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8th DLfM 2021: Virtual Event
- Claire Arthur:
DLfM '21: 8th International Conference on Digital Libraries for Musicology, Virtual Conference, July 28-30, 2021. ACM 2021, ISBN 978-1-4503-8429-2 - Mary Emmett, Zongyu Yin, Tom Collins:
An archive-exploration system for the Hunting Songs of the Lakeland Fell Packs. 1-8 - Nicolas D'Aleman Arango:
Archiving the Sonic Ephemeral: Towards a classification of sound installation documentations through spatial audio features. 9-13 - Andrew Brinkman, David Huron:
Cross-Cultural Corpus Creation and Statistical Tendencies in Music. 14-22 - David M. Weigl
, Werner Goebl, David J. Baker, Tim Crawford, Federico Zubani, Aggelos Gkiokas, Nicolás Felipe Gutiérrez Páez
, Alastair Porter, Patricia Santos:
Notes on the Music: A social data infrastructure for music annotation. 23-31 - Mark Gotham
, Jason Yust:
Serial Analysis: A Digital Library of Rows in the Repertoire and their Properties, with Applications for Teaching and Research. 32-40 - Charlotte Armstrong, Rachel Cowgill, Alan J. Dix, Christina Bashford, J. Stephen Downie, Michael B. Twidale, Maureen Reagan, Rupert Ridgewell:
Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations. 41-49 - David Lewis, Kevin R. Page
, Laurence Dreyfus:
Narratives and exploration in a musicology app: Supporting scholarly argument with the Lohengrin TimeMachine. 50-58 - Joshua Ballance
:
The Path to the New Note: Interval Distributions in the Music of Anton Webern. 59-66 - Konstantinos Giannos
, Emilios Cambouropoulos:
Symbolic Encoding of Simultaneities: Re-designing the General Chord Type Representation. 67-74 - Nádia Carvalho
, Sara Gonzalez-Gutierrez
, Javier Merchán Sánchez-Jara, Gilberto Bernardes
, María Navarro-Cáceres:
Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music. 75-83 - Jules Cournut, Louis Bigo, Mathieu Giraud, Nicolas Martin, David Régnier:
What are the most used guitar positions? 84-92 - Jeff Miller, Vincenzo Nicosia, Mark Sandler:
Discovering Common Practice: Using Graph Theory to Compare Harmonic Sequences in Musical Audio Collections. 93-97
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