison W. Klein, David Salesin, Joshua E. Seims, Richard Szeliski, Kentaro Toyama:
Performance-driven hand-drawn animation. 101-108 - Thomas Strothotte, Stefan Schlechtweg:
Teaching non-photorealistic animation and rendering (panel session). 109 - G. H. Yeoh:
The "H.E.A.R.T" of stone Human Experience Art Reflection Technology (animation abstract). 110 - Daniel Borenstein:
Variations (animation abstract). 111 - Raquel Coelho:
The Tapir (animation abstract). 112 - Daniel Teece:
Animating with expressive 3D brush strokes (animation abstract). 113 - Chris Rowland:
Fireflay (animation abstract). 114 - Emre Yilmaz, Lev Yilmaz:
Bad Night and World Run (animation abstract). 115 - Christophe Archambault:
Using 3D information to drive 2D painting process (animation abstract). 116
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