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ORCID6th ICMC 1980: New York City, USA
- Proceedings of the 1980 International Computer Music Conference, ICMC 1980, New York City, USA, 1980. Michigan Publishing 1980
- Hubert S. Howe Jr.:
Preface. - Otto E. Laske:
Subscore Manipulation as a Tool for Compositional and Sonic Design. - Kevin Jones:
A Space Grammar for the Stochastic Generation of Multi-Dimensional Structures. - Barry Truax:
Timbral Construction as a Stochastic Process. - Howard A. Peelle, Stuart Smith:
Instructional Applications of Computer Music. - William Buxton, Sanand Patel, William T. Reeves, Ronald Baecker:
"OBJED" and the Design of Timbral Resources. - William Buxton, Sanand Patel, William T. Reeves, Ronald Baecker:
On the Specification of Scope in Interactive Score Editors. - Guy C. Fedorkow, William Buxton, Sanand Patel, Kenneth C. Smith:
A Microprocessor Controlled Clavier. - William Buxton, William T. Reeves, Guy C. Fedorkow, Kenneth C. Smith, Ronald Baecker:
A Microprocessor-based Conducting System. - M. Green:
PROD: A Grammar Based Computer Composition System. - James Montgomery:
Using the SSSP System: Reflections on One Composer's Experience. - John Strawn:
Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis. - Charles E. Potter, Dale Teaney:
Sonic Transliteration Applied to Descriptive Music Notation. - Brad Albers:
SYCOM's Studio A, an Integrated Environment for Electronic and Computer Music. - F. Richard Moore:
Computer Audio Research Laboratory Report. - Goffredo Haus:
Computer Music at the Institute of Cybernetics of the University of Milan. - Wayne Slawson:
Composer-Centered Development - A Studio Report from Pittsburgh. - Wesley Fuller:
Computer Studio Report: Tri-College Group for Electronic Music and Related Research. - Leland Smith:
The SCORE Program for Musical Input to Computers. - Peter J. Clements:
Musical Data Structures in a Multi-Use Environment. - Alexander R. Brinkman:
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data. - Bruce McLean:
The Design of a Portable Translator for DARMS. - Andrew S. Glassner:
Musicbox in C: An Interactive, Graphic Digital Sound Editor. - Curtis Abbott:
The 4CED Program. - Leland Smith:
Printing Music by Computer: A 16 Millimeter Sound Film. - Donald Byrd:
Human Engineering in a Portable Music Notation System. - Blair D. McKay, Barry L. Wills:
Microprocessor-Supervised Digital Synthesizers. - Raymond F. Jurgens:
Algorithmic Music Language. - Scott Vance:
Optrix: A New Method of Human Coupling with Electronic Media in Live Performance. - Mark Kahrs:
VLSI and the Design of Real-Time Digital Sound Processors. - Paul Lansky:
Imagination and Linear Prediction. - Gary S. Kendall:
Composing from a Geometric Model: Five-Leaf Rose. - John Rogers, John Rockstroh:
Music-Time and Clock-Time Similarities under Tempo Change. - Paul E. Dworak, Philip C. Baczewski:
A Vector Field Model of Compositional Creativity. - Christopher Fry:
Computer Improvisation. - Rosalee Nerheim, Wilber T. England:
A Rhythm Composing Program for Percussion Ensemble. - Tamas Ungvary:
Sound Image Synthesis. - Daniel Arfib:
The Musical Use of Non Linear Distortion. - David Keane:
Computer Music: Some Problems and Objectives in Applied Aesthetics. - Dorothy Gross:
A Computer Project in Harmonic Analysis. - Kemal Ebcioglu:
Computer Counterpoint. - C. G. Marillier:
Computer Assisted Analysis of Tonal Structure in the Classical Symphony. - Steve Levine, J. William Mauchly:
The Fairlight Computer Musical Instrument. - Michael A. Yantis:
SBASS-1 Features. - Don Lieberman:
The ADS 200 Advanced Digital Synthesizer. - Blair D. McKay, Barry L. Wills, David W. Carr:
Polyphonic Velocity-Sensitive Keyboard Interface. - Douglas J. Steele, Barry L. Wills:
A Microcomputer-Based Keyboard Music System. - Kimball P. Stickney:
Music-11 and ST-10: Classic Stochastic Concepts Revisited. - Kimball P. Stickney:
Inexpensive Computer Music Scoring: newly available hardware. - Charles Ames:
Crystals: Recursive Structures in Computer Music Composition. - Hélène Charnassé:
Towards a Data Base in Musicology: The Computer Processing of the Bridgman File. - Deta S. Davis:
Computer Applications in Music: A Bibliography.
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