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ORCID2nd Computer Vision and Image Analysis of Art 2011: San Francisco, CA, USA
- David G. Stork, Jim Coddington, Anna Bentkowska-Kafel:
Computer Vision and Image Analysis of Art II, San Francisco Airport, California, USA, January 23-27, 2011. SPIE Proceedings 7869, SPIE 2011, ISBN 9780819484062
Front Matter
- Front Matter: Volume 7869. 786901
Looking Inside the Painting
- David G. Stork:
Computer analysis of lighting style in fine art: steps towards inter-artist studies. 786903
Semantic Classifications, Iconography, and CBIR
- Gustavo Carneiro
, João Paulo Costeira:
The automatic annotation and retrieval of digital images of prints and tile panels using network link analysis algorithms. 786904 - Nuno Pinho da Silva, Manuel Marques, Gustavo Carneiro, João Paulo Costeira:
Explaining scene composition using kinematic chains of humans: application to Portuguese tiles history. 786905 - Pradeep Yarlagadda, Antonio Monroy, Bernd Carqué, Björn Ommer:
Top-down analysis of low-level object relatedness leading to semantic understanding of medieval image collections. 786906 - Jérôme Da Rugna, Gaël Chareyron, Ruven Pillay, Morwena Joly:
A framework for analysis of large database of old art paintings. 786907
Image Acquisition and Processing
- Barbara Zitová, Miroslav Benes, Jan Blazek:
Image fusion for art analysis. 786908 - Keith T. Knox, Roger L. Easton Jr., William A. Christens-Barry, Kenneth Boydston:
Recovery of handwritten text from the diaries and papers of David Livingstone. 786909 - Tenzing Shaw, Peter Bajcsy:
Automation of digital historical map analyses. 78690A - Jorge Herrera, Meritxell Vilaseca, Jaume Pujol:
Automatic multispectral ultraviolet, visible and near-infrared capturing system for the study of artwork. 78690B
Visualization, Documentation, and Art Restoration
- Damon M. Conover, John K. Delaney, Paola Ricciardi, Murray H. Loew:
Towards automatic registration of technical images of works of art. 78690C - Eryk Bunsch, Robert Sitnik, Jakub Michonski:
Art documentation quality in function of 3D scanning resolution and precision. 78690D - Jay Arre Toque, Ari Ide-Ektessabi:
Investigation of the degradation mechanism and discoloration of traditional Japanese pigments by multispectral imaging. 78690E - Yumi Usami, David G. Stork, Jun Fujiki, Hideitsu Hino, Shotaro Akaho, Noboru Murata:
Improved methods for dewarping images in convex mirrors in fine art: applications to van Eyck and Parmigianino. 78690F
Interactive Paper Session
- Ricardo Silveira Cabral, João Paulo Costeira, Fernando De la Torre, Alexandre Bernardino, Gustavo Carneiro:
Time and order estimation of paintings based on visual features and expert priors. 78690G - Mahmoud Al-Ayyoub, Mohammad T. Irfan, David G. Stork:
Boosting multi-feature visual texture classiffiers for the authentication of Jackson Pollock's drip paintings. 78690H - Yubin Kuang, David G. Stork, Fredrik Kahl:
Improved curvature-based inpainting applied to fine art: recovering van Gogh's partially hidden brush strokes. 78690I - David G. Stork:
Did Caravaggio employ optical projections? An image analysis of the parity in the artist's paintings. 78690J - David G. Stork, Yasuo Furuichi:
A computer graphics reconstruction and optical analysis of scale anomalies in Caravaggio's Supper at Emmaus. 78690K - David G. Stork, Alexander J. Kossolapov:
X-ray image analysis of Lorenzo Lotto's Husband and wife. 78690L - Alhaad Gokhale, Peter Bajcsy:
Automated classification of quilt photographs into crazy and non-crazy. 78690M - Jay Arre Toque, Yusuke Murayama, Yohei Matsumoto, Ari Ide-Ektessabi:
Polarized light scanning for cultural heritage investigation. 78690N - Cherry May T. Palomero, Maricor N. Soriano:
After digital cleaning: visualization of the dirt layer. 78690O
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