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ORCIDMusic and Human-Computer Interaction 2013
- Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago:
Music and Human-Computer Interaction. Springer Series on Cultural Computing, Springer 2013, ISBN 978-1-4471-2989-9 - Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago:
Music Interaction: Understanding Music and Human-Computer Interaction. 1-28 - James McDermott, Toby Gifford, Anders Bouwer, Mark Wagy:
Should Music Interaction Be Easy? 29-47 - Isaac Wallis, Todd Ingalls, Ellen Campana, Catherine Vuong:
Amateur Musicians, Long-Term Engagement, and HCI. 49-66 - Anna Bramwell-Dicks, Helen Petrie
, Alistair D. N. Edwards, Christopher Power:
Affective Musical Interaction: Influencing Users' Behaviour and Experiences with Music. 67-83 - Ben Swift:
Chasing a Feeling: Experience in Computer Supported Jamming. 85-99 - Anders J. Bouwer, Simon Holland, Mat Dalgleish:
The Haptic Bracelets: Learning Multi-Limb Rhythm Skills from Haptic Stimuli While Reading. 101-122 - Andrew P. McPherson, Youngmoo E. Kim:
Piano Technique as a Case Study in Expressive Gestural Interaction. 123-138 - Dan Stowell, Alex McLean:
Live Music-Making: A Rich Open Task Requires a Rich Open Interface. 139-152 - Allan Seago:
A New Interaction Strategy for Musical Timbre Design. 153-169 - Alexis Kirke, Eduardo Reck Miranda:
Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency. 171-188 - Robin Fencott, Nick Bryan-Kinns:
Computer Musicking: HCI, CSCW and Collaborative Digital Musical Interaction. 189-205 - Anders J. Bouwer, Simon Holland, Mat Dalgleish:
Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills. 207-221 - James McDermott, Dylan Sherry, Una-May O'Reilly:
Evolutionary and Generative Music Informs Music HCI - And Vice Versa. 223-240 - Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
Video Analysis for Evaluating Music Interaction: Musical Tabletops. 241-258 - Katie Wilkie, Simon Holland, Paul Mulholland:
Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction. 259-270 - Toby Gifford:
Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System. 271-286
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